Blu Ray Movies Download 1080p Bollywood Songs
Hope Nevin
The first song recorded in India by Gauhar Jaan in 1902 and the first Bollywood film Alam Ara (1931) were under Saregama, India's oldest music label owned by RPSanjiv Goenka Group.[3] Linguistically, Bollywood songs tend to use vernacular Hindustani, mutually intelligible to self-identified speakers of both Hindi and Urdu, while modern Bollywood songs also increasingly incorporate elements of Hinglish.[4] Urdu poetry has had a particularly strong impact on Bollywood songs, where the lyrics draw heavily from Urdu poetry and the ghazal tradition.[5] In addition, Punjabi is also occasionally used for Bollywood songs.
Right from the advent of Indian cinema in 1931, musicals with song numbers have been a regular feature in Indian cinema.[9] In 1934 Hindi film songs began to be recorded on gramophones and later, played on radio channels, giving rise to a new form of mass entertainment in India which was responsive to popular demand.[9] Within the first few years itself, Hindi cinema had produced a variety of films which easily categorised into genres such as "historicals", "mythologicals", "devotional, "fantasy" etc. but each having songs embedded in them such that it is incorrect to classify them as "musicals".[1]
blu ray movies download 1080p bollywood songs
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For over five decades, these songs formed the staple of popular music in South Asia and along with Hindi films, was an important cultural export to most countries around Asia and wherever the Indian diaspora had spread. The spread was galvanised by the advent of cheap plastic tape cassettes which were produced in the millions until the industry crashed in 2000.[9] Even today Hindi film songs are available on radio, on television, as live music by performers, and on media, both old and new such as cassette tapes, compact disks and DVDs and are easily available, both legally and illegally, on the internet.[1]
The various use of languages in Bollywood songs can be complex. Most use variations of Hindi and Urdu, with some songs also including other languages such as Persian, and it is not uncommon to hear the use of English words in songs from modern Hindi movies. Besides Hindi, several other Indian languages have also been used including Braj, Avadhi, Bhojpuri, Punjabi, Bengali and Rajasthani.
In a modern globalisation standpoint, Bollywood music has many non-Indian influences, especially from the West.[12] Many Hindi film music composers learned and mimicked Hollywood's style of matching music to scene atmospheres into their own film songs, the result being Bollywood music. These songs can be considered a combination of Western influences and Hindi music.[13]
Songs in Bollywood movies are deliberately crafted with lyrics often written by distinguished poets or literati (often different from those who write the film script), and these lyrics are often then set to music, carefully choreographed to match the dance routine or script of the film. They are then sung by professional playback singers and lip-synched by the actors. Bollywood cinema is unique in that the majority of songs are seen to be sung by the characters themselves rather than being played in the background.[14] Although protagonists sing often, villains in films do not sing because music and the arts are a sign of humanity.[15] In Western cinema, often a composer who specialises in film music is responsible for the bulk of music on the film's soundtrack, and while in some films songs may play an important part (and have direct relationship to the subject of the film), in Bollywood films, the songs often drive large-scale production numbers featuring elaborate choreography.
The key figure in Bollywood music production and composition is the music director. While in Western films, a "music director" or "music coordinator" is usually responsible for selecting existing recorded music to add to the soundtrack, typically during opening and closing credits, in Bollywood films, the "music director" often has a much broader role encompassing both composing music/songs specifically for the film and (if needed) securing additional (licensed) music. In this sense, a Bollywood music director also plays the role of a composer and music producer.
The lyricist of Bollywood songs is less likely to be the same composer or music director, as Bollywood films often go to great lengths to include lyrics of special significance and applicability to the film's plot and dialogue, and/or the words of highly regarded poets/lyricists set to music written specifically for such words in the film, as noted above.
Bollywood film songs have been described as eclectic both in instrumentation and style.[16] They often employ foreign instruments and rework existing songs, showing remarkable inventiveness in the reinvention of melodies and instrumental techniques.[17]
Hindi dance music encompasses a wide range of songs predominantly featured in the Bollywood film industry with a growing worldwide attraction. The music became popular among overseas Indians in countries such as South Africa, the United Kingdom and the United States and eventually developed a global fan base.[22]
Indian musicians began fusing rock with traditional Indian music from the mid-1960s onwards in filmi songs produced for popular Bollywood films. Some of the more well known early rock songs (including styles such as funk rock, pop rock, psychedelic rock, raga rock, and soft rock) from Bollywood films include Kishore Kumar's "O Saathi Re" in Muqaddar Ka Sikandar (1978), Mohammed Rafi's "Jaan Pehechan Ho" in Gumnaam (1965), and Asha Bhosle songs such as "Dum Maro Dum" in Hare Rama Hare Krishna (1971), "Ae Naujawan Hai Sab" in Apradh (1972), and "Yeh Mera Dil Pyar Ka Diwana" in Don (1978).
The Pakistani Qawwali musician Nusrat Fateh Ali Khan had a big impact on Bollywood music, inspiring numerous Indian musicians working in Bollywood, especially during the 1990s. However, there were many instances of Indian music directors plagiarising Khan's music to produce hit filmi songs.[45][46] Several popular examples include Viju Shah's hit song "Tu Cheez Badi Hai Mast Mast" in Mohra (1994) being plagiarised from Khan's popular Qawwali song "Dam Mast Qalandar", "Mera Piya Ghar Aya" used in Yaarana (1995), and "Sanoo Ek Pal Chain Na Aaye" in Judaai (1997).[45] Despite the significant number of hit Bollywood songs plagiarised from his music, Nusrat Fateh Ali Khan was reportedly tolerant towards the plagiarism.[46][47] One of the Bollywood music directors who frequently plagiarised him, Anu Malik, claimed that he loved Khan's music and was actually showing admiration by using his tunes.[47] However, Khan was reportedly aggrieved when Malik turned his spiritual "Allah Hoo, Allah Hoo" into "I Love You, I Love You" in Auzaar (1997).[46] Khan said "he has taken my devotional song Allahu and converted it into I love you. He should at least respect my religious songs."[47]
A number of Bollywood soundtracks also plagiarised Guinean singer Mory Kanté, particularly his 1987 album Akwaba Beach. For example, his song "Tama" inspired two Bollywood songs, Bappi Lahiri's "Tamma Tamma" in Thanedaar (1990) and "Jumma Chumma" in Laxmikant-Pyarelal's soundtrack for Hum (1991), the latter also featuring another song "Ek Doosre Se" which copied his song "Inch Allah".[48] His song "Yé ké yé ké" was also used as background music in the 1990 Bollywood film Agneepath, inspired the Bollywood song "Tamma Tamma" in Thanedaar, and was also copied by Mani Sharma's song "Pellikala Vachesindhe" in the 1997 Telugu film, Preminchukundam Raa.[48]
While we may have chosen 100 of the best Bollywood movies, with over six decades of popular Hindi cinema, it's nearly impossible to choose just 11 of the best Bollywood songs. So instead, we've picked just a taster of the world of Bollywood music, selecting 11 of the most memorable and important songs.
Bollywood music is derived from song-and-dance routines in Hindi films. Due to their enduring popular appeal and cultural impact, Bollywood songs and dances are a characteristic motif of Hindi cinema.
One of the reasons for the popularity of Bollywood songs has been the willingness of composers to adopt and be influenced by various musical forms including Western pop, jazz, rock, and classical music. These songs are generally composed in Hindi, though often the vocabulary and language usage deviate from that of standard Hindi and can include the use of Urdu, Persian, and English words, along with compositions in various Hindi dialects.
Between 1931 and 1940, India produced around 930 feature films with an average of ten songs per film. During this period, many of the original actors and actresses sang the songs, similar to Hollywood.
Bollywood or Hindi Cinema loves Europe. Whether it is shooting amid the pristine beauty of Switzerland or in the buzzing streets of London, Bollywood has always gone that extra mile to show the best of Europe. In the past 50 years or so, there have been several Bollywood movies that have been shot in Italy. It is evident how much Indian Directors love Italy!! With that thought in mind, here is a list of 5 Bollywood movies shot in Italy- from the canals of Venice, the trulli of Alberobello to the colorful towns of the Amalfi Coast!
Bollywood movies, starting from Raja Harishchandra, and Alam Ara to Yeh Jawaani Hai Deewani have been rich with dance, music and muse! It depicts the myriad of emotions that have flourished across the Indian subcontinent for ages. No wonder we thoroughly enjoy Bollywood music. But is it necessary to have a song in nearly every Bollywood movie? In this blog, we will explore why Bollywood movies always have songs.
Bollywood songs have triumphed in attracting the overseas audience with their catchy songs and dance moves. It has had entertaining song-and-dance quotients for decades now. Thousands of viewers are fond of Indian Cinema across continents that hum or sing Bollywood songs without even knowing the meaning of the lyrics! They even go out to watch Bollywood movies for the songs and dance, alongside them watching at home.
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