Re: Mai... Tamil Movies
Ivy Auteri
We were super pumped to watch a movie in a Thai cinema, after all the amazing stories we heard from our friends (thanks Jenn and Brian!). Thailand took the cinema experience to a whole new level. We went to the Major Cineplex movie theatre at the CentralFestival Mall, one of the most famous chain of theatres throughout the country, and tried two different types of theatres they offered.
As soon as we sat down, a waiter came to serve us. There were three types of popcorn and drinks available, all free of charge and with unlimited refills. The popcorn came in a glass bowl while the drink came in a glass. Whenever we needed anything, all we had to do was wave and a waiter would come in the dark to serve us. We were treated like royalty.
We snuggled into the seats that were as comfortable as a bed, adjusting the back and legrest as we pleased. Along with unlimited popcorn and drinks, we really felt like kings. Combined with Katniss kicking butt, we really savoured every second of it. Ultra Screen is how movies were meant to be enjoyed.
Instead of the regular rows of seats that filled most of the Thai cinema IMAX, we paid a little bit more for a pair of VIP seats at the top. Again, these can only be bought in pairs for 600 baht (USD 18 for 2 people!), which we thought was a steal. The VIP seats were more roomy, with a pillow and blanket, as well as more privacy. While this was no Ultra Screen, it was still really, really nice. We also nerded over Interstellar, which made us think for days.
While cinema therapy is a technique awaiting additional research, reviews of its efficacy suggest that when we use movies as a self-discovery tool for personal growth and healing, films could give us a window into how we engage with our real lives.
Before clicking play, however, check in with yourself to ensure you can tolerate the emotions these selected films might elicit. If anything becomes too much, consider hitting pause or revisiting the film at a later time. What makes cinema therapy a tool we can wield with wisdom is allowing the art form to affect us to the degree we feel most comfortable, turning it off if necessary.
If zombies are your thing, then prepare yourself for a feature-length adaptation of the cult British "zom-com" web series that follows the adventures of three inept survivors who vlog their way through a zombie apocalypse to ease their boredom.
Scheduled for release next year, it's just the kind of silly madness we need after nearly two whole years of lockdowns and restrictions. We sat down with Miles to ask all those burning questions we zombie-mad fans have about this lovable, often gory style of horror.
I think it comes from having a deep, deep obsession with Romero's Dawn of the Dead! And I was so happy when Edgar Wright's seminal TV series Spaced had the zombie episode because that show completely highlighted the obsessive effect films, TV, and games have had on our generation. So we couldn't help imagining what kind of apocalypse scenarios we, ourselves, could survive and what we'd do in those circumstances. And then Shaun of the Dead came out and nailed it: I was 29, the same age as Shaun when it came out, and it hit me hard. And that's what made me start to make movies.
I made some no-budget films with friends (including Tony, who I met while we worked at the cinema in York), and we started talking about our love of zombie films. We went to see things like Rec and Cloverfield and talked about how much we love The Blair Witch Project and other terrific found footage films, and so the web series idea started brewing.
We were among the first wave of UK web series to really take off: we were taking our cue from our US heroes like Felicia Day and Sandeep Parikh, who are fans of Zomblog, which is something we've always been very grateful for. Their shows The Guild and Legend of Neil are not just funny and ingenious, but they were made on shoestring budgets with their mates, and that led us to say hang on, we can do that too! We started putting out episodes on YouTube monthly, and it built from there. Our friends would say how much they were enjoying it, and then it started to get the attention of the internet at large. By season three, it was getting thousands of views per episode.
It was always going to be a movie, but we learned the hard way about the long transition from homemade web series to homemade movie. It's all very well raising some money to shoot the film, and we had some great interest from investors, but you have to put up with a lot of unsolicited opinions about the film industry when you set out to make a movie.
Haha! Yes, that was Tony's idea, I think. He said, "You know the stripper zombie in Zombieland? Where you're wondering what happened minutes earlier? Why don't we do that but with a male stripper who's had his nob bitten off at a hen party or something? It made us laugh, so it instantly went in. I mean, as I say in the movie, it makes you wonder how it happened! Plus, it makes a lovely squeaky noise as he waggles it against the car window.
It was actually fairly straightforward for the movie: because of the scale of the production and the accompanying buzz, people wanted to show up. For the web series, we started big, and gradually people grew tired of turning up at 8am on a cold Sunday to get plastered in blood (we had to shoot in the city centre at unsociable hours, so the streets were empty.) But for the movie, we have lots of notice as to when and where we'd need people, and they could sign up for whichever dates they wanted to do. The most we had for one day was about sixty, and they ended up in the finale and on the movie poster.
We're old school Romero zombie fans: they're so terrifying! I mean, fast zombies are terrifying, but the slow ones just sort of look at you funny and start shuffling towards you, and then while you're laughing at that one, another one attacks from the back and bites your shoulder off. There's a sort of sad naffness to the slow ones.
We eventually have fast zombies in the film, but only because they made a good punchline for an earlier comment, which we also do in the web series. The saddest zombie ever is Lennie James' fallen wife in the first episode of The Walking Dead. She walks up to their house every night, and he just can't bring himself to shoot her, even though she's technically gone. She just looks sad and like she doesn't understand why she's there, and he just breaks down and can't pull the trigger. That's an indelible image.
I have enjoyed The Walking Dead comics and TV show for over a decade, and you have to acknowledge that it contains some of the very best zombie scenes and stories ever. But then it's derived directly from Romero's original Of The Dead trilogy, so they drank from the right well. Night of the Living Dead is an astonishing film, not just because of the style and visuals but because of the ending and the way Romero parodies hicks with guns deciding that a zombie apocalypse is a perfect opportunity to empty their guns on the rest of humanity, whether they're dead or not.
For Zomblog, we wanted our main characters to fall somewhere between heroes and anti-heroes: they're not completely callous or awful. They're just trying to survive but in a kind of semi-polite, hand-washing way. Like, sorry you're dead, but these things happen.
The time it took to build up to actual production was lengthy, and for a couple of years, we wondered if and how the hell we were going to do it. We'd tried a few 'official' channels, but in the end, we decided to make it the way we wanted and then try and sell it, rather than the other way round. This is tough because a producer might say, well if you'd come to me before you made it, we could have developed it along certain mutually agreed lines.
Thankfully the response has been super positive, and the movie now has its own fans, some of whom I'm sure haven't even seen the web series. So yeah, the toughest thing was the project's longevity and then the pulling together of resources on a very small budget.
The most fun for me was, as always, with Zomblog, the free exchange of ideas that happens on set. We had a script, but the web series was completely improvised, and the main reason we wrote a movie script, other than to ferment ideas, was because you can't just expect a producer or cast to get behind something with no script. But then, when we made ourselves the producers and hired a bunch of actor friends who are amazing at improv, we were able to create a hybrid of scripted dialogue and improv.
I think zombies are really just fodder for the story. At least that's how I see them. I'm not interested in them per se, but it's a great way of making an apocalypse fantasy scenario - I'm sure we all have those - into less of a bore and more of a danger. There's that awful moment when a loved one gets bitten, and we release that we're all going to die one day. It's just that your mate is going to die in about an hour! And do you shoot them or leave them? It's the whole human tragedy wrapped up in a monstrous, salivating, flesh-chewing parody of a person. What's not to love?
I think I've learned to regroup and hang in there when an epic project like this stalls. And not rely too much on one person or one thing; not to listen to people who say, "this can't be done this way, or at all," because it can, and we did. And because we did it in such a small, personal, careful way, the finished film is so wonderfully satisfying to us. Like, talking to you about it is a pleasure because I could talk all year about how proud I am that we did it. True, there were compromises, but we threw our hearts and souls into this production, so the way people are responding to it is utterly gratifying.
We're now talking to distributors for the film because we aim to get the film out on streaming and physical outlets in 2022 so everyone can see it. I'd LOVE to do a sequel or series if we can get sponsorship, as we won't be making another shoestring film. Hopefully, we're expanding the franchise into other areas because it's all about franchising these days, isn't it?
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