Ihave a Nest camera and the Google Home app installed on an Android device (Samsung). I know *how* to download Nest videos from history to my device, but I do not know *where* the video is being saved. I would like to know the exact path to the folder on my Android device where the video is being saved.
OK... So after further digging I have found out if you swipe up to show all your apps... then y click on the search bar and type in Files... I found an app called My Files. Once opened I chose Videos and my clips were there. If I then open the video I chose share... then "Share to apps" section will show Google Photos. This let me upload to Google Photos.
I found it, thank you! I agree, it would be nice to choose the download location instead of having to guess which folder it arbitrairly landed in. Anyway, for future people who might come to this thread, the exact path for me was /Internal storage/video/
I wasn't alone. Over the last decade, amateur and professional musicians and film-makers have been striving to create musical events that are real and tangible. Quite a few such videos appear on YouTube, and the high number of views may indicate that this novel approach is catching on with viewers. This article follows the production process of three such music videos. These productions are examples of how artists and producers are looking to combine the immediacy of a live performance with original and striking video content that goes far beyond conventional concert footage. Happily, today's relatively inexpensive and portable technology allows musicians and producers to experiment in some really creative ways.
I coined the term 'Music Video Vrit' to define an emerging style of music-video production. Instead of lip-sync'ing, musicians perform in real time as the performance is filmed, and audio from each take is recorded to multitrack and edited along with the final video, even if the filming locations change. In tribute to cinema vrit (and, specifically, the rules of the Dogme 95 movement), I use the term 'vrit' because the process of making and recording music is not hidden from the viewer. The musicians are filmed wearing headphones, and the microphones are visible. In a music-video vrit production, the goal is to capture the musical performance as the cameras roll.
Because of the experimental nature of this type of production, the methods aren't standardised. However, two points of similarity between most productions are, firstly, the use of headphones and, secondly, close-miking.
This was a three-camera shoot done in three locations: a park, a nightclub, and a classroom. For each shoot, the audio was recorded to a Tascam MX2424 multitrack recorder and then transferred to Pro Tools for post-production. Performers wore headsets, and each instrument was close-miked with consistent placement from one location to the next. A click track was used, not only for the benefit of the musicians, but for that of the video editor (David Wruck) and audio post-production editor (myself) who had to keep sync from one location and one take to the next. The result was a complete, seamless audio track that was cut alongside the video. The click track was recorded live using a Yamaha HR16 drum machine, so that the drummer could create a click that was more interesting than the usual quarter-notes. However, this resulted in problems because the MIDI clock would drift, resulting in tempo variations from one take to the next, and even noticeable drift over the course of three minutes.
The audio from the drum machine was sent to the recording console and fed to the cameras (all of them) in the right channel. The live audio was sent to the cameras' left channel. The video editor, who was also a musician, could use the drum-machine-click-track waveform on the right channel to visually spot where to line up the video edit, while also maintaining the musical lines with the left channel. Afterwards, the click and scratch track were muted in audio post-production.
During audio post-production, EQ automation was performed on some tracks. For example, the sound of the kick drum varied greatly between the classroom and the outdoor scene, resulting in the need for some resonances to be cut in the classroom takes. Another challenge was handling the improvisation done by the performers; as this song had its roots in jazz performance, the melody line on the piano or bass would change from one take to the next. The intercutting between the three cameras at each location allowed me to cut away from the soloist so that I could continue melody lines across the video edit.
Nyle Emerson's production of Lil' Wayne's 'Let The Beat Build' ups the ante considerably compared to most music-video vrit: what you see is a single live performance, shot and recorded in a single take on one camera. The video was a class project made on a $2000 budget, with some support from a production company called Last Pictures, and has earned over 800,000 YouTube hits already.
Mykael recalls being against doing everything in one take, and he only had four hours of studio time for post-production. Because this was a class project, the deadline was very real! Things eventually fell into place, and the artist's original intention was realised to great acclaim.
With the technology and skills we have today, producing music-video vrit is becoming more and more practical, especially for audio engineers. If the producer, director, and video and audio crew can be convinced that this type of immediate connection with the audience is desirable, then the production is relatively simple. The most important factors are close-miking and other techniques to reduce crosstalk or bleed, careful planning (especially if improvising is involved) and the use of clicks or other means of synchronising audio and video.
If you'd like to see more, I would recommend looking up the band Pomplamoose's YouTube Channel (
www.youtube.com/user/PomplamooseMusic) or that of singer-songwriter Fionn Regan ('Be Good Or Be Gone'). If you enter the term 'multitrack' in the YouTube search field, you will get some interesting renditions of Journey and Queen songs sung by amateur solo artists who tile video and audio tracks together into a 'video multitrack' performance. Eric Whitacre's 'virtual choirs' are also powerful experiences. My personal hope is that there will continue to be a demand for capturing and delivering the audio and video in the highest quality possible (read: high definition!), making the connection with the viewer even more tangible and real.
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By default, the YouTube app on smart TVs, streaming devices, and game consoles will follow the language and location settings of your device. You can change these settings for YouTube at any time. To change these settings:
Hey @DrVJMJ, I see you are looking for a way to view your saved videos correct? Since this post is from 2018 and that screenshot was from 2020, things could've change from those times. I do know that the home menu is now the universal menu with a bit of different selections. There's also the files app that you can use to access your saved videos, if that's what you are looking for.
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As I moved to newer version of firefox-8.0 I lost the location firefox use to store flash videos
previously it used to be in /tmp/FLASH****, but now it's not there
even in .mozilla/firefox/profile-name/Cache they have changed the storage scheme. So is there any way to know where these videos/flash are stored ? moreover if it get changed again then how can we locate the location of video being buffered.
Change the path to something other than mozilla/firefox for a more broad/specific search.The code searches for all files (-type f) in the folder, and executes "mimetype" on it. Then it filters out results that don't have "shockwave" in the results.
When location services is turned on for the Camera app, it uses information gathered from cellular, Wi-Fi, GPS networks, and Bluetooth to determine the location of photos and videos. This location metadata is embedded into each photo and video so that you can later search for photos and videos in the Photos app based on the location they were taken, or view collections in the Places album.
If you want to change that, open Windows Explorer ([Win] + [E]); in the left pane right-click on the pictures library, click properties. There you can add or remove folders and set any of these folders as saving location.
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