The Cabin In The Woods Movie Download In Hindi Mp4moviez

[Boleslao Drinker]

Thatsets up the film. The counselors areintroduced, very briefly, and then some of them go into town for a beer and therest stay at the camp to make out with each other. A mystery assailant prowlsaround the main cabin. We see only his shadow and his shoes. One by one, hepicks off the kids. He sinks a machete into the brain of a kid in a wheelchair.He surprises a boy and a girl making love, and nails them to a bunk with aspear through both their bodies. When the other kids return to the camp, it'stheir turn. After almost everyone has been killed in a disgusting and violentway, one girl chews up the assailant with a chain saw, after which we discoverthe mummies in his cabin in the woods, after which he jumps through a window atthe girl, etc.

This movie is a cross between the Mad Slasherand Dead teenager genres; about two dozen movies a year feature a mad killergoing berserk, and they're all about as bad as this one. Some have a littlemore plot, some have a little less. It doesn't matter.

Sinking into my seat in this movie theater frommy childhood, I remembered the movie fantasies when I was a kid. They involvedteenagers who fell in love, made out with each other, customized their cars,listened to rock and roll, and were rebels without causes. Neither the kids inthose movies nor the kids watching them would have understood a world view inwhich the primary function of teenagers is to be hacked to death. *This reviewwill suffice for the Friday the 13th film of your choice.

Honeymoon is a 2014 American supernatural horror film directed by Leigh Janiak in her feature directorial debut, from a screenplay by Janiak and Phil Graziadei. It stars Rose Leslie and Harry Treadaway as a newly married couple whose honeymoon ends up being plagued by a series of strange events.[2] The film had its world premiere on March 7, 2014, at South by Southwest, and was theatrically released by Magnolia Pictures on September 12, 2014.

Newlyweds Bea and Paul spend their honeymoon at Bea's family's cabin in a secluded Canadian forest. In a small restaurant, they meet the owner Will, Bea's childhood friend. Will's wife Annie interrupts their conversation, saying they need to get away. That night, Paul wakes up to find Bea missing. He finds her naked and disoriented in the woods and takes her back to the cabin. Bea claims she was sleepwalking due to stress, which unsettles Paul as Bea doesn't have a history of sleepwalking.

Over subsequent days, Bea seemingly forgets how to do several basic tasks, but insists she is fine. Paul sees her practicing conversations alone and struggling to remember common words. One night, Paul is disturbed by bright lights shining through their bedroom window but cannot find its source. He returns to where he found Bea the night she vanished and finds her gown covered in a mysterious goo. Despite her repeated denials, Paul concludes that Will is responsible and goes to confront him.

Outside the restaurant, Paul sees Annie, who exhibits similar behavior to Bea and bears identical marks on her thighs. Annie claims that Will is hiding and again warns Paul to stay away before departing. Paul finds Will's bloody baseball hat floating in the water. He enters their home and finds several pages of notes describing basic details about Annie, including her and Will's names, along with security camera footage of Annie following the bright lights into the woods.

Paul discovers that Bea has taken similar notes, and accuses her of being someone else. She locks herself in the bathroom, and when Paul breaks in he finds her repeatedly stabbing herself in the genitals. Paul ties her to the bed and interrogates her about details of their relationship, most of which she either misremembers or has forgotten. She puts Paul's hand into her vagina and has him remove a large worm-like creature.

Bea explains that the night she disappeared into the woods, she saw the same lights Paul had seen and walked to them. She encountered a group of silhouetted figures who impregnated her with the creature. Bea claims that the figures are taking away what is left of her. Paul scrambles to find their car keys, but she insists that they cannot leave. After a beam of light suddenly appears, she knocks Paul out and takes him into the lake on a boat, fastening an anchor to his legs. He awakens, with Bea explaining that she is protecting him from the figures by "hiding" him under the water. Paul tries to escape, but she throws him overboard.

Bea is shown to be deteriorating with her skin peeling off and her eyes discolored. After watching her and Paul's wedding video, she is met by a similarly-deteriorated Annie, and they walk into the lights together.

The development of Honeymoon began in 2010, after Janiak viewed Monsters and Tiny Furniture,[3] and she and Phil Graziadei began writing the script in 2012.[4] While writing the film's script, Janiak was inspired by the idea that "Even small moments ... can drive a wedge between people" and, with her writing partner, wondered "how far [they] could push them until they started falling apart."[3][5] Janiak chose Rose Leslie to play the role of Bea after seeing her performance as Ygritte on Game of Thrones.[5] Principal photography began in spring 2013 and had a limited budget.[3]

On Rotten Tomatoes, the film holds a rating of 76% based on 58 reviews, with an average rating of 5.80/10. The site's consensus reads, "Smart, stylish, and nail-bitingly tense, Honeymoon packs more slow-building horror than many bigger-budget productions."[6] On Metacritic, the film has an aggregated score of 65 out of 100 based on 10 critic reviews, indicating "generally favorable reviews".[7]

Ryan Turek of Shock Till You Drop gave Honeymoon a positive review, stating "Janiak demonstrates some wonderfully confident direction for a first-timer, utilizing space, sound design and two very good lead actors as her tools to slowly amplify the tension and mess with your head."[8] Ryland Aldrich of Twitch Film also praised the film and called it "a good story, excellently told, and very, very scary."[9]

In 1906, a carriage arrives carrying a man and woman to the Renfield House for Incurables. Everything is appropriate levels of creepy gothic. The man says he is here to commit his wife. His wife bids him farewell and asks him to give a familiar looking necklace to their daughter if she doesn't make it back. The staff asks her name. She tells them it's "Van Helsing. Lillian Van Helsing." We silently oooh and aaaah.

Big surprise, Lily is a badass. She checked herself in in order to fight a vampire who has been hiding out in the asylum but before she can do that she has to break out of her room and beat up a lascivious guard, which she does easily. Then it's off to the basement where she unfortunately meets her match.

More than a century later, Lily's great-something-granddaughters are wandering around in the woods near that same asylum. Yes, they're lost, but they've found a cabin and the guy inside will take them where they need to go for the low low price of a Kit-Kat bar. Those are handy.

Pro tip for the apocalypse. Don't help people. There's a halfway decent chance one of them is a Vampire Elder in disguise and it's just gonna kill you when you get to your destination. You won't even get to enjoy your candy bar.

Inside the asylum, Scarlett forces the Elder to stay behind just in case it wants to eat anyone else they find. Naturally, though, the only people they find are a room full of dead people. Oh wait, not dead people, vampires. Oh, not just vampires? They're crazy psychic vampires? Oh, good.

As is their way, Scarlett and Vanessa just start killing the crap out of all the crazy psychic vampires until Scarlett gets pinned down by the de facto leader and decides to take a page out of her sister's book and bite the dude. You know what comes next. Blood vomit, confusion, dude is human again and more than happy to help them dig up records of their relative who was once a patient in this hospital.

He tells them that Lily died under mysterious circumstances and has been interred in the potter's field on the property. He and Axel head off to find some shovels while Vanessa and Scarlett stay behind to stab the dirt and have a heart to heart.

Axel and the good Doctor make their way into the house, but Axel quickly discovers that this isn't one of the nice former vampires. Of course, he discovers this when he is knocked unconscious, tied to a chair, and made one of Kevorkian's next experiments. High voltage electricity and the human skull are not good friends.

Back at the grave, Scarlett wants to know why the hell Vanessa has been acting weird and distant since they all met up again and Vanessa finally tells her sister that the Elder bit her and she's different now. She craves blood and she fears she's more vampire than human. She all but tells Scarlett that she might need to kill her sometime in the near future. Scarlett's not really having it but they're interrupted when ...

In the meantime, Axel has managed to free himself just enough to get confident. He gets the doc talking enough to tell him that Lily, because she had money, wasn't buried outside. She's in the mausoleum under the building. Info gathered, Axel wastes no time wasting the doc, squashing his skull for good measure.

Finally on the right track they head down to the mausoleum to find Lily, but first, they find the vampire that killed her. He's appropriately gross looking and way more dangerous than the vamps upstairs. Vanessa sends Scarlett and Axel to safety and she and the Elder take on the big head vampire.

Turns out a Van Helsing and an Elder were all that was needed to take this guy out. With him dead, they finally locate Lily's body, still nearly pristine, and with her two very important trinkets: the Elder's totem (a silver bracelet) and a large dagger.

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