Wonderful to meet everyone at the conference. It's been such a
privilege to be part of the work group. I'm glad that the
conversations are continuing.
I'd be very interested to contribute to a publication, particularly if
submissions could include alternative format writings (writing-as-art
more than writing-about-art). Depending on the publication, this may
or may not be appropriate. One publication that includes a range of
kinds of writing, which might be appropriate for us (although based in
Croatia) is FRAKCIJA.
Each issue is devoted to a particular subject, and the approaches used
attempt to encompass the manifold areas and perspectives of theory and
academic reflection, but also to include actual artistic practice. This
new direction meant a change in the editorial policy of FRAKCIJA, now
to be based on guest-editors and invited contributors, both scholars
and artists.
This may be too geographically "far out," but if people are interested,
I'd be happy to look into it. January sounds like a great time to work
on this in more detail.
Thanks and best,
Ginger
Katherine Mezur wrote:
>Tanya, I think all those ideas are totally wonderful, but I also wanted
to
>ground the presence and training studies in performances (taking into
>consideration the place, time, setting, costumes, themes, contents etc.
) and
>reading the physical theory within the performance stuff and then let
me see
>what is happening between or in the interval of these different bodies.
I need
>to see how ideas are driving the performance from choreography to
sweat. if you
>went to Judith Hamera's talk on Sunday am, that was a wonderful example
of
>theory within the choreography, of course she could have gone further
viscerally
>but only so much time. k
> Katherine Mezur
>Research Fellow
>International Research Center
>"Interweaving Performance Cultures"
>Freie University Berlin
>Grunewaldstr. 34
>12165 Berlin(-Steglitz), Germany
>Tel.: +49 30 838 50448
>Fax: +49 30 838 50449
>kme...@sbcglobal.net
>
>
>Home:
>1100 Miller Ave.
>Berkeley, CA 94708
>Tel. and Fax: 510-845-0554
>
>
>
>
>________________________________
>From: Tanya Calamoneri <tcala...@gmail.com>
>To: butos-corp...@googlegroups.com
>Sent: Thu, November 25, 2010 2:35:16 AM
>Subject: Re: radical suggestion
>
>mm-hmm - my re-framing would be about the psychophysical performer,
which
>Schechner and Zarilli and others write about, and how Hijikata's work
>specifically and buto in general contribute to this conversation that
has been
>going on since Stanislavski's late work and into Grotowski...I like
Grotowski's
>j-pop alliances! I could also write about Ko Murobushi in relation to
this
>topic if others are covering Hijikata.
>
>the whole point of my dissertation and why i think it's useful to study
>HIjikata's working methods is for this idea of training performer
presence. in
>that sense I might be with Zack in wondering if buto is a form or
whether it was
>just a few amazing, charismatic artists who can never really be
replicated
>except on one's own terms. It makes sense to me that Yoshito and Kasai
say that
>Pina Bausch and Nijinsky were buto, if buto is not a form but a fire.
>
>I've also been thinking about buto and punk as parallels...in terms of
how they
>have affected future generations, and these questions of
lineage/investment in
>learning about roots vs the tweeniebopper wearing a Ramones
t-shirt...all of it
>is part of the diaspora in some sense, no?
>
>:) tanya
>
>
>On Wed, Nov 24, 2010 at 8:11 PM, Katherine Mezur <kme...@sbcglobal.net>
wrote:
>
>post holidays is better (even though I am so relieved not to do thanks
giv.) Can
>you all re-think or imagine what your work is about if it were not
under the
>"butoh" label: like instead of new local butoh, you might consider (i
am just
>making this up!) "migrating gestures: eikoh/koma and the
khymer/cambodian etc.
>or dig deep into the comments and threads of your online conversations:
these
>seemed beyond butoh and very provocative. Bruce's new geneologies could
be a
>remapping of an "ecology" of postwar (not-modern) performance/dance
art. I keep
>thinking of the dirty laundry and the passage of "intellectual
>properties"...should we propose disjunctive meetings: Buddhist caberet,
Walking
>on walls and rooftops: naked, white, and slipping; Grotowski's J-pop
alliances;
>Tanaka Min's Bone Poetry, anyway I mentioned once to Mark that his
reading of
>Ohno's La argentina through the painting that inspired Ohno and his
play with
>Bergson and memory, made me think about a kind of "darker" politics of
>nationalisms within these dances between visual and corporeal
manipulations. I
>was writing at that moment on Yamazaki and his work on Fagalla with
Jant-bi from
>Senegal. He so wanted to take butoh out of its sentimental coolness.
best k
>>
>> Katherine Mezur
>>Research Fellow
>>International Research Center
>>"Interweaving Performance Cultures"
>>Freie University Berlin
>>Grunewaldstr. 34
>>12165 Berlin(-Steglitz), Germany
>>Tel.: +49 30 838 50448
>>Fax: +49 30 838 50449
>>kme...@sbcglobal.net
>>
>>
>>Home:
>>1100 Miller Ave.
>>Berkeley, CA 94708
>>Tel. and Fax: 510-845-0554
>>
>>
>>
>>
>>
>________________________________
>From: "zful...@verizon.net" <zful...@verizon.net>
>>To: butos-corp...@googlegroups.com
>>Sent: Wed, November 24, 2010 8:00:15 PM
>>Subject: Re: Re: publishing
>>
>>I know Mark too, he helped me put together one of the book lists for my
second
>>exam.
>>
>>As far as publishing, I mentioned to a couple of you that I am a bit
wary of
>>publishing anything about Tanaka in a journal or section of a journal
devoted
>>specifically to buto. However, I do have something else I am working
on that
>>focuses on Hijikata's early collaborative work and addresses some of
the issues
>>we've been discussing. I think five pages would be just right for it,
so if
>>that would be acceptable, count me in.
>>
>>
>>It was great meeting all of you and would be happy to do the working
group thing
>>with you again. Hopefully Alissa and Michael can make it this time.
>>Best,
>>Zack
>>Nov 24, 2010 09:36:47 AM, butos-corp...@googlegroups.com wrote:
>>
>>===========================================
>>
>>Probably post... Do you want to do the honors Katherine or should I?
And do you
>>want to write too??
>>Tanya CalamoneriPhD Candidate,Temple University Dance
DepartmentArtistic
>>Director, Company SoGoNowww.sogono.org718.207.3307
>>On Nov 24, 2010, at 10:02 AM, Megan V Nicely wrote:
>>
>>
>>
>>Michael too.
>>OK, 5 pages, I am down to condense/refine toward that!
>>When to contact him? Pre or post holidays?
>>M
>>
>>
>>DRJ usually has about 5 articles of about
>>10-15 pages each. Maybe if we each had about 5 pages? Kind
>>of like the Kurihara TDR that had several short articles? I
>>think a co-written article would be too difficult at this point.
>>Maybe after our 5th working group together haha.
>>
>>
>>
>>I also know Mark Franko because I tried to help him get a PhD program
>>at Columbia started...maybe he would at least have advice for us?
>>I really think DRJ would be a good place to start since it's the CORD
>>journal.
>>
>>
>>
>>I'm interested (clearly :)) and I think Natalie said she was as
>>well, and Megan and Rosemary...and Katherine? Who else?
>>
>>
>>
>>T
>>
>>
>>On Wed, Nov 24, 2010 at 2:30 AM, Megan V
>>Nicely
>>wrote:
>>
>>I also don't think we should rush too much, but I don't
>>want to lose momentum either.
>>I was not thinking of a 10-page article total but more
>>like an 8-10 page mini-article from each of us....so actually a
>>substantial section of a journal who was interested, with only the
>>intro/conclusion co-authored. I also thought of Choreographic
>>Practices. DRJ I actually don't know as much about format-wise but
>>seems a good connection for us? might they do such a
>>section?
>>Maybe we could "pitch" it to DRJ once we get our
>>plan more settled amongst ourselves and see what they say? If
>>interested, I am sure we would have time to then work toward
>>it.
>>What do others think?
>>I guess the first question is who is actually
>>interested.
>>Bye for hte moment,
>>Megan
>>
>>
>>
>>
>>DRJ might be good, but I really wonder if
>>a co-written article is the way to go. It seems to me that it
>>might be better to approach it as a special issue, with 1 or 2
>>editors, and 5-7 articles.
>>
>>
>>
>>
>>
>>
>>I know people are excited to capitalize on our working
>>group success and move forward quickly, but I think it would serve all
>>our professional (i.e.publishing) needs better if we spend some time
>>figuring out which journals would be best, finding out about special
>>issues, and then reconvene as a group (perhaps a conference call) to
>>share what we've learned and prioritize who we'd like to approach.
>>
>>
>>
>>
>>-R.
>>
>>
>>
>>
>>On Tue, Nov 23, 2010 at 6:29 PM, Katherine Mezur
>>wrote:
>>
>>hey, How about Mark Franko's Dance Research Journal. I can
>>write him. I think the collective work would work if it were very
>>focused on a particular idea or performance or person. k
>>
>>
>>
>>
>>Katherine Mezur
>>
>>Research Fellow
>>
>>International Research Center
>>
>>"Interweaving Performance Cultures"
>>
>>Freie University Berlin
>>
>>Grunewaldstr. 34
>>
>>12165 Berlin(-Steglitz), Germany
>>
>>Tel.: +49 30 838 50448
>>
>>Fax: +49 30 838 50449
>>
>>kme...@sbcglobal.net
>>
>>
>>Home:
>>
>>1100 Miller Ave.
>>
>>Berkeley, CA 94708
>>
>>Tel. and Fax: 510-845-0554
>>
>>
>>
>>
>>
>>
>>
>>
>>From: Megan V Nicely
>>
>>
>>To: butos-corp...@googlegroups.com
>>
>>Sent: Tue, November 23, 2010 10:12:53 PM
>>
>>Subject: publishing
>>
>>
>>
>>
>>OK, I have to say TDR was not as interested as I had thought. The word
>>was "it had better be really new!" in terms of comments on
>>butoh, and they suggested our editing things down and creating a
>>roundtable format.
>>
>>
>>
>>Given this response, I am not sure this is the right venue for
>>us....what do others think? Are there other places we might consider,
>>that journal Tanya you mentioned? I really think a journal would be
>>interested as there is not much outside of dissertations being
>>published on butoh.
>>
>>
>>
>>Best, Megan
>>
>>
>>
>>
>>
>>
>>
>>
>>--
>>Megan Nicely
>>
>>mnd...@earthlink.net
>>
>>http://home.earthlink.net/%7Emndance/
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>--
>>
>>PhD Candidate, Presidential Fellow
>>
>>Temple University Department of Dance
>>
>>
>>
>>Artistic Director, Company SoGoNo
>>
>>www.sogono.org
>>
>>718-207-3307
>>
>>
>>
>>
>>--
>>
>>Megan Nicely
>>
>>mnd...@earthlink.net
>>
>>http://home.earthlink.net/~mndance/
>>
>>
>>
>>
>
>
>--
>PhD Candidate, Presidential Fellow
>Temple University Department of Dance
>
>Artistic Director, Company SoGoNo
>www.sogono.org
>718-207-3307
>