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Othello is a Moorish military commander who was serving as a general of the Venetian army in defence of Cyprus against invasion by Ottoman Turks. He had recently married Desdemona, a beautiful and wealthy Venetian lady younger than himself, without the knowledge of and despite the later objection of her father. Iago is Othello's malevolent ensign, who maliciously stokes his master's jealousy until the usually stoic Othello kills his beloved wife in a fit of blind rage. Due to its enduring themes of passion, jealousy, and race, Othello is still topical and popular and is widely performed, with numerous adaptations.
Roderigo, a wealthy and dissolute gentleman, complains to his friend Iago, an ensign, that Iago has not told him about the recent secret marriage between Desdemona, the daughter of Brabantio, a senator, and Othello, a Moorish general in the Venetian army. Roderigo is upset because he loves Desdemona and had asked her father, Brabantio, for her hand in marriage, which Brabantio denied him.
Iago hates Othello for promoting an aristocrat named Cassio above him, whom Iago considers a less capable soldier than himself. Iago tells Roderigo that he plans to exploit Othello for his own advantage and convinces Roderigo to wake Brabantio and tell him about his daughter's elopement. Meanwhile, Iago sneaks away to find Othello and warns him that Brabantio is coming for him.
Brabantio, provoked by Roderigo, is enraged and seeks to confront Othello, but he finds Othello accompanied by the Duke of Venice's guards, who prevent violence. News has arrived in Venice that the Turks are going to attack Cyprus, and Othello is therefore summoned to advise the senators. Brabantio has no option but to accompany Othello to the Duke's residence, where he accuses Othello of seducing Desdemona by witchcraft.
Othello defends himself before the Duke of Venice, Brabantio's kinsmen Lodovico and Gratiano, and various senators. Othello explains that, while he was invited to Brabantio's home, Desdemona became enamoured of him for the sad and compelling stories he told of his life before Venice, not because of any witchcraft. The senate is satisfied once Desdemona confirms that she loves Othello, but Brabantio leaves, saying that Desdemona will betray Othello: "Look to her, Moor, if thou hast eyes to see. She has deceived her father, and may thee" (Act I, Sc 3). Iago, still in the room, takes note of Brabantio's remark. By order of the Duke, Othello leaves Venice to command the Venetian armies against invading Turks on the island of Cyprus, accompanied by his new wife, his new lieutenant Cassio, his ensign Iago, and Iago's wife, Emilia, as Desdemona's attendant.
The party arrives in Cyprus to find that a storm has destroyed the Turkish fleet. Othello orders a general celebration and leaves to consummate his marriage with Desdemona. In his absence, Iago gets Cassio drunk, and then persuades Roderigo to draw Cassio into a fight. Montano tries to calm down an angry and drunk Cassio. This leads to their fighting one another and Montano's being injured. Othello arrives and questions the men as to what happened. Othello blames Cassio for the disturbance and strips him of his rank. Cassio, distraught, is then persuaded by Iago to ask Desdemona to persuade her husband to reinstate him.
Iago persuades Othello to be suspicious of Cassio and Desdemona's relationship. When Desdemona drops a handkerchief (the first gift given to her by Othello), Emilia finds it and gives it to Iago at his request, unaware of what he plans to do with it. Othello appears and, then being convinced by Iago of his wife's unfaithfulness with his captain, vows with Iago for the death of Desdemona and Cassio, after which he makes Iago his lieutenant.
Iago plants the handkerchief in Cassio's lodgings, then tells Othello to watch Cassio's reactions while Iago questions him. Iago goads Cassio on to talk about his affair with Bianca, a local courtesan, but whispers her name so quietly that Othello believes the two men are talking about Desdemona. Later, Bianca accuses Cassio of giving her a second-hand gift which he had received from another lover. Othello sees this, and Iago convinces him that Cassio received the handkerchief from Desdemona.
Enraged and hurt, Othello resolves to kill his wife and tells Iago to kill Cassio. Othello proceeds to make Desdemona's life miserable and strikes her in front of visiting Venetian nobles. Meanwhile, Roderigo complains that he has received no results from Iago in return for his money and efforts to win Desdemona, but Iago convinces him to kill Cassio.
Roderigo unsuccessfully attacks Cassio in the street after Cassio leaves Bianca's lodgings, as Cassio wounds Roderigo. During the scuffle, Iago comes from behind Cassio and badly cuts his leg. In the darkness, Iago manages to hide his identity, and when Lodovico and Gratiano hear Cassio's cries for help, Iago joins them. When Cassio identifies Roderigo as one of his attackers, Iago secretly stabs Roderigo to death to stop him from revealing the plot. Iago then accuses Bianca of the failed conspiracy to kill Cassio.
Othello confronts a sleeping Desdemona. She denies being unfaithful, but he smothers her. Emilia arrives, and Desdemona defends her husband before dying, and Othello accuses Desdemona of adultery. Emilia calls for help. The former governor Montano arrives with Gratiano and Iago. When Othello mentions the handkerchief as proof, Emilia realizes what Iago has done, and she exposes him. Othello, belatedly realising Desdemona's innocence, stabs Iago (but not fatally), saying that Iago is a devil, but not before the latter stabs Emilia to death in the scuffle.
Iago refuses to explain his motives, vowing to remain silent from that moment on. Lodovico apprehends both Iago and Othello for the murders of Roderigo, Emilia, and Desdemona, but Othello commits suicide. Lodovico appoints Cassio as Othello's successor and exhorts him to punish Iago justly. He then denounces Iago for his actions and leaves to tell the others what has happened.
Shakespeare's primary source for the plot was the story of a Moorish Captain (third decade, story seven) in Gli Hecatommithi by Cinthio (Giovanni Battista Giraldi), a collection of one hundred novellas about love, grouped into ten "decades" by theme.[1] The third decade deals with marital infidelity.[2] Of Cinthio's characters, only Disdemona (the equivalent of Shakespeare's Desdemona - her name means "ill-omened" in Italian) is named - the others are simply called the Moor (the equivalent of Othello), the Ensign (Iago), the Corporal (Cassio) and similar descriptions.[3] In its story the Ensign falls in love with the Moor's wife Disdemona, but her indifference turns his love to hate and in revenge he persuades the Moor that Disdemona has been unfaithful. The Moor and the Ensign murder Disdemona with socks filled with sand, and bring down the ceiling of her bedchamber to make it appear an accident. The story continues until the Ensign is tortured to death for unrelated reasons and the Moor is killed by Disdemona's family.[4]
Shakespeare's direct sources for the story do not include any threat of warfare: it seems to have been Shakespeare's innovation to set the story at the time of a threatened Turkish invasion of Cyprus - apparently fixing it in the events of 1570. Those historical events would however have been well known to Shakespeare's original audience, who would therefore have been aware that - contrary to the action of the play - the Turks took Cyprus, and still held it.[5][6]
Scholars have identified many other influences on Othello: things which are not themselves sources but whose impact on Shakespeare can be identified in the play:[7] these include Virgil's Aeneid,[8] Ovid's Metamorphoses,[9] both The Merchant's Tale and The Miller's Tale from Chaucer's The Canterbury Tales,[10] Geoffrey Fenton's Certaine Tragicall Discourses,[11][12] Kyd's The Spanish Tragedy,[13] George Peele's The Battle of Alcazar,[14][15] the anonymous Arden of Faversham,[16] Marlowe's Doctor Faustus,[17] and Heywood's A Woman Killed with Kindness.[18] These also include Shakespeare's own earlier plays Much Ado About Nothing, in which a similar plot was used in a comedy,[19] The Merchant of Venice with its high-born, Moorish, Prince of Morocco,[20] and Titus Andronicus, in which a Moor, Aaron, was a prominent villain, and as such was a forerunner of both Othello and Iago.[21]
One such influence is not a literary work at all. In 1600, London was visited for "half a year" by the Moorish ambassador of the King of Barbary, whose entourage caused a stir in the city. Shakespeare's company is known to have played at court during the time of the visit, and so would have encountered the foreign visitors at first hand.[23]
Among Shakespeare's non-fiction, or partly-fictionalised, sources were Gasparo Contarini's Commonwealth and Government of Venice[24][25] and Leo Africanus's A Geographical Historie of Africa.[26] Himself a Moor from Barbary, Leo said of his own people "they are so credulous they will beleeue matters impossible, which are told them" and "no nation in the world is so subject vnto iealousie; for they will rather [lose] their liues than put vp any disgrace in the behalfe of their women" - both traits seen in Shakespeare's Othello.[27] And from Leo's own life story Shakespeare took a well-born, educated African finding a place at the height of a white European power.[28] From Philemon Holland's translation of Pliny's Natural History Shakespeare took the references to the Pontic Sea,[29] to Arabian trees with their medicinable gum,[30] and to the "Anthropophagi and men whose heads do grow beneath their shoulders",[31][32] elements which also featured in the fantastic The Travels of Sir John Mandeville.[33]
The terminus ad quem for Othello (that is, the latest year in which the play could have been written) is 1604, since a performance of the play in that year is mentioned in the accounts book of Sir Edmund Tilney, then Master of the Revels.[34]
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