Anancient but still fleshy Chinese corpse is on auction in England. A young businessman (Sam Christopher Chow) purchases the corpse. The corpse is revealed to be the body of his third great-grandfather and he intends to give it a proper burial in Hong Kong. To keep it from becoming an irrepressible vampire, the descendant hires a good-natured Taoist priest (Lam Ching Ying) to maintain control of the cadaver using a yellow talisman. The young descendant and the Taoist priest decide that the best way to get the valued ancestor home is via a direct flight to Hong Kong on a private jet.
During the flight, the plane malfunctions and an altercation breaks out between the ruthless pilot and the two passengers.Luckily, they outsmart the pilot and descend from the troublesome plane by using parachutes. The corpse and the two end up separated during the chaos, and they land in Africa.
The corpse lands in front of Xixo (N!xau), where he and his tribe are being confronted by a rival clan led by two greedy Caucasians. The corpse's presence scares away the villains. Xixo somehow learns to control the corpse using a bell and he takes it to his tribe. Soon he and his family think of it as a gift from God, as it aids them in various matters, such as bringing down fruit from towering trees.
The descendant and the priest land in a vast and dry area miles away from Xixo's home. Confronting an assortment of African animals, they make their way across the foreign land in search of the corpse and rescue. During this time, the corpse forms a strong bond with the compassionate Xixo and his family. Days later, the descendant and the priest meet Xixo and his family. Not knowing they have the corpse, the two nevertheless stay with them, finding food, water, and shelter. They all abruptly form a solid friendship, despite the language barrier, as they all help out each other when in need.
Days later, the priest figures that the corpse must be nearby, since he connects the strange lack of birds in the area with the ominous close presence of a cadaver. Using magic, he summons the corpse to his hut. Xixo and his family frantically chase the corpse. After the corpse reunites with his descendant, the priest proves to Xixo that it belongs to them, and Xixo eventually agrees. After a few more days of living together, they prepare to part ways with the bushmen and Xixo leads them to the main path to civilisation. However, the rival clan is still after what Xixo's homeland has as a natural abundance: diamonds, as they invade the huts and threaten the residents. The corpse, feeling obligated to aid Xixo and his family, goes back, with the priest and the descendant following. A battle takes place between the villains and Xixo's people, with the corpse managing to chase away one of the ruthless leaders. The priest even summons the spirit of the late Bruce Lee to aid Xixo, and the villains are finally defeated. The priest uses the radio left in the villains' Jeep to contact a helicopter. Before boarding, the priest, the descendant, and the corpse bid farewell to Xixo and his family.
The Gods Must Be Crazy is a 1980 comedy film written, produced, edited and directed by Jamie Uys. An international co-production of South Africa and Botswana, it is the first film in The Gods Must Be Crazy series. Set in Southern Africa, the film stars Namibian San farmer Nǃxau ǂToma as Xi, a hunter-gatherer of the Kalahari Desert whose tribe discovers a glass Coca-Cola bottle dropped from an aeroplane, and believe it to be a gift from their gods. When Xi sets out to return the bottle to the gods, his journey becomes intertwined with that of a biologist (Marius Weyers), a newly hired village school teacher (Sandra Prinsloo), and a band of guerrilla terrorists.
The Gods Must Be Crazy was released in South Africa on 10 September 1980 by Ster-Kinekor, and broke several box office records in the country, becoming the most financially successful South African film ever produced at the time.[2] The film was a commercial and critical success in most other countries, but took longer to find success in the United States, where it was eventually re-released in 1984 by 20th Century Fox,[1] with its original Afrikaans dialogue being dubbed into English. Despite its success, the film attracted criticism for its depiction of race and perceived ignorance of discrimination and apartheid in South Africa.[3]
Xi and his San tribe[a] live happily in the Kalahari Desert, away from industrial civilization. One day, a glass Coca-Cola bottle is thrown out of an aeroplane by a pilot and falls to the ground unbroken. Initially, Xi's people assume the bottle to be a gift from their gods, just as they believe plants and animals are, and find many uses for it. Unlike other gifts, however, there is only one glass bottle, which causes unforeseen conflict within the tribe. As a result, Xi, wearing only a loincloth, decides to make a pilgrimage to the edge of the world and dispose of the divisive object.
Along the way, Xi encounters biologist Andrew Steyn, who is studying the manure of wildlife; Steyn's assistant and mechanic, M'pudi; Kate Thompson, a woman who quit her job as a journalist in Johannesburg to become a village school teacher; and eventually a band of guerrillas led by Sam Boga, who are being pursued by government troops after a failed assassination attempt. In a fictitious town called Biryani, northwest of Botswana, Boga's men kill three cabinet members and injure two others in an attempt on the president's life, sending the military in hot pursuit.
Steyn is tasked with bringing Thompson to the village where she will teach, but he is awkward and clumsy around her. Their Land Rover stalls while trying to ford a deep river; he hoists it out with a winch, but it continues lifting the vehicle to a very high treetop level while a forgetful Steyn is distracted extricating Thompson from a wait-a-bit tree. She more than once mistakes his attempts to evade wild animals, and putting out an evening campfire, as advances towards her. Eventually, a snobbish safari tour guide named Jack Hind arrives, and takes Thompson the rest of the way to the village.
One day, Xi happens upon a herd of goats, and shoots one with a tranquilizer arrow, planning to eat it. He is arrested and sentenced to jail. M'pudi, who once lived with the San and can speak the San language, is discontent with the verdict. He and Steyn arrange to hire Xi as a tracker for the remainder of his sentence in lieu of prison time, and teach Xi how to drive Steyn's Land Rover. Meanwhile, the guerrillas invade Thompson's school, taking her and the students as hostages as they make their escape to a neighbouring country.
Steyn, M'pudi and Xi, immersed in their fieldwork, find that they are along the terrorists' and children's path, and observe their movements with a telescope. They manage to immobilize six of the eight guerrillas using makeshift tranquilizer darts launched by Xi with a miniature bow, allowing Thompson and the children to confiscate the guerillas' firearms. Steyn and M'pudi apprehend the remaining two guerrillas by frightening one with a snake and by shooting at a tree above the other, causing latex to drip from the tree and irritate his skin. Jack Hind arrives and takes Thompson and the children away, taking credit for the rescue that Steyn, M'pudi and Xi had actually planned and executed.
Later, with Xi's term over, Steyn pays his wages and sends him on his way. Xi has never seen paper money (banknotes) before, and throws them on the ground. Steyn and M'pudi then drive from their camp to visit Thompson, where Steyn attempts to explain his tendency to be uncoordinated in her presence, but accidentally and repeatedly knocks over a number of objects in the process. Thompson finds his efforts endearing, and kisses Steyn.
Xi eventually arrives at God's Window, the top of a cliff with a solid layer of low-lying clouds obscuring the landscape below. Convinced that he has reached the edge of the world, he throws the bottle off the cliff, and returns to his family.
After I made Animals Are Beautiful People, I went back to the Kalahari very often to visit the Bushmen. The more I visited, the more I discovered this thing about them: they don't have a sense of property. They don't know about ownership. If I put my jacket down, one of them would put it on. They share everything. Where they are, there is nothing you can own. It seems so different from the rest of us, who will kill one another over a diamond, because of its scarcity value.
Jamie Uys conceived the premise of The Gods Must Be Crazy while making the 1974 documentary Animals Are Beautiful People.[3] The documentary was filmed partially on the Kalahari Desert, where Uys first encountered the San people and "fell in love with them".[3] Uys chose a Coca-Cola bottle as the object that the San people would discover and covet in The Gods Must Be Crazy because he felt that the bottle was representative of "our plastic society", and because it "is a beautiful thing, if you've never seen glass before".[3]
Uys noted that he modelled the character of Andrew Steyn after himself: "I used to be awkward like that, especially with women. But then, I think most young guys knock things over with their first girl".[3]
After writing the script for The Gods Must Be Crazy, Uys reportedly spent three months traversing the Kalahari Desert with an interpreter, searching for a San person to play the role of Xi in the film.[3] Visiting areas of the desert inhabited by the San, Uys took photographs of individuals he felt he might cast, and then "marked the longitude and latitude, so we could find them again".[3]
Uys decided to cast Namibian San farmer Nǃxau ǂToma as Xi, and later recalled that "At first [Nǃxau] didn't understand, because they have no word for work. Then the interpreter asked, 'Would you like to come with us for some days?'"[3] N!xau agreed and flew with Uys by aeroplane to Windhoek, Namibia, which served as a base for the film's production.[3] Uys stated that "the airplane didn't impress him at all. He thinks we are magicians, so he believes we can do anything. Nothing impressed him".[3] In his hotel room, N!xau agreed to use the toilet, but slept on the floor rather than on the provided bed.[3]
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