Fred deserves a big medal for his work on this forum.
The graphic equaliser on the B2 seems to get some criticism here, but it only does the same as every other graphic, real or virtual, so I tend to speak up for it on these occasions. The problem for some users seems to be that, because it sits within the signal path, it can add gain and this can cause distortion. The answer is to set it to "unity gain", so that the overall volume is the same when the graphic is off as when it's on. Any hint of distortion just means moving all the sliders to the left, while keeping the same frequency pattern.
I've never seen a graphic which will save settings for individual tracks, but I've got one for live sound that will save a number of presets. It's useful for anyone performing regularly at a limited number of venues. Even then, there will still need to be tweaks if the audience numbers vary. For a hifi, a graphic equaliser is primarily for compensating for room acoustics and/or deficiencies in the system. The aim is to find a setting that makes everything sound a little bit better, then leave it alone. I've known people who used a graphic as a fancy tone control, but that's a sure route to madness. And your friends stop coming round.
That said, I can see why Ray might need a different setting for vinyl transfers than for ripped CDs. It would be interesting to find the right setting for them, then toggle the graphic on for the transfers and off for other sources.