Re: Youtube Music Quiz 2023
Cre Wallace
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How should I set up the new system up in order to be able to run music quiz nights (basically a wireless microphone and a Spotify playlist)? It is no problem if the sound is not perfectly in sync inside and outside.
My initial idea was to simply connect the wireless microphone directly to the Sonos Amp powering the outside speakers but (XLR from microphone box to 2 x RCA in to the Sonos Amp). But now I have started wondering what will actually happen when I plug in an input device to the Amp. I want to be able to have mix the music with different volume with the sound from the microphone and I want this mixed sound (voice and music) to be played on all my speakers both inside and outside.
Previously I have used a Macbook with Spotify connected to my mixer combined with the microphone connected to the same mixer and then the host of the quiz nights could simply adjust the background music from the Macbook while using the microphone. Maybe I could keep the same setup with the mixer and simply take an output signal from the mixer to the Sonos Amp and it would play in all rooms?
I have understood there will be a delay between the different components in the Sonos system and that is no problem in my case. However, if I can expect a delay also with the Amp directly connected to the mixer it is obviously a problem.
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I am Umut Solmaz, a developer. I am planning to develop a music-related quiz game, and I am considering using the Spotify API for this project. However, I have some questions regarding API permissions and experiences with music quiz games. Does anyone have prior experience with obtaining API permissions for a similar project? What permissions should I acquire, and are there any specific considerations for my project?
John Williams, the man who has garnered the most Oscar nominations (48) and who gave us the music to Star Wars, Indiana Jones, Jaws, Harry Potter, E.T., and so much more, is the father of Joseph Williams, the voice behind Rosanna, Africa, and many other hit songs.
Maurice Durufl studied at a monastary that specialized in Gregorian chant, resurrecting the ancient music and publishing editions for modern performers. As a virtuoso organist, Durufl famously made glorious improvisations based on chant. But as these were made up on the spot, most of his music was never written down.
3. A teenager was the first person to organize a performance of J.S. Bach's long-forgotten St. Matthew Passion during the 19th century. Who was it?
a) Igor Stravinsky
b) Pyotr Ilyich Tchaikovsky
c) Leonard Bernstein
d) Felix Mendelssohn
Mendelssohn's grandmother Bella Salomon gave her teenaged grandson a manuscript of the Passion as a gift. To hear the wondrous music on the page, young Mendelssohn gathered family and friends, taking on multiple parts himself until he was able to launch a public performance of an abridged version in 1829. He continued to write choral music for the rest of his life.
Sergei Rachmaninov is widely condsidered to be one of the greatest pianists who ever lived. It's fitting that he wrote his Rhapsody based on a piece by Niccolo Paganini, one of the world's greatest violinists. Rachmaninov himself played the solo piano part at the world premiere of his Rhapsody in Baltimore, Maryland. The piece was used in the feature film Groundhog Day, and the TV shows The Walking Dead and The Good Wife.
It's hard to imagine this rustic, earthy music as anything else, but it was commissioned for the Martha Graham Dance Company to be performed at the Library of Congress, hence "Ballet for Martha." The title comes from a Hart Crane poem with the line "O Appalachian Spring!" As the Library's Coolidge Auditorium has a very small orchestra pit, the original ballet used only 13 instruments.
Mamma Mia! was written by British playwright Catherine Johnson using songs by the Swedish group ABBA. Original band members Benny Andersson, Bjrn Ulvaeus, and Anni-Frid Lyngstad were involved in the show's development. Anni-Frid Lyngstad helped promote the show by appearing at many of the premieres worldwide.
8. The Grant Park Orchestra will be performing the 1947 version of this 1911 work. The reason for the revision had to do with royalties. The composer had immigrated to the United States and needed to change the piece in order to re-establish copyright. Which piece is it?
a) Ravel's Le tombeau de Couperin
b) Copland's Appalachian Spring
c) Tchaikovsky's Pathtique Symphony
d) Stravinsky's Petrushka
Igor Stravinsky came to the U.S. in 1939 as a lecturer at Harvard. He soon settled in Southern California. According to his assistant, Robert Craft, the composer made revisions to Petrushka that he had always wanted to make. The later version calls for a smaller orchestra and goes farther to integrate the piano into the score. He became a U.S. citizen in 1945.
The arresting opening to Beethoven's Fifth is built off three short notes and one long, the same as the letter V in Morse code. But that figure appears in more than the opening. In fact, it sounds in nearly every bar of the first movement, placing the composer's capacity for invention on full display. It's curious to note that Beethoven had been elevated to a level that transcended nationality. Clearly, the Allies seemed untroubled by their embrace of a German composer.
10. Chicago was a cultural beneficiary of the Great Migration in the 20th century. Which of these composers moved to the Windy City from the Southern United States?
a) Florence Price
b) Jessie Montgomery
c) Tina Turner
d) Margaret Bonds
Florence Price was born in Little Rock, Arkansas, educated at the New England Conservatory and moved to Chicago shortly after a brutal lynching in her home town. Price found a vibrant community and vital support system through the Chicago Club of Women Organists and the Musicians Club of Women. Several local orchestras performed her works, including the Chicago Symphony Orchestra.
Buzz!: The Music Quiz is a party music video game developed by Relentless Software and published by Sony Computer Entertainment Europe. It is the first in the Sony's Buzz! series of video games, and it was released for the PlayStation 2 exclusively in Europe. In The Music Quiz, players answer questions asked by the host, Buzz, by using the four Buzz! buzzers.
Buzz!: The Music Quiz is a music quiz trivia game for up to four players. The game is set in a fictional TV studio, and hosted by the characters Buzz and his assistant Rose.[2] Each copy of the game comes with a total of four buzzer controllers, which are plugged into the USB slots on the Sony PlayStation 2 console. They feature a sizable red button on top and four colored buttons below, sorted in descending order.[3][4] Buzz can pick around 5000 questions from a 50-year period of pop music,[5] supported by 1000 music clips which represent parts of the original songs processed by a synthesizer,[2] and appear without any lyrics or vocal support.[5] The questions range from the name of the performer, title, or year of the release, to details about the artist.[6]
The players may choose the overall length of the game (15, 30, or 45 minutes)[7] and the type of questions being asked (older music, newer music, or both).[4] If there is a score tie by the end of the quiz, a tie-breaker round will start.[3] Besides the main game, there are other two modes: Quickfire Quiz and Quizmaster Quiz. Quickfire Quiz bypasses the rounds system, and instead, it will present questions where only the fastest responding player can answer by pressing the buzzer. Whoever manages to reach the target score first wins the game. In Quizmaster Quiz, one of the players becomes a quizmaster, who gets to choose the questions the others will have to answer. The buzzers will show the quizmaster who was the fastest, so he could distribute the points accordingly with a DualShock 2 controller.[5] Players are represented by their choice of 16 on-screen avatars who portray contestants on the game show, resembling musicians such as Elvis Presley, Geri Halliwell, Kylie Minogue, Billie Joe Armstrong, Liam Gallagher, and Barry White.[3][4] Once selected, the game starts with an intro sequence that is generated depending on the contestants, showing how they all arrive on the set in a black limousine while being cheered on by the crowd.[5]
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