Midnight In Paris Movie Download In Hindi
Stephanie Dejoode
Midnight in Paris is a 2011 fantasy comedy film written and directed by Woody Allen. Set in Paris, the film follows Gil Pender (Owen Wilson), a screenwriter, who is forced to confront the shortcomings of his relationship with his materialistic fiance (Rachel McAdams) and their divergent goals, which become increasingly exaggerated as he travels back in time each night at midnight.[3]
Produced by the Spanish group Mediapro and Allen's US-based Gravier Productions, the film stars Wilson, McAdams, Kathy Bates, Adrien Brody, Carla Bruni, Tom Hiddleston, Marion Cotillard, and Michael Sheen. It premiered at the 2011 Cannes Film Festival and was released in the United States on May 20, 2011.[3][4] The film opened to critical acclaim. In 2012, it won the Academy Award for Best Original Screenplay and the Golden Globe Award for Best Screenplay. It was nominated for three other Academy Awards: Best Picture, Best Director and Best Art Direction.[5]
In 2010, disillusioned screenwriter Gil Pender and his fiance Inez vacation in Paris with Inez's wealthy parents. Gil, struggling to finish his debut novel about a man who works in a nostalgia shop, finds himself drawn to the artistic history of Paris, especially the Lost Generation of the 1920s, and has ambitions to move there, which Inez dismisses. By chance, they meet Inez's friend Paul and his wife Carol. Paul speaks with great authority but questionable accuracy on French history, annoying Gil but impressing Inez.
Intoxicated after a night of wine tasting, Gil decides to walk back to their hotel, while Inez goes with Paul and Carol by taxi. At midnight, a 1920s car pulls up beside Gil and delivers him to a party for Jean Cocteau, attended by other people of the 1920s Paris art scene. Zelda Fitzgerald, bored, encourages her husband Scott and Gil to leave with her. They head to a cafe where they run into Ernest Hemingway and Juan Belmonte. After Zelda and Scott leave, Gil and Hemingway discuss writing, and Hemingway offers to show Gil's novel to Gertrude Stein. As Gil leaves to fetch his manuscript, he returns to 2010; the cafe is now a laundromat.
Gil continues to time travel the following nights. Inez grows jaded with Paris and Gil's constant disappearing, while her father grows suspicious and hires a private detective to follow him. Adriana leaves Picasso and continues to bond with Gil, who is conflicted by his attraction to her. Gil explains his situation to Salvador Dal, Man Ray, and Luis Buuel; as surrealists, they do not question his claim of coming from the future. Gil later suggests the plot of The Exterminating Angel to Buuel.
While Inez and her parents travel to Mont Saint Michel, Gil meets Gabrielle, an antique dealer and fellow admirer of the Lost Generation. He later finds Adriana's diary at a book stall, which reveals that she was in love with Gil and dreamed of being gifted earrings before making love to him. To seduce Adriana, Gil tries to steal a pair of Inez's earrings, but is thwarted by her early return to the hotel room.
Gil rewrites the first two chapters of his novel and retrieves his draft from Stein, who praises his rewrite but says that on reading the new chapters Hemingway did not believe that the protagonist does not realise that his fiance, based on Inez, is having an affair with the character based on Paul. Gil returns to 2010 and confronts Inez, who admits to having slept with Paul, but disregards it as a meaningless fling. Gil breaks up with her and decides to move to Paris. The detective following him takes a "wrong turn" and ends up being chased by the palace guards of Louis XVI just before a revolution breaks out. While walking by the Seine at midnight, Gil encounters Gabrielle. As it begins to rain, he offers to walk her home, and learns that they share a love for Paris in the rain.
Owen is a natural actor. He doesn't sound like he's acting, he sounds like a human being speaking in a situation, and that's very appealing to me. He's got a wonderful funny bone, a wonderful comic instinct that's quite unlike my own, but wonderful of its kind. He's a blond Texan kind of Everyman's hero, the kind of hero of the regiment in the old war pictures, with a great flair for being amusing. It's a rare combination and I thought he'd be great.
This is the second time McAdams and Wilson co-starred as a couple; they did so before in 2005's Wedding Crashers. In comparing the two roles, McAdams describes the one in Midnight in Paris as being far more antagonistic than the role in Wedding Crashers.[7] Allen had high praise for her performance and that of co-star Marion Cotillard.[8] Cotillard was cast as Wilson's other love interest, the charismatic Adriana.
Carla Bruni, singer-songwriter and wife of former French president Nicolas Sarkozy, was recruited by Allen for a role as a museum guide.[9] There were false reports that Allen re-filmed Bruni's scenes with La Seydoux, but Seydoux rebuffed these rumors revealing she had an entirely separate role in the film.[10] Allen also shot down reports that a scene with Bruni required over 30 takes: "I am appalled. I read these things and I could not believe my eyes ... These are not exaggerations, but inventions from scratch. There is absolutely no truth." He continued to describe Bruni as "very professional" and insisted he was pleased with her scenes, stating that "every frame will appear in the film."[11][12]
Allen employed a reverse approach in writing the screenplay for this film, by building the film's plot around a conceived movie title, 'Midnight in Paris'.[13] The time-travel portions of Allen's storyline are evocative of the Paris of the 1920s described in Ernest Hemingway's 1964 posthumously published memoir A Moveable Feast, with Allen's characters interacting with the likes of Hemingway, Gertrude Stein, and F. Scott and Zelda Fitzgerald, and using the phrase "a moveable feast" in two instances, with a copy of the book appearing in one scene. Allen originally wrote the character Gil as an East Coast intellectual, but he rethought it when he and casting director Juliet Taylor began considering Owen Wilson for the role.[6] "I thought Owen would be charming and funny but my fear was that he was not so Eastern at all in his persona," says Allen, who realised that making Gil a Californian would actually make the character richer, so he rewrote the part and submitted it to Wilson, who readily agreed to do it. Allen describes him as "a natural actor".[6] The set-up has certain plot points in common with the 1990s British sitcom Goodnight Sweetheart.
Principal photography began in Paris in July 2010.[14] Allen states that the fundamental aesthetic for the camera work was to give the film a warm ambience. He describes that he likes it (the cinematography), "intensely red, intensely warm, because if you go to a restaurant and you're there with your wife or your girlfriend, and it's got red-flecked wallpaper and turn-of-the-century lights, you both look beautiful. Whereas if you're in a seafood restaurant and the lights are up, everybody looks terrible. So it looks nice. It's very flattering and very lovely."[13] To achieve this he and his cinematographer, Darius Khondji, used primarily warm colours in the film's photography, filmed in flatter weather and employed limited camera movements, in attempts to draw little attention to the cinematography. This is the first Woody Allen film to go through a digital intermediate, instead of being color timed in the traditional photochemical way. According to Allen, its use here is a test to see if he likes it enough to use on his future films.[15]
Allen's directorial style placed more emphasis on the romantic and realistic elements of the film than the fantasy elements. He states that he "was interested only in this romantic tale, and anything that contributed to it that was fairytale was right for me. I didn't want to get into it. I only wanted to get into what bore down on his (Owen Wilson's) relationship with Marion."[13]
The Sony Classics team decided to take a lemon and make lemonade. They obtained a list of reporters who were invited to the Cars 2 junket and sent them press notes from Midnight in Paris, encouraging them to ask Wilson questions about the Allen film during the Pixar media day. Wilson happily complied, answering queries about his character in Paris that provided material for a host of stories. Sony Classics also got a hold of Wilson's schedule of TV appearances to promote Cars 2 on shows like Late Show with David Letterman, then bought ad time for Paris spots on the nights when Wilson was a guest.[18]
The film is co-produced by Allen's Gravier Productions and the Catalan company Mediapro[19] and was picked up by Sony Pictures Classics for distribution. It is the fourth film the two companies have co-produced, the others being Sweet and Lowdown, Whatever Works and You Will Meet a Tall Dark Stranger. The film's poster is a reference to Vincent van Gogh's 1889 painting The Starry Night.[20]
In promoting the film, Allen was willing to do only a limited amount of publicity at its Cannes Film Festival debut in May. Wilson was already committed to promoting Pixar's Cars 2, which opened in late June, several weeks after Allen's film arrived in cinemas. Due to these challenges and the relatively small ($10 million) budget for promotion, Sony Classics had to perform careful media buying and press relations to promote the film.[18]
The film premiered at the Cannes Film Festival on May 11, 2011, when it opened the festival as a first screening for both professionals and the public;[21] it was released nationwide in France that same day, Wednesday being the traditional day of change in French cinemas.[22] It went on limited release in six theaters in the United States on May 20 and took $599,003 in the first weekend, spreading to 944 cinemas three weeks later, when it went on wide release.[1]
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