TheWizard of Oz is a 1939 American musical fantasy film produced by Metro-Goldwyn-Mayer (MGM). An adaptation of L. Frank Baum's 1900 children's fantasy novel The Wonderful Wizard of Oz, it was primarily directed by Victor Fleming, who left production to take over the troubled Gone with the Wind. It stars Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr, Jack Haley, Billie Burke and Margaret Hamilton. Noel Langley, Florence Ryerson and Edgar Allan Woolf received credit for the screenplay, while others made uncredited contributions. The music was composed by Harold Arlen and adapted by Herbert Stothart, with lyrics by Edgar "Yip" Harburg.
The Wizard of Oz is celebrated for its use of Technicolor, fantasy storytelling, musical score, and memorable characters. It was a critical success and was nominated for five Academy Awards, including Best Picture, winning Best Original Song for "Over the Rainbow" and Best Original Score for Stothart; an Academy Juvenile Award was presented to Judy Garland. While the film was sufficiently popular at the box office, it failed to make a profit for MGM until its 1949 re-release, earning only $3 million on a $2.7 million budget, making it MGM's most expensive production at the time.[3][5][6]
The 1956 television broadcast premiere of the film on CBS reintroduced the film to the public. According to the U.S. Library of Congress, it is the most seen film in movie history.[7][8] In 1989, it was selected by the Library of Congress as one of the first 25 films for preservation in the United States National Film Registry for being "culturally, historically, or aesthetically significant";[9][10] it is also one of the few films on UNESCO's Memory of the World Register.[11] The film was ranked second in Variety's inaugural 100 Greatest Movies of All Time list published in 2022.[12] It was among the top ten in the 2005 BFI (British Film Institute) list of "50 films to be seen by the age of 14" and is on the BFI's updated list of "50 films to be seen by the age of 15" released in May 2020.[13] The Wizard of Oz has become the source of many quotes referenced in contemporary popular culture. The film frequently ranks on critics' lists of the greatest films of all time and is the most commercially successful adaptation of Baum's work.[7][14]
In rural Kansas, Dorothy Gale lives on a farm owned by her Uncle Henry and Aunt Em. Dorothy's neighbor, Almira Gulch, who had been bitten by Dorothy's dog, Toto, obtains a sheriff's order authorizing her to seize Toto. Toto escapes and returns to Dorothy, who runs away to protect him. Professor Marvel, a charlatan fortune-teller, persuades Dorothy to go home because Aunt Em is heartbroken. She returns just as a tornado approaches the farm. Unable to get into the locked storm cellar, Dorothy takes cover in the farmhouse and is knocked unconscious as the tornado lifts the house and drops it intact onto an unknown land.
Dorothy awakens and is greeted by a good witch named Glinda, who floats down in a bubble and explains that Dorothy has landed in Munchkinland in the Land of Oz, and that the Munchkins are celebrating because the house landed on the Wicked Witch of the East. Her sister, the Wicked Witch of the West, suddenly appears. Before she can seize her deceased sister's ruby slippers, Glinda magically transports them onto Dorothy's feet and tells her to keep them on. Because the Wicked Witch has no power in Munchkinland, she leaves, but swears vengeance upon Dorothy and Toto. Glinda tells Dorothy to follow the yellow brick road to the Emerald City, the home of the Wizard of Oz, as he might know how to help her return home as the bubble makes her vanish and float away.
Along the way, Dorothy meets the Scarecrow, who wants a brain; the Tin Man, who wants a heart; and the Cowardly Lion, who wants courage. The group reaches the Emerald City, despite the efforts of the Wicked Witch. Dorothy is initially denied an audience with the Wizard by his guard, but the guard relents due to Dorothy's grief, and the four are led into the Wizard's chambers. The Wizard appears as a giant ghostly head and tells them he will grant their wishes if they bring him the Wicked Witch's broomstick.
During their quest, Dorothy and Toto are captured by flying monkeys and taken to the Wicked Witch, but the ruby slippers protect her and Toto manages to escape, leading the Scarecrow, Tin Man, and Cowardly Lion to the castle. They free Dorothy, but are pursued and finally cornered by the Witch and her guards. The Witch taunts them and sets fire to the Scarecrow's arm. When Dorothy throws a bucket of water onto the Scarecrow, she inadvertently splashes the Witch, causing her to melt away.
The Witch's guards gratefully give Dorothy her broomstick, and the four return to the Wizard, but he tells them to return tomorrow. When Toto pulls back a curtain, the "Wizard" is revealed to be an ordinary man operating machinery that projects the ghostly image of his face. The four travelers confront the Wizard, who insists that he is a good man at heart, but confesses to being a humbug. He then "grants" the wishes of Dorothy's three friends by giving them tokens to confirm that they have the qualities they sought.
The Wizard reveals that he, like Dorothy, is from Kansas and accidentally arrived in Oz in a hot air balloon. When he offers to take Dorothy back to Kansas with him aboard his balloon, she accepts, but Toto jumps off and Dorothy goes after him, and the balloon accidentally lifts off with just the Wizard aboard. Glinda reappears and tells Dorothy she always had the power to return to Kansas using the ruby slippers, but had to find that out for herself. After sharing a tearful farewell with her friends, Dorothy heeds Glinda's instructions by tapping her heels three times and repeating the words "There's no place like home."
Dorothy is transported back to Kansas, where she awakens in her own bed. Aunt Em attends to her while Uncle Henry and the farm hands stand by. Professor Marvel stops in as Dorothy describes Oz, telling the farm hands and the Professor they were there too, and they smile, humoring her. As Dorothy hugs Toto, she gratefully exclaims, "Oh, Auntie Em, there's no place like home!"
Production on the film began when Walt Disney's Snow White and the Seven Dwarfs (1937) showed that films adapted from popular children's stories and fairytales could be successful.[19][20] In January 1938, Metro-Goldwyn-Mayer bought the rights to L. Frank Baum's popular novel The Wonderful Wizard of Oz from Samuel Goldwyn. Goldwyn had considered making the film as a vehicle for Eddie Cantor, who was under contract to Samuel Goldwyn Productions and whom Goldwyn wanted to cast as the Scarecrow.[20]
The script went through several writers and revisions.[21] Mervyn LeRoy's assistant, William H. Cannon, had submitted a brief four-page outline.[21] Because recent fantasy films had not fared well, he recommended toning down or removing the magical elements. In his outline, the Scarecrow was a man so stupid that the only employment open to him was scaring crows from cornfields, and the Tin Woodman was a criminal so heartless that he was sentenced to be placed in a tin suit for eternity. This torture softened him into somebody gentler and kinder.[21] Cannon's vision was similar to Larry Semon's 1925 film adaptation, in which the magical elements are absent.
Afterward, LeRoy hired screenwriter Herman J. Mankiewicz, who delivered a 17-page draft of the Kansas scenes. A few weeks later, Mankiewicz delivered a further 56 pages. LeRoy also hired Noel Langley and poet Ogden Nash to write separate versions of the story. None of these three knew about the others, and this was not an uncommon procedure. Nash delivered a four-page outline; Langley turned in a 43-page treatment and a full film script. Langley then turned in three more scripts, this time incorporating the songs written by Harold Arlen and Yip Harburg. Florence Ryerson and Edgar Allan Woolf submitted a script and were brought on board to touch up the writing. They were asked to ensure that the story stayed true to Baum's book. However, producer Arthur Freed was unhappy with their work and reassigned it to Langley.[22] During filming, Victor Fleming and John Lee Mahin revised the script further, adding and cutting some scenes. Haley and Lahr are also known to have written some of their dialogue for the Kansas sequence.
They completed the final draft of the script on October 8, 1938, following numerous rewrites.[23] Others who contributed to the adaptation without credit include Irving Brecher, Herbert Fields, Arthur Freed, Yip Harburg, Samuel Hoffenstein, Jack Mintz, Sid Silvers, Richard Thorpe, George Cukor and King Vidor. Only Langley, Ryerson, and Woolf were credited for the script.[20]
The original producers thought that a 1939 audience was too sophisticated to accept Oz as a straight-ahead fantasy; therefore, it was reconceived as a lengthy, elaborate dream sequence. Because they perceived a need to attract a youthful audience by appealing to modern fads and styles, the score had featured a song called "The Jitterbug", and the script had featured a scene with a series of musical contests. A spoiled, selfish princess in Oz had outlawed all forms of music except classical music and operetta. The princess challenged Dorothy to a singing contest, in which Dorothy's swing style enchanted listeners and won the grand prize. This part was initially written for Betty Jaynes,[25] but was later dropped.
Another scene, which was removed before final script approval and never filmed, was an epilogue scene in Kansas after Dorothy's return. Hunk (the Kansan counterpart to the Scarecrow) is leaving for an agricultural college, and extracts a promise from Dorothy to write to him. The scene implies that romance will eventually develop between the two, which also may have been intended as an explanation for Dorothy's partiality for the Scarecrow over her other two companions. This plot idea was never totally dropped, and is especially noticeable in the final script when Dorothy, just before she is to leave Oz, tells the Scarecrow, "I think I'll miss you most of all."[26]
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