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Kopps is a 2003 Swedish action comedy film which was released to cinemas in Sweden on 7 February 2003,[1] directed by Josef Fares. The name itself is a pun on pronouncing the English word "Cops" with a Swedish accent.
The film concerns the police force of a small fictional Swedish village, Högboträsk. The village is so peaceful that crime has become nonexistent. The police spend their shifts drinking coffee, eating hot dogs and chasing down runaway cows. This is all well and good for the village's own police, but the police management board wants to discontinue the local police force for lack of crime. This would mean the loss of income for the policemen, so they begin to stage crimes in order to preserve their jobs. This includes burning down the local hotdog stand, hiring a drunk to steal a packet of sausages, thrashing a local car, faking a shootout and staging a kidnapping using their friends as actors.
The Keystone Cops (often spelled "Keystone Kops") are fictional, humorously incompetent policemen featured in silent film slapstick comedies produced by Mack Sennett for his Keystone Film Company between 1912 and 1917.
The idea for the Keystone Cops came from Hank Mann, and they were named for the Keystone studio, the film production company founded in 1912 by Sennett.[1] Their first film was Hoffmeyer's Legacy (1912), with Mann playing the part of police chief Tehiezel, but their popularity stemmed from the 1913 short The Bangville Police starring Mabel Normand, which had Ford Sterling in the role of chief.
The original Keystone Cops were George Jeske, Bobby Dunn, Mack Riley, Charles Avery, Slim Summerville, Edgar Kennedy, and Hank Mann.[6] In 2010, the lost short A Thief Catcher was discovered at an antique sale in Michigan. It was filmed in 1914 and stars Ford Sterling, Mack Swain, Edgar Kennedy, and Al St. John and includes a previously unknown appearance of Charlie Chaplin as a Keystone Cop.[7]
Mack Sennett continued to use the Keystone Cops intermittently through the 1920s, but their popularity had waned by the time that sound films arrived. In 1935, director Ralph Staub staged a revival of the Sennett gang for his Warner Brothers short subject Keystone Hotel, featuring a re-creation of the Kops clutching at their hats, leaping in the air in surprise, running energetically in any direction, and taking extreme pratfalls. The Staub version of the Keystone Cops became a template for later re-creations. 20th Century Fox's 1939 film Hollywood Cavalcade had Buster Keaton in a Keystone chase scene. Abbott and Costello Meet the Keystone Kops (1955) included a lengthy chase scene, showcasing a group of stuntmen dressed as Sennett's squad. (Two original Keystone Cops in this film were Heinie Conklin as an elderly studio guard and Hank Mann as a prop man. Sennett also starred in a cameo appearance as himself).
Why cops? In those early days of film much of the movie-going audience was made of up of the working class and immigrants. Sennett knew this and knew these blue-collar people would get a kick out of authority figures being lampooned. The most familiar authority figures of all? The police, of course!
I have a picture of of my dads grand or great grandfather pops in a duo, dressed in top hat and cane. I was told they were two of the original key stone kops. My dad immigrated from from Melbourne Australia in 1931. Im trying to learn more about my roots.
Kops will oversee global feature film publicity on all wide theatrical releases, multi-platform releases and catalog, through the full cycle of their campaigns; he also will oversee strategic communications for the motion picture group as a whole. Kops has been unofficially serving in the role since last year, when Liston was promoted from the job to lead the global marketing department.
In his new position, Kops will lead global feature film publicity on all wide theatrical releases, multiplatform releases, and catalog, through the full cycle of their campaigns; he also will oversee strategic communications for the Motion Picture Group as a whole. Kops has been unofficially serving in the role since Liston was promoted to lead the Global Marketing department last year. She previously held the job and Kops will report to Liston.
Kops has been working in entertainment marketing and publicity since 1991. He spent six years at MGM/UA, rising through the ranks to ultimately head up the department as EVP of Worldwide Publicity & Promotions. During his tenure, he oversaw the PR campaigns for films including The Thomas Crown Affair, Igby Goes Down, Hotel Rwanda, and the James Bond films starring Pierce Brosnan. He also orchestrated the PR launch of the Legally Blonde and Barbershop franchises, among other titles.
Next, he moved to Paramount Pictures, where he served as SVP Publicity, heading up U.S. publicity campaigns and working with filmmakers including Cameron Crowe on Elizabethtown, JJ Abrams and Tom Cruise on Mission: Impossible III, and Bill Condon on Dreamgirls, where he oversaw the Oscar-winning campaign for Jennifer Hudson.
Additionally, Kops produced the award-winning independent film Do You Take This Man, starring Anthony Rapp, Jonathan Bennett, Alyson Hannigan, Thomas Dekker and Mackenzie Astin. The film centers around the wedding of a gay couple; the wedding scene was shot the same day the 2015 Supreme Court decision in support of gay marriage came down.
What cemented them in popular consciousness for the next century was not simply the shorts they made with them as the feature, but the fact that Sennett would throw them into any number of other comedic short. Thus they appear in Charlie Chaplin films, Fatty Arbuckle films as well as numerous others and they became a silent film meme and thus, immortal.
In his new role, Kops will oversee global feature film publicity on all wide theatrical releases, multiplatform releases, and catalog. Kops also will oversee strategic communications for the Film Group as a whole.
By the end of the 1990s, almost nine decades since their first appearance on the early silent screen in Hoffmeyer's Legacy (1912), Mack Sennett's Keystone Kops had long entered the language as a byword for bungling, absurd, and hilarious incompetency. Icons of the early comedy "flickers" that made Sennett the most significant, famous, and successful pioneer of film comedy, the Kops, named for Sennett's Keystone company, featured regularly in the American silent era slapstick movies pioneered at Keystone Studios from 1912. With the release of The Bangville Police (1913), the Keystone Kops were established as a much-loved American institution and an integral element of Sennett's production output and comedy style. Sporting handlebar mustaches and ill fitting uniforms, the conscientious but utterly inept policemen (and sometimes the Keystone Firemen) fell out of cars, under cars, over cliffs, and more often than not over themselves, all at artificially high speed, defining the art of slapstick in which Sennett specialized and which would be refined by the arrival of Charlie Chaplin at his studio in 1914.
The influence of the Keystone Kops on the development of comedy is of paramount importance in the history of the cinema. This could be most particularly perceived in the films of Laurel and Hardy and, later, in cruder form, The Three Stooges. And while, over the decades, verbal humor came either to replace or complement visual humor, the preposterously farcical elements that informed the antics of the Kops have survived in variously modified forms to the presentday. Sennett's imagination has influenced the material and performances of comic artists from Jerry Lewis through Mel Brooks to Robin Williams and Jim Carrey.
Abbott and Costello Meet the Keystone Kops is a 1955 film starring the comedy team of Abbott and Costello.After the film was completed, Universal wanted to rename it Abbott and Costello in the Stunt Men, because they did not consider the "Keystone Kops" to be relevant anymore. However, in October 1954, the studio relented and agreed to use the "Keystone Kops" name.
EDITORS COMMENTS
This print from the Granger Collection takes us back to the uproarious world of silent movies in the 1910s. Featuring a scene from one of the most iconic comedy series of its time, the Keystone Kops, this image captures all the elements that made these films an instant hit. In their distinctive uniforms adorned with badges and caps, these mustachioed men epitomize early American law enforcement with a comedic twist. With their exaggerated gestures and slapstick antics, they brought laughter to audiences across America. The Keystone Kops were known for their physical comedy and chaotic chases, often finding themselves in absurd situations while trying to maintain order. As we gaze at this film still frozen in time, we can't help but appreciate how it reflects not only a bygone era but also the evolution of dramatic arts. It reminds us of how far cinema has come since those early days when silent movies ruled theaters. The Granger Collection's expertly preserved print allows us to relish in this timeless piece of entertainment history. Whether you're a fan of classic films or simply enjoy moments filled with laughter and nostalgia, this print is sure to bring joy every time you lay eyes on it.
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Coy Watson Jr., who appeared in Mack Sennett comedies and other silent films before abandoning acting for a long career as a newspaper and television news photographer, died Saturday near San Diego of complications from stomach cancer.
The Keystone Kops were a series of silent film comedies about an incompetent group of policemen that were produced by Mack Sennett. Their first film debuted in 1912, but after a few years Sennett shifted them to supporting characters for the silent film comedies of Charlie Chaplin, Fatty Arbuckle, and Mabel Normand. They continued to appear after their heyday in such films as 1955's Abbott and Costello Meet the Keystone Kops and inspired many homages including Mel Brooks' Silent Movie and the 1980 Broadway production (and its 1983 film adapation) of Gilbert and Sullivan's The Pirates of Penzance.
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