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India and Islamic art
India art from the 3th century B.C. was mainly Buddhist art. It was
also the art of sculpture.
Until A.D. 800, Hindu architects and sculptors built temples and
shrines with plenty of sculptures. Many of these temples were carved in rock
cliffs. Among these buildings, nearly thirty caves carved in Ajanta, in central
India, must be mentioned. Besides sculptures and bas-reliefs, there is a series
of wall paintings considered among the greatest masterpieces ever made by man.
The outstanding quality of these frescoes made them into models not
only for artists who painted murals many years after, but even for manuscript
illustrators.
In the Middle Ages, artists in India drew on palm leaves, which
necessitated a long and narrow format, They marked the surface with metalpoint,
a primitive pencil. Then they scattered dark blue dust on the surface and blew
it off in order to get the drawing.
In the 14th century, paper was introduced in India. It came from
Persia and helped in the making of drawings and miniatures which, from then on,
were to be painted with water-colours and opaque colours (gouache).
In 622 Mohammed left Mecca and went to Yathrib (now Medina)
,Saudi Arabia , and founded a new religion: Islam .
A hundred years later the Islamic world was an empire that covered
a vast territory, from Tibet to the Atlantic Ocean, and included all the peoples
and nations of the southern coast of the Mediterranean.
The Koran , the holy book of Islam, does not ban the representation
of images in art. However, the ancient Muslim theologians pontificated that
drawing people implied a sinful arrogation of the divine power of creation and
doing so easly banned in religious books and buildings. Islamic artists then
developed all sorts of decorative embellishments until the koran was revised and
no reason could be found for the previous ban.
In the 14th century Tamerlane, heading the Mongolians, went as far
as Turkey and India and established the first Timurid school of miniaturists in
Persia. Persia then become the artistic centre of Islamic art.
Among athers the schools of Herat and Mughal of Akbar were
established at this time; and artists such as Bihzad, Aga Reza, and Reza
i`Abbasi were working during this fertile period. Reza i`Abbasi was the most
prominent Islamic draftsman and painter, and also the founder of the Abbasi
school.