There's a palpable sense excitement in the country these days because of the on-going ICC Men's T20 World Cup. Fans are eager to support the Pakistan cricket team during the tournament till the very end. In case you too are a fan on the lookout for music that'll keep you energised, then look no further. Here are our top five songs that will serve as your cricket anthems throughout the tournament.
No song has polarised the nation to the extent that this PSL official anthem has. We're going to overlook the haters this time and recommend this as the upbeat song you need to add to your cricket playlist.
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Music has been used throughout the years as a medium for self-expression and social cohesion not just between individuals, but also between communities and nations themselves. This form of cultural diplomacy enables messages conveyed through song to connect people from various backgrounds and lifestyles.
The fusion concert, held on Thursday, October 4, at the Al Hussein Cultural Center Auditorium in Amman, Jordan was hosted by the Pakistan Women's Cultural Club (PWCC) under the Patronage of HRH Princess Sarvath El Hassan. Every two years, PWCC puts on a Pakistani cultural event in the form of arts and crafts, film and fashion to share their cultural heritage with the Jordanian public.
This musical and cultural collaboration between Pakistan and Jordan acted as a mechanism for cultural diplomacy by bringing together humanity through art and music, said the artists. As musical ambassadors, they facilitated cross-cultural understanding and promoted unity and peace between their two nations by singing songs in various languages and dialects.
The evening was filled with a fusion of Pakistani, Arab, Spanish and English popular music, which was sung in different genres, including folk, contemporary and mystical. Instruments and poetry from other countries were also incorporated to exhibit the extent to which music transcends borders and cultures in our globalized world, said the artists on stage.
SemaZen, whose mission is to spread positive messages through interactive performances, collected songs from different faiths and languages around the world to be sung at the concert. During the performance, the band urged the audience to join them in singing, even during a Spanish number that was selected in honor of Venezuelan guests present.
The concert was a lively and spirited event with the musicians, as well as some of the audience members, dancing in their seats as multicolored lights and slideshow images of Pakistani culture, art and nature flashed on the back wall of the stage. This joyful atmosphere made the evening seem even more so like a celebration between the performers and the audience.
Note from the Author: The concert was made possible with the help of sponsorships by International General Insurance (IGI), Ministry of Tourism and Antiquities, Jordan Tourism Board, Bank al Etihad, as well as Al Qabas Printing Press, Uber and JorMall.
Being the first Marvel show with a Muslim and a Pakistani protagonist, Ms. Marvel was full of Pakistani representation. From some of the most popular actors from the subcontinent, such as Fawad Khan, Mehwish Hayat, and Farhan Akhtar, to a soundtrack primarily consisting of tracks from the subcontinent, Ms. Marvel delivered in every way.
Ms. Marvel's soundtrack was full of music from Pakistan and India, from hip-hop to EDM, to classical folk music to indie, it had it all. Given the high amount of quality in Ms. Marvel's soundtrack, here are the best Pakistani and Indian songs from Ms. Marvel everyone should check out.
Featured in the second episode of Ms. Marvel's closing, Peechay Hutt is a Pakistani EDM song produced by Talal Qureshi with vocals by Hassan Raheem and Justin Bibis. The song is a very energetic one with a fast rhythm, powerful beats, and intelligent lyricism. Peechay Hutt premiered during the latest season of Coke Studio, a popular Pakistani music show. The song was an instant success.
Featured in the fourth episode of Ms. Marvel, Pasoori is a beautiful Pakistani song sung by Ali Sethi and Shae Gill. Pasoori premiered during the latest season of Coke Studio and has been making rounds all over the globe with over 250 million views on youtube. Pasoori is a pop/funk song with exceptional vocal performances and great lyricism.
Pasoori played when Kamala was in Karachi and was really apt for the scene. All in all, Pasoori is a song everyone should check out for the lyrics, rhythm, and Ali Sethi and Shae Gill's vocals make it an excellent song worth checking out.
Ko Ko Koreena is a Pakistani song from 1966. Often considered to be among the oldest, if not the oldest pop song of the subcontinent, Ko Ko Koreena was not only a very welcome addition to Ms. Marvel's soundtrack, but it was an excellent display of Kevin Feige and the team's focus on representation.
Ko Ko Koreena is a classic everyone in Pakistan has listened to at least once and is a song every fan of 60s pop should listen to. Not only is it a great song by itself, but it also happens to be an excellent way to get acquainted with Pakistan's classics.
Aavegi is an Indian pop song by the Artist Ritviz. Ritviz's music is a combination between pop and EDM with excellent wordplay. The lyrics are always genius and the music is always on-point. Aavegi was featured on the last episode of Ms. Marvel as Kamala and the group escaped Sadie Deever's forces.
The song greatly complimented the scene and was a perfect addition to Ms. Marvel's soundtrack. It is a song most people will enjoy for something, be it the catchy music, the wordplay, or the fast vibe.
Disco Deewane is a classic Pakistani pop song by Nazia Hasan, also known as the Queen of Pop. Disco Deewane is not only extremely popular but is also one of the most influential Pakistani songs of all time, shaping the way for the Pakistani music industry for years to come.
Disco Deewane is yet another example of the excellent representation present in Ms. Marvel. Alongside being a great song to listen to, it is a song everyone wanting to discover the music of the subcontinent should check out due to the influence it holds.
Tere Bina's remix by Khanvict is an excellent rendition of an already popular Indian song. Adding in EDM elements to A.R Rahman's classic Bollywood song, this version of Tere Bina combines the slow, romantic vibe of the classic with elements of the new age of Indian music. While retaining the essence of the original Tere Bina, Khanvict's remix takes it to another level with his masterful mixing.
Rozi is a hip-hop song by Eva b. Eva B is a Pakistani female rapper from Karachi. Singing in Balochi and Urdu, Eva B's music has powerful lyrics alongside excellent production and good beats. Eva B is hailed as Pakistan's first female rapper and her inspiring lyrics contain themes of feminism and fighting stereotypes.
Rozi was played during the closing of Ms. Marvel's first episode and due to its lyrics and energy, it was an excellent choice for the show. All in all, Rozi, alongside all of Eva B's catalog should be on everyone's listening list.
Tesher's Jalebi Baby is a very popular pop song by Tesher, a Canadian-Indian artist. Using a popular Bollywood song, Jalebi Bhai as a simple, Jalebi Baby became extremely popular upon release and even got a remix by Jason Derulo. Jalebi Baby is a very fun, energetic song that is ideal for dances alongside casual listening.
Jalebi Baby being in Ms. Marvel is a great thing since it is a song most Pakistani and Indians are acquainted with. It is also a song that greatly compliments Ms. Marvel and is very accurate to the show's vibe.
Tu Jhoom is a folk song featuring two of Pakistan's legendary singers, Abida Parveen and Naseebo Laal. Tu Jhoom is a beautiful song with lyrics that are thought-provoking and inspiring and vocals that will send a chill down everyone's spine. Tu Jhoom is what happens when two of the most beloved and iconic singers of a country come together and bring the best out of themselves.
Janoobi Khargosh's Cpt. Space is the song that plays during the Marvel intro of the show's last episode. Cpt. Space is a great indie rock song that is reminiscent of Pakistan's older music. Featuring great music, lyrics, and an outstanding music video, Cpt. Space is a work of art.
The old man stood in the cold, moved by these Zo couplets. When the singers finished, the old man turned toward me and asked my name. I told him my name and my role in creating the Manjoora album. He hugged me and kissed my forehead.
Today, Torwali people are Sunni Muslim, and we mostly live in the upper reaches of the Swat valley, around the town of Bahrain. An overwhelming majority of Torwalis are multilingual in Torwali, Pashto, and Urdu. A small number can also speak English and other Dardic languages, such as Gawri, Indus Kohistani, and Shina. Until 2004, Torwali was not a written language; today, there are some books written in and about Torwali, but it is still under-resourced. According to my research for the 2017 national census of Pakistan, Torwali is presently spoken by a population of about 140,000 people. Torwali is one of the twenty-seven languages in Pakistan which face attrition and are categorized by UNESCO as endangered.
The story of my involvement in language revitalization starts in my teens. I often went to the jungles in Swat to gather firewood or morel mushrooms. While on the pine tree ridges, I used to hear sweet singing of Zo, traditional Torwali folksongs, by other foragers. The sound mingled with the breeze which gushed over the trees, providing a kind of accompaniment. I also tried to sing loudly. It often became a kind of competition in which the singers could not see each other, only hearing the songs and responding.