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Looking for a studio to bring your next production to life? Vegas PBS has you covered with two fully-equipped studios available for rent, with more production capability than any other television station in Nevada. Enjoy a wide-open environment, with ample parking and high-quality amenities just minutes away from the Las Vegas Strip.
Not only does Vegas PBS broadcast stories that inspire, we also help the community capture their own stories through our production services. Renting one of our studios also grants you access to spacious greenrooms, a dedicated hair and makeup space, convenient access to our loading dock, and more.
The studio renderings were included in in a presentation to lawmakers on the film tax incentives that make up Senate Bill 496, which seeks to turn the valley into a major film and television production hub.
Lockout Music Studios is a one-of-a-kind 24-hour music rehearsal spot found in Las Vegas. It is equipped with top-notch amenities for a comfortable and professional setting. This studio offers a range of different-sized rooms and has been designed with a cozy atmosphere, allowing musicians to collaborate and create music easily.
I decided to sign up for the Las Vegas studio because Denise, Bob, and Steve were a deeply engaging team. I liked their presentation. And the metaphor of Las Vegas and the opportunity to learn there together with them and other Yalies did not leave me with hesitation or ambivalence. I was enthusiastic and ready to lock and load.
I remember clearly realizing the great depth of informative analysis Denise, as city planner, organized into the studio; and that Bob, as architect, probably learned all he needed to by a few trips up and down The Strip.
The three most memorable events were meeting with Ed Ruscha at his studio in Los Angeles; visiting the Young Electric Sign Co. in Las Vegas; and attending the grand opening of the Circus Circus Casino.
Denise in particular really drove us to have the highest standards in our research and documentation. She had her eye on the prize, the exhibit and book, and knew it would be memorable. It sounds like we did not have much fun but that is not correct; the studio was lucky to have two great leaders and they understood students so we had a great balance. When we went to Las Vegas we did lots of crazy stunts, like crashing the opening of Circus Circus Casino in costumes from the local thrift shops. The trip to LA featured tours of great LA sites, meetings with Esther McCoy, and even a trip to Disneyland (a very big deal in 1967!).
For kind assistance in contacting former students of the 1968 studio course we are grateful to Jean F. Sielaff, Senior Administrative Assistant to the Dean, Yale School of Architecture. We also thank the students who graciously shared their reflections: Ronald Filson, Peter Hoyt, Charles Korn, Daniel Scully, and Douglas Southworth. The other students in the course were Ralph Carlson, Tony Farmer, Glen Hodges, John Kranz, Peter Schlaifer, Peter Schmitt, Martha Wagner, and Tony Zunino.
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