[Fl Studio Asio Error
Julieann Rohde
Hey guys! Whenever i open Sony Vegas it does that opening loading screen and when it does it, Vegas loads up my fl studio asios which messes everything up. If i have a video open on youtube, the video stops working and i have to refresh the page. same with discord. After it loads i need to go to discord and reset audio settings. I don't even use the asios inside of my fl studio so this is a weird thing. I hope someone can help me fix this because i can't find a fix for it. I use vegas pro 14
I was having the same stupid problem I tried to connect Vegas with Fl studio ... and everytime I would load up Vegas I would get that annoying error. I deleted Fl studio and nothing. I tried to delete almost every registry key from Fl studio and nothing. Then I tried to reinstall ASIo Drivers and nothing. Finally I found this. Delete the Asio drivers from the registry following this steps and I was in the clear... I'm happy.
HELLO,
when i start flstudio with this equalizer the output suddenly stop working and flstudio close whithout asking any error, i use asio4all to create a music but your fxsound cause some problem with it. please fix it .
Among its features are the ability to use 3G, 4G or Wi-Fi; 15 kHz audio bandwidth, real-time two-wayinterviews with the studio; the ability to pre-record audio files (with bandwidth up to 20 kHz), which are then sent via FTP automatically; SmartStream PLUS functionality, for dual redundant IP streaming over cellular and Wi-Fi; and forward error correction and automatic jitter buffering with minimum and maximum jitter configuration. Report-IT also includes support for Burli and Ntia Radio-Assist ingest and content management software; and TwistedWave or Ntia iSnippet audio editing apps for iPhone. (A free trial is available if you download Report-IT Lite for iPhone.)
It can scale up for a very large number of users; in fact theres no upper limit. A member of the engineering staff (as administrator) configures the connection settings for each user, including a username and password, and this information is stored on Tieserver. (Broadcasters purchase a subscription to Tielines Tieserver in packs of 10.) When a user launches the free app on their smartphone or tablet, they enter the username and password for the account created by the administrator and hit connect to go live.
SIP for Report-IT Enterprise is a new feature included in the July software release. In the past, users had to connect to a Tieline codec to stream audio back to the studio using Opus or Tielines Music Algorithm. Now, users can opt to connect to non-Tieline codecs as well. SIP for Report-IT Enterprise will facilitate streaming live audio to N/ACIP 3326 compliant codecs in SIP mode using algorithms Opus Mono, Opus Voice, G.711 and G.722. New and existing users will be able to upgrade their Tieserver subscription to access the SIP for Report-IT Enterprise feature as required.
Luci (www.luci.eu/) and Linphone (www.linphone.org/) are applications that work with iPhones and Android smartphones. Both allow remote talent to do live reports using their smartphone and the cellular telephone network (and perhaps some accessories with make the job easier well get to those a little later).
? All iPhone devices 4S or newer and all iPad devices
? Apple Mac computer/laptops (macOS 10.7 minimum)
? PC/laptop/netbook with Windows XP, Windows Vista, Windows 7, Windows 8, Windows 10
? Linux computers PC/laptop/netbook
? Android phones and tablets
If you want to start out spending less money, then consider Luci Live Lite. This version doesnt include the record, edit and FTP functions and limits the codec choice to G.722 or Lucis ULCC codec. Other than that, it retains the same functionality as the more expensive version. This version costs about $30.
Linphone has been tested on Comrex codecs. One codec choice with LinPhone is the Opus audio algorithm, and that has been included in Comrex codecs starting with firmware 3.0. LinPhone doesnt require registration and can dial directly to the IP address of your codec. Its also very easy to set up and use, according to Comrexs technical notes on Linphone set up (available here: )
In their technical literature, Comrex calls Luci Live a professional mobile broadcast application that enables studio-quality reportage to be streamed via laptop or mobile phone from anywhere in the world. Luci Live has been specifically optimized for broadcast workflow. Its on-screen controls emulate console faders, and features such as audio capture, editing and FTP upload enable broadcast-ready content to reach their destination in a matter of minutes.
With use of Comrex hardware codecs on the far end Luci Live can deliver HE-AAC audio in both directions with moderate delay. Connections can be made via the industry-compatible N/ACIP protocol (which uses SIP) or the native Luci RTP mode. (Comrexs notes for setting up Luci Live and Luci Live Lite are here: )
I record using one of two iPhone applications, using either the built-in microphone [which in newer hardware Apple has disabled manual gain control automatic only] or a Luci.eu miki adapter cable to connect to external microphones or audio sources, Leonard said.
? Even though there are an increasing variety of external iPhone microphones with built-in A-to-D converters, which then connect to an iPhones lightning connector, there are some peculiar audio control issues in Apples hardware that are not entirely addressable by the user.
? There is the possibility of conflicting sample rates that iPhone applications can command out to the external hardware.
? Depending on the external device there are gain conflicts.
? And, in the iPhone 7, there is a lack of a headphone output for most digital microphones, which means more gear and workarounds for live reporting via VOIP applications.
So even though the newest Rode, IK Multimedia, Tascam and Apogee Audio microphones and interfaces allow far better fidelity I own and have tried them all they lack the reliability and ease of use for what I do.
He went on to describe the typical process by which he makes recordings and edits: Workflow is to typically record audio in an application called Ferrite, which was specifically designed with journalists in mind by a developer in the EU. Its a little counter-intuitive at first, but once well practiced, is extremely fast for gathering, editing and sending complete pieces from the field.
Unfortunately, Ferrite only outputs audio files in Apples uncompressed format, M4A, or unusual stereo WAV files that are incompatible with our station broadcast computers. Since the newsroom cant accept M4A or the WAVs without conversion, I use another iOS app called Workflow that can be triggered inside the Ferrite output stage to, in a single function, convert the file to mono, convert the mono file to MP3 44.1 128k and generate an email pre-addressed to the newsroom.
Edited sound bites can also be cued and played through the Ferrite app during live reports, when using the analog mixer and RPU transmitter in the news-mobile. In that configuration it works just like any other audio recorder.
So, how does this methodology sound back at the studio? Leonard provided a link to a sample of his work: The report was recorded on an iPhone 7 using a Shure Beta 58 with the mic connected to the iPhone via the miki cable, and sent to the station via the Luci Live app, using the AAC codec to a Comrex Access. The audio clip youll hear part of the way through was inserted via the Luci app.
There are a number of situations in which the iPhone isnt the best choice for recording long court or meeting feeds, difficult audio situations, etc. and in those moments, I use a tiny Sony audio recorder marketed for dictation and music recording [the SX-2000]. Excellent audio quality with built-in or external mic/line sources, virtually unlimited internal memory, a massive built-in lithium battery that never seems to run down, etc. Its even remote-controllable via BlueTooth link from a smartphone so no more 50-foot cable runs. Park the recorder, adjust levels, start/stop from the back of the room.
Having my broadcast material on the phone also makes it much easier to repurpose the audio to create video clips or slide shows for the stations website, rather than having to use multiple devices to achieve the same result. For me, the advantages of using the iPhone as an ENG device far outweigh the disadvantages. Thats almost a separate discussion but theres no question I carry less gear, Im more productive, and I waste a lot less time by consolidating gathering, writing, production and transmission into a single device.
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