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Matthias Briggs
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Riana Ang-Canning is a travel writer who has been sharing her global adventures as the founder of Teaspoon of Adventure since 2012. In that time, Riana has travelled to almost 50 countries on 6 continents, including interning in Eswatini, working in Tokyo, road tripping New Zealand and living abroad in Prague. Riana helps everyday travellers discover the world on a mid-budget, proving that you don't have to be athletic, wealthy or nomadic to have an adventure!
Oo, I love that you have paired books with popular Netflix shows! I enjoy a good book more then a show and always love a good story and good writing, so I will be checking out a couple of these reads as well as the shows; I have not seen Love Is Blind, but I loved the UnHoneymooners ?
Oooh I love the Netflix binge and book pairing! Those food shows are something else. Love that Save Me the Plums has a great story with learning about the different cuisines around the world. I still need to watch Money Heist!!! Maybe my binge this weekend hehe. I always feel like these reads are great when it comes to creating your own imagination rather than seeing what the producers have shot.
Ultimately, we have to say there were far more noticeable changes from the books to the shows this season. This gives us two alternate ways to watch Kate and Anthony fall in love, and it is with you, dearest readers, to decide which tale you like best.
We were all clamoring for the Hannibal actor to play Geralt and the fan artwork just made us all the more convinced he was a perfect choice. The same goes for Eva Green: the eyes, the hair, the bone structure, the attitude, all fit perfectly with how the game shows these great characters.
In the Wild Hunt, the only game of the Witcher series where she is present, Yennefer stays true to the description in the books: beautiful and menacing. The developers kept the raven black hair and spectacular violet eyes, like what you always see in indie games. Her beauty was mentioned even by those who despised her or felt intimidated.
In addition, Triss acquires a potentially ugly scar on her chest during a battle. She says she will never be able to wear a deep neckline again, which was definitely not the case in the game. The Triss Alternative Look was not subtle about it.
Here we go, possibly the most controversial casting choice for the Netflix Witcher series. The showrunner cast Anna Shaffer and people are not pleased. The hair, the eyes, the skin color, everything seems to not match the image fans have in mind.
Fringilla Vigo is a Nilfgaardian sorceress and a member of the Lodge of Sorcerers. She is also the second cousin of Anna Henrietta of Toussaint. In the game, Fringilla remains mostly true to her description in the book.
In the books, Cahir Mawr Dyffryn aep Ceallach was an intelligence officer for the Nilfgaardian Empire, who eventually teamed up with Geralt to aid him in his search for Ciri. During the First Northern War, he was tasked by Emhyr to locate and capture Cirilla and bring her back unharmed. We quickly find out that Cahir is pursuing Ciri for completely different reasons and also that he is a soft and kind man.
Before people get mad about casting choices and plot points, keep in mind: the games are inspired by the books while the show will be an adaptation. However, we can see the series will definitely take some inspiration from the games, probably to not completely alienate those who only played them. It will be a challenge to get all the fans of the Witcher franchise behind one TV series and please everyone. Good luck, Netflix.
Seriously, why do the women in the Netflix version look so ugly? Yen just works with a whole load of make up to cover her potato nose, Triss just looks like her older nagging aunt (who used to be an uncle), not like a young beautiful girl. Super disappointing.
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While I'm not an expert, I've always been fascinated by the intersection of media and technology. Today, I aim to explore the impact of technology on books and will revisit other forms of media in future posts.
Perceived Value and Willingness to Pay: Readers still appreciate the value of a well-written book, irrespective of format. They are prepared to invest in authored content, a stark contrast to the news industry, where an influx of free news and casual blogs has significantly expanded supply, diminishing the willingness to pay for traditional newspapers.
Cost Structure: Publishing continues to incur significant overheads, including author advances, editing, and marketing, even with digital distribution. For instance, the cost of printing a book can be less than $2. Unlike music, where digitalization has practically eliminated distribution costs, the economics of book production haven't fundamentally shifted.
Bundling: Even with e-Books, the way people consume books differs significantly from how they engage with music or video content. Books require a level of engagement and immersion that does not lend itself to the 'snackable' consumption enabled by digital for other media. The value of having access to every book ever written doesn't hold the same appeal because reading is a time-consuming activity that doesn't fit into the multitasking nature of digital media consumption. Kindle Unlimited, for example, has fewer than 10 million subscribers, highlighting this difference in consumer behavior.
With the overload of information in today's world, it's intriguing that books have retained their long-form structure. Wouldn't our time be better spent reading shorter, more focused works? This, of course, excludes use cases requiring deep dives or the simple pleasure of an engaging long-form narrative. Kindle Singles pioneered this concept, but it hasn't gained significant traction.
Even if rights issues were resolved and stakeholders agreed to bundle unlimited books for a fixed monthly price, would enough consumers subscribe? It's possible only avid readers (who purchase books heavily anyway) would sign up, potentially leading to an overall loss for the industry. This underscores the lack of a clear win-win scenario, at least for now.
Tiered subscriptions, curated collections, or a hybrid model (credits for full books alongside a rotating library) could lessen this risk. The industry needs in-depth analysis of consumer behavior and careful modeling of different scenarios.
That's because the show draws on elements found in all three books that comprise the "Remembrance of Earth's Past" trilogy by Chinese sci-fi author Cixin Liu: The Three Body Problem, its sequel The Dark Forest, and the final book in the trilogy, Death's End. If you're looking for the group of friends at the center of the show, you'll find that most are based on characters who never meet.
That means if you decide to dive into the books after watching all eight episodes, it's very hard to see what the show characters look like in their original (mostly Chinese) versions without getting what is probably a ton of spoilers for future series. Meanwhile, the Wallfacer storyline, introduced in episode eight, takes us into the first third of the second book.
The story of the woman who sent the fateful message to the San-Ti (the alien race who, in the book translation by U.S. science fiction author Ken Liu, are called "Trisolarans" after their three suns) made it to the screen condensed but almost entirely unaltered.
Both book and show open with the public humiliation of Ye Wenjie's father during the Cultural Revolution in China, when the teaching of western science came under brutal repression from zealous (and mostly young) supporters of Mao Zedong. Looking back on this shameful moment in history is a big deal; when published in China, the original version of Liu's novel hid those events in the middle of the story. (A serialized online manga version by Chinese artists is currently "on hiatus" at this very point in the book.) The author has confirmed that he originally intended it to be the opening.
Ye gets in trouble with the authorities for possessing a copy of Rachel Carson's Silent Spring at a labor camp, and is sent to join the secret sun-based message project at Red Coast Base. The show has failed to mention it, but in the book Ye also marries and then kills a man she meets there in order to keep the message she sent a secret. She is later revealed as the head of the ETO (Earth-Trisolaran Organization), and has a crucial discussion with the Wallfacer character in the second book (see below).
The gruff, skeptical, chain-smoking detective known as Da Shi (Benedict Wong) makes just as big an impression in the books (where he is Chinese rather than from Manchester, but still). He appears both in the first and second books, and initially is more of a freelance investigator rather than working for Wade's shadowy government organization. He's also a former officer in the Chinese military.
Both see the stars flicker due to the Sophons faking the apparent level of background radiation in the universe, although Wang has to go to a remote scientific facility to do so. (Which makes more sense than seeing them in a college in Oxford, a city where it's very hard to see the stars at night.)
And yes, both characters see their nanofiber filaments used in a gruesome attack in the Panama Canal on the ETO ship, Judgment Day (an attack which, in the book, is Da Shi's idea). The show contains more grisly details, but the book doesn't skimp on the fact that the ship has been sliced open by 40 invisible wires.
ETO leader Mike Evans (Jonathan Pryce) is the same character in the book, also shares fairy tales over the radio with his "Lord", and is likewise killed in the Judgment Day attack. The biggest addition in the books is that when Ye first meets him in the logging camp, Evans espouses a philosophy called "pan-species Communism" that treats all flora and fauna as having rights equal to human rights.
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