Bullet Small Caps Font Download
Sherlyn Faught
Capital letters are visually distinct from their small counterparts. They all occupy the same height in a line of text. These are also called upper case letters as typesetters used to keep the capital letters in the upper case of their printing presses when text used to be set by hand. Writing all of your body text in all caps is the visual equivalent to shouting your words at your reader. This is often seen as tacky or just plain rude in school and work settings.
Another smart look is small caps where the entire word is in capital letters, but the first capital letter is slightly bigger than the others. This looks very sharp in titles and headings and may help some people with low vision distinguish the letters more easily.
InDesigncan automatically change the case of selected text. Whenyou format text as small caps, InDesign automatically uses the small-cap charactersdesigned as part of the font, if available. Otherwise, InDesign synthesizes thesmall caps using scaled-down versions of the regular capital letters.The size of synthesized small caps is set in the Type Preferencesdialog box.
The font-synthesis-small-caps CSS property lets you specify whether or not the browser may synthesize small-caps typeface when it is missing in a font family. Small-caps glyphs typically use the form of uppercase letters but are reduced to the size of lowercase letters.
The reason why you don't get small caps is that the standard fonts have no bold small caps, so a substitute is used. Using \item[\textscx] just adds \scshape to the default font, which is boldface. You might do
In the context pane you can change the paragraph style of your text to any of the preset styles or custom styles that you create yourself.
The context panel is also the place to modify the basic formatting of your text, including font, size, color, bold, italic, or underline.
If you click on the sign to the right of the underline option, more text formatting options will appear. These options include adding strikethrough, superscripts, or subscripts, changing to all caps or small caps, and removing all formatting. You will also be given the options to change your character style, add an outline to the text, or to add a highlight to the text box.
The context pane also gives you the opportunity to change the alignment of the text within the text box. Horizontal alignment and vertical alignment options appear below the bold, italic, and underline settings.
The next section allows you to add bulleted or numbered lists to your text and choose the style and color of these bullets. When expanded, you can also choose the indentation and spacing of your bulleted or numbered list.
Continuing down the context pane, there are options to change the spacing. The spacing option increases or decreases the space between lines, the paragraph spacing option increases or decreases the space between paragraphs, and the padding option changes the amount of space between the edge of the text box and the text. Other settings include character spacing to move letters closer together or farther apart and character stretching to horizontally stretch or compress the letters.
In the context pane, you also have the option to add or remove columns, and to change the distance between columns (the gutter).
The tabs and indents section allows you to add or remove tabs, to set up first line and left / right / top / bottom indents, change the default tab spacing, and add or remove tab stops.
The next section of the context pane, the horizontal rules section allows you to add and edit horizontal lines spanning across the top or bottom of text. You can change the thickness, color, and padding of these horizontal rules in this section.
The warp section gives you the opportunity to customize the line that your text appears in. You can set it to appear on a wave, ribbon, arch, or arc, and then (using the expansion of this section) change the bend, wave, horizontal distortion, and vertical distortion of the line.
The context pane also is the place to link your text. You can link text in Marq to URLs, emails, or other Marq project pages.
The final option in the context pane for editing text is hyphenation. Turning hyphenation ON will cause words cut off by a new line to be hyphenated, and turning hyphenation OFF will push these words to start on the new line.
Character Style
If you click on the (T) sign to the right of the underline option, more text formatting options will appear. These options include adding strikethrough, superscripts, or subscripts, changing to all caps or small caps, and removing all formatting. You will also be given the options to change your character style, add an outline to the text, or to add a highlight to the text box.
I wanted a medium-sized bullet too, so I started with the larger bullet then reduced its size by going into the character style linked to the list style, selecting the Position tab, picking Superscript, raising the bullet by 5% and setting the relative font size to 80%.
A good ordinary book or body-text font should come with smallcaps. How high should the smallcaps be? I suppose this would be expressed as either relative to the x-height (i don't think all smallcap designs make them exactly the x-height), or relative to the cap-height.
Not sure if all, but most small caps fonts I've seen are slightly taller than the X height, although the amount varies. I don't think there is anything set in stone. It's ultimately up to the designer.
If the parent element has a keyword font size in the absolute size keyword mapping table, larger may compute the font size to the next entry in the table, and smaller may compute the font size to the previous entry in the table. For example, if the parent element has a font size of medium, specifying a value of larger may make the font size of the child element large.
Verdana has a relatively high aspect value of 0.545,meaning lowercase letters are relatively tallcompared to uppercase letters,so at small sizes text appears legible.Times has a lower aspect value of 0.447,and so if fallback occurs,the text will be less legible at small sizes than Verdanaunless font-size-adjust is also specified.
How text rendered in each of these fonts compares is shown below,the columns show text rendered in Verdana, Futura and Times.The same font-size value is used across cellswithin each row and red lines are included to show the differences in x-height.In the upper half, each row is rendered in the same font-size value.The same is true for the lower half,but in this half the font-size-adjust property is also setto 0.545,so that the actual font size is adjustedto preserve the x-height of Verdana across each row.Note how small text remains relatively legible across each row in the lower half.
This value should only be used when rendering text in a particular font is very important for the page,but rendering in any font will still get a correct message across.It should only be used for small pieces of text.
Modern font technologies support a variety ofadvanced typographic and language-specific font features.Using these features,a single font can provide glyphsfor a wide range ofligatures,contextual and stylistic alternates,tabular and old-style figures,small capitals,automatic fractions,swashes,and alternates specific to a given language.To allow authors control over these font capabilities,the font-variant property has been expanded.It now functions as a shorthandfor a set of propertiesthat provide control overstylistic font features.
Stylistic font features can be classifiedinto two broad categories:ones that affect the harmonization of glyph shapeswith the surrounding context,such as kerning and ligature features,and ones such as the small-caps,subscript/superscript and alternate featuresthat affect shape selection.
Because font-size: smaller is often used for these elements,the effective scaling factorapplied to subscript and superscript textvaries depending upon the size.For larger text,the font size is often reduced by a thirdbut for smaller text sizes,the reduction can be much less.This allows subscripts and superscriptsto remain readableeven within elements using small text sizes.User agents should consider thiswhen deciding how to synthesizesubscript and superscript glyphs.
Some fonts may only support a subsetor noneof the featuresdescribed for this property.For backwards compatibility with CSS 2.1,if small-caps or all-small-caps is specifiedbut small-caps glyphs are not available for a given font,user agents should simulate a small-caps font,for example by taking a normal fontand replacing the glyphs for lowercase letterswith scaled versions of the glyphsfor uppercase characters(replacing the glyphs for both upper and lowercase lettersin the case of all-small-caps).
To match the surrounding text,a font may provide alternate glyphsfor caseless characterswhen these features are enabledbut when a user agent simulates small capitals,it must not attempt to simulate alternatesfor codepoints which are considered caseless.
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