Soldier Kannada Movie Mp3 Songs Free Download
Edelira Longinotti
According to film writer Shyam Goel, it was inspired by a real incident that happened in Punjab where a woman's forehead was branded with the message that her husband was a traitor. Her husband, a soldier, was accused of treason, and she was thrown out of her village. The story was already made as a film in Tamil in 1989 titled Thaai Naadu, starring Sathyaraj in dual roles.
The film was remade in Dhallywood as Jamin Nai by Syed Harun starring Shabnur, Shakti Kapoor and Mizu Ahmed in 2000 and Tamil as Villu by Prabhu Deva starring Vijay & Nayanthara in 2009.[3][4]
In Barmer, 1978, corrupt Indian Army officials Pratap Singh, Virender Sinha, Baldev Sinha and Jaswant Dalal have been stealing arms and ammunition led by a mysterious man known only as DK. Major Vijay Malhotra, a competent and high-ranking soldier, catches them in the act but is murdered by DK.
20 years later, the Mumbai Police get a fax from the Australian Interpol branch regarding Jaswant, now a wanted illegal arms supplier. An operation to capture him is handed over to ACP Dinesh Kapoor, an old friend of the late Major Vijay Malhotra, who informs a mysterious man known as Vicky. He wants Vicky to intercept Jaswant and not let the police capture him. Vicky succeeds but when Jaswant tries to kill him, Vicky shoots him.
Vicky travels to Sydney using information from Dinesh and woos Pratap Singh's daughter, Preeti. After all these years, Pratap, Virender, and Baldev have become high-profile arms dealers and live in Australia. After hearing of Jaswant's death and DK's involvement, they worry about betrayal from one another as each of them has secret files that incriminate the entire group.
Vicky meets with Pratap, who identifies him as Jaswant's killer and proposes a way to help make him more powerful. Baldev and his son Jojo realize that Vicky's mother is none other than Virender's wife, Shanti. Vicky is welcomed into Virender's gang. Virender is ecstatic to reunite with his son and happier to learn that he is in love with Pratap's daughter. He wants to use this to his advantage and have Vicky retrieve Pratap's secret file. Vicky instead shoots his father dead and retrieves his secret file, with which he discovers who DK actually is. Vicky convinces Baldev that Pratap betrayed them and killed Virender. Baldev rallies all his henchmen to launch an attack on Pratap but they are killed by Pratap's men. It is revealed that Vicky was working with Pratap to eliminate Virender's gang.
Vicky then reveals to Pratap that he is not actually Virender's son. He used Shanti to get closer to Virender and did the same for Pratap by using Preeti. The reason for all this is because DK gave him a contract to kill not just Jaswant but all the other partners so that he can own 100% of their crime organization. Vicky says that because of Preeti, he will instead kill DK and make Pratap the king. Pratap agrees to go to India with Vicky to kill DK.
After overhearing this, Preeti reveals it to Shanti. Shanti acknowledges that Vicky is not her son and that she had masterminded the plan to kill her husband and his business partners, whose weapons had accidentally killed her own son, unbeknownst to Virender. She reveals that Vicky is actually Raj "Raju", the son of Vijay. After Vijay's death, he had been framed for the gang's crimes and labeled a traitor. He was stripped of all medals, and their community ostracized his wife, Geeta, and son Raju. The villagers prevented Vijay's body from being cremated and threw it in the desert, where it became lost in a sandstorm. Raju separated from his mother, who stayed at a temple while he was raised by Shanti. Raju had been seeking revenge and justice for his father, and upon learning everything, Preeti agrees to assist him.
Dinesh releases Jaswant, who is revealed to be alive and had been helping Raju to finish off Virender's gang. Raju arrives in Barmer with Pratap and takes him to his mother at the temple. He reveals to a shocked Pratap that he is Vijay Malhotra's son. DK is revealed to be none other than Jaswant in disguise. Jaswant's henchmen overpower Raju and Dinesh. A sandstorm ensues and gives Raju an advantage to kill the henchmen. Pratap and Jaswant confess their crimes to the villagers brought by Preeti. The two are then left to be eaten alive by vultures. With his name cleared, Major Vijay Malhotra is declared a martyr and given an honourable memorial ceremony.
The soundtrack was composed by Anu Malik and was a hit amongst the audience. It was a key point in the success of the film. The songs "Tera Rang Bale Bale", "Soldier Soldier", "Hum To Dil Chahen", "Mere Dil Jigar Se" and "Mere Khwabon Mein Jo Aye" were chartbusters and the album was the third best-selling album of 1998 after Kuch Kuch Hota Hai and Dil Se... Lyrics were penned by Sameer. The song "Mere Khwabon Mein Jo Aaye" is ocassionally confused with a song of the same name from Dilwale Dulhania Le Jayenge (1995).
Khalid Mohamed gave Soldier 2 out of 5 stars, writing that it "leaves you feeling ever so much older and colder."[5] Madhur Mittal of The Tribune said that it "boasts of terrific production and technical values", calling it a "a taut thriller".[6]
Like all good stories, folk music is largely about three things: sex, death and politics. There might be a lot of carousing along the way, and there may be some discussion of farming or the occasional comedic skit to tickle your fancy, but the principal themes remain constant and they are always delivered with rude gusto.
Matters of the heart have a habit of turning red, raw and bloody in traditional songs, and so it goes with Died for Love, also known as A Sailor's Life, Sweet William, and Willie the Bold Sailor Boy (and performed by everyone from Fairport Convention to The Watersons). It's a tale of a woman pining for her true love who has set out to sea and not returned. Desperate to find him, she sets out to sea herself and meets the Queen's ship. She asks if they have seen William, and after some discussion over the cut and colour of his coat and hair, they tell her he has drowned.
Some versions of the song end here, but Died for Love (as performed here by Martin and Eliza Carthy) continues, with a verse in which her father enters her bedroom to find her "hanging by a rope", with a note attached to her chest asking him to bury her with marble stones at her head and feet, with a snow-white dove in the middle, "just to let the world know that I died for love."
This queasy tale of infanticide has been sung by everyone from Cecilia Costello to The Dubliners (who recorded a version called Weile Weile Waile) and Nancy Kerr. It concerns a woman who kills her two new-born children with a knife. But the blade becomes unwashable - the more she wipes it, the "more red" it grows. She then meets two babies in the entrance to a church, and tells them she'd treat them wonderfully if they were hers. They turn out to be the ghosts of her children, who tell her that she's bound for hell.
Also known as One True Love and Cold Blows the Wind (as performed above by Bellowhead), this is a song of mourning that takes a dark turn into gothic nihilism. A woman throws herself on the grave of her true love, desperate for one last kiss to relieve her grief. Her passion is such that, after a year-long graveside vigil, her man rises up to speak to her, so that he can truly rest in peace. She begs for a kiss, but he warns her that his lips are "cold as the clay" and that a kiss from him would end her life too.
In the Shirley Collins version, he then explains that their love, while it was once "the fairest flower that e'er was seen / Has withered to the stalk", going on to add: "The stalk is withered dry, true love / So must our hearts decay / Then rest yourself content, my dear / Till God calls you away". Which is the kind of stark message from the hereafter that you never really got in Ghost.
This account of the death of a black hotel worker is drawn from contemporary history - Bob Dylan wrote it almost as soon as the court case had ended - and yet it has a theme that runs as far back through folk music history as the texts allow us to see. It's about people in the higher echelons of society abusing those who are lower down and appearing to get away with it. In this case, it's 24-year-old tobacco plantation owner William Zantzinger, who rapped Hattie Carroll with his cane for not serving his drink fast enough. She collapsed and died of heart failure, and he received a six-month jail sentence.
In this documentary, made by Howard Sounes, author of Down the Highway: The Life of Bob Dylan, we find out more about the case from first hand witnesses, and even hear from Zantzinger himself, who turns out not to be much of a Dylan fan.
There are plenty of folk songs that warn young women against the reputation-shredding advances of lecherous men, from the direct O Soldier Won't You Marry Me to the poetic Let No Man Steal Your Thyme. Cold Haily Rainy Night (or Cold Blow and a Rainy Night, Let Me In This Ae Nicht and even The Laird o' Windy Wa's) has retained its potency as a stark contrast between what people will say to get what they want, and how they will behave once they get it.
The song - as performed by Jeannie Robertson, Steeleye Span, Planxty and The Imagined Village - tells the story of a handsome soldier or traveller stuck outside the window of a young woman on a rotten evening. He begs to come inside to get warm ("oh my hat is frozen to my head, my feet are like two lumps of lead"), and despite the risk of discovery, she eventually lets him in and one thing leads to another. She proposes marriage, but he's not interested, puts his hat back on and heads out into the storm, leaving her reputation in tatters.
Also known as Hanged I Shall Be, The Oxford Tragedy, The Oxford Girl, The Wexford Girl, The Butcher Boy and many others, this song - variants of which date back to the 1700s - is one of many murder ballads in the folk canon that follow a similar pattern. A man spots a woman he likes the look of, so he takes her to a remote location to pitch woo, but kills her instead. Then the guilt starts.
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