3/6 Ashkenaz Virtual Dance Marathon kicks off Women's History Month

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Joyce Clyde

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Mar 3, 2021, 5:37:05 PM3/3/21
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From: Ashkenaz <even...@ashkenaz.ccsend.com> on behalf of Ashkenaz <publ...@ashkenaz.com>

 
MARCH 2021
Our Monthly Newsletter is Back, Joyce!
It almost didn't happen. But thanks to the dogged pursuit of Ashkenaz's dance and fitness guru, Kathy Reyes (right) -- who choreographed an all-star lineup of California dance instructors in eight unique disciplines in the 11th hour -- the 3rd Annual BELLA Dance spectacular (Virtual Edition) will once again kick off Women's History Month at Ashkenaz on Saturday.

Fortunately, Reyes had the influence to make it happen, seeing how she's been a member of Ashkenaz's board of directors for the past two years.

For the record, BELLA is an acronym: Become. Embrace. Lead. Learn. Accept. It's also a succinct summary for Reyes 5-year journey from one of Southern California's most accomplished Bachata competitors and instructors to the persona of Ashkenaz's world dance heritage. Bachata, a curious composition of celebratory four-step timing movements set to a torch song -- exorcising (and exercising) the demons of heartbreak, if you will -- has its roots in the Dominican Republic. But best of luck stumping the Guatemala-born Reyes on any Latin dance in which she's not fluent.

Thus did the Bay Area's most renowned practitioners of Cha Cha, Flamenco, Tango, Salsa, Samba and a few other caliente partner dances heed Reyes' last-minute call to gather for BELLA's third, and certainly most unconventional, rendition -- sans students and streamed live by Reyes herself (in lieu of instructing) from 9 a.m. to 5 p.m. on Ashkenaz's Facebook page.

Who wants to dance?
We Are His Legacy
December 19 will mark the 25th anniversary of the murder of Ashkenaz founder David Nadel in his own club.

As the years pass, fewer and fewer members of our community will have had direct contact with this remarkable visionary. Yet he binds us still.

As we contemplate our golden-anniversary remembrance, we thought it appropriate to feature the story of Edwin Thaxter, whom David hired in 1983 to be his doorman -- a position he held for nearly 37 years before the pandemic.
Edwin Thaxter:
Man In The Shadows
To untold thousands in the Ashkenaz community, Edwin Thaxter is not unlike a parent: We cannot imagine his life without us.

Yet the man who has stood sentry over Ashkenaz's door for the past 38 years had already lived an adventurer's life before he entered the club for the first time. The captain of a river-rafting company in his native Jamaica, Edwin turned a chance encounter with a client from Houston into a marriage that produced two daughters, Shani and Maisha, who today reside in their mother's hometown.

Edwin's wife, Diane, died of cancer in 1997. It was a crippling blow to a private man just months after he witnessed the murder of Ashkenaz founder David Nadel.

The date was April 30, 1983. Edwin knows it like his birthday. He stopped into Ashkenaz on that Saturday for a beer and to check out the dance hall in his new neighborhood.

He was sipping quietly on a Heineken when his attention was drawn to a ruckus that quickly elevated into a fight. He was in no mood for drama. So he set down his beer and entered the fray, placing himself between the combatants.

"If either of you wants to fight," Edwin declared, "you fight me first." And that was that.

The guy who was busing tables that night saw the whole thing and invited Edwin over for a beer. He asked him if he was looking for a job. Edwin gave the busboy his blessing to pass his name up the chain of command. The man dried his hand on his apron and went about clearing the table. "By the way," he said in parting, "I'm David Nadel."

Thus did Edwin Thaxter became Ashkinaz's doorman. And that was that.

"David was a revolutionary," Edwin said. "He stood up and fought for the people at People's Park. When you worked for David, you didn't want to go nowhere. The love and respect you get from him, you're not going to find anywhere else."

There is another date emblazoned upon his memory: December 19, 1996. No matter how many times he replays that night, Edwin fails to see how a run-of-the-mill encounter with an obnoxious drunk could so quickly have escalated into an apocalypse.

On that fateful Saturday night, Edwin saw a 20-year-old Emeryville resident named Juan Rivera Perez become verbally abusive with a female patron and, noting that Perez was intoxicated, removed him from Ashkenaz. That was his job.

Shortly thereafter, Perez showed up with a cousin, with whom Edwin was acquainted, to help him lobby for re-admittance. Edwin refused. Upon hearing the hubbub outside, Nadel appeared and quickly de-escalated the situation.

Edwin won't ever forget the next minute. Retreating inside with his boss, Edwin recalls Nadel saying "at least it ended without anyone getting shot."

Perez remained outside on San Pablo Avenue only briefly. Keeping his eyes peeled for trouble near the door, Edwin, who was unarmed, was mortified to see Perez load his small-caliber pistol. "It was the most helpless feeling in the world," he said.

Within seconds, Perez stormed back into Ashkenaz and shot Nedal point-blank in the face as Edwin lunged to protect his boss. "I thought it was me who got shot," he said. "There was another guy right there, the sound engineer that night, and David fell right into his arms. He never regained consciousness."

With Edwin acquainted with Perez's cousin, it didn't take police long to identify the culprit. But they never made an arrest; Perez fled to his native Mexico. Nearly a quarter century later, Perez remains on the Berkeley Police Department's most wanted list, with an active reward of $15,000 for information leading to Perez's arrest and conviction.

In the foggy aftermath, Edwin returned to Ashkenaz to gather his things; Ashkenaz without David Nadel was inconceivable. During those 13 years at the club, he had operated from the shadows, only appearing when circumstance dictated, but otherwise keeping his head down and protecting Nadel's door. He could not recall a single instance, until that post-mortem visit, that he had climbed the steps to Nadel's office.

He was unnerved to see the walls of the office covered with Post-It notes, a collection so vast that it continued down the hallway and along the walls of the stairwell leading to dance hall. Upon further examination, Edwin discovered they were all IOUs, money Nadel had lent to musicians, mostly, over the years. Edwin suspected he never made much of an effort to collect them, but that Nadel wanted to give the recipients the satisfaction of removing their own debt from the wall. Edwin's mind reeled with the small fortune those notes must have represented.

He retreated to care for his dying wife, and, after burying her, "tried to start a restaurant. But the City of Oakland put me through a lot of ups and downs." He did some electrical work. For the better part of a year, he drifted. Then his good friend and co-worker, Larry Chin, showed up at Edwin's door one day and dragged him back to Ashkenaz. That was 24 years ago.

"It wasn't that I was mourning David, because I don't do that. I know people are just here for a short time. But I would have been gone long ago if not for him. He mentored me about business, about kids, about so many things. He was like a father to me. David was a class act, and if he embraced you in his world, brother, believe me when I tell you that you didn't need anything else."

Oddly, the pandemic has caused him to grapple with emotions that he had not confronted in the dark days after he lost his mentor, wife and a sibling. Today, he says, he mourns the living.

"The difference is that I don't get to see the people at night," he said as Ashkenaz this week marks a year without patrons. "There are so many wonderful, beautiful people there. And the thought of seeing them again, that's what makes my spirit soar."
WHAT DOES ASHKENAZ MEAN TO YOU?
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The first time Chris Ullsperger saw the Grateful Dead, he wasn't as much impressed by the music as the scene at Alpine Valley Resort in Elkhorn, Wis. There were so many women just cutting loose and dancing, free-form, to their own beat.

An undergraduate at the University of Wisconsin who had grown up attending Friday night polka dances with his family, Chris came late to an appreciation of the kind of music his friends and classmates were into. But a seed was planted that day at Alpine Valley, and he began making up for lost time by seeking out the type of music in which audience participation was integral to the show.

The Dead, rather than the be-all and end-all they were to legions of fans, were just the beginning for Chris Ullsperger.

After graduating with a degree in biochemistry, he moved to the Bay Are to pursue a PhD in molecular biology from UC-Berkeley. He shortly developed a Friday-night tradition of his own: attending Zydeco dances at Eagle Hall in Alameda. He got into the San Francisco music scene and frequented clubs like Slim's, Kilowatt Bar and The Independent. He recalls seeing a bluegrass band at Ashkenaz, but admits he didn't return for years.

Meanwhile, his was stacking up his academic credentials. After the PhD came a law degree, also at Cal, and a position with a corporate firm in San Francisco.

But he lived for the nights and the live music, and when he finally did return to Ashkenaz for a Stu Allen show, he was mesmerized.

"There was a normal guy dancing next to a woman sitting on the floor, and over there was some guy in a freaky trance standing motionless with one hand in the air. It made me think, 'Now this is why I moved out here!' "

He grew his hair out, abandoned his science and legal careers, and made the pursuit of music his calling. Seven years later, he finds himself as the president of Ashkenaz's nine-member board of directors in the strangest of times.

The executive director's chair has been empty since September 2019, when Brandi Brandes moved back to her hometown of Madison, Wis., where Chris earned his biochemistry degree. So the unpaid board members find themselves dealing with the day-to-day operations of the venue, far from an ideal arrangement.

And, of course, there have been no patrons for the past year, thanks to Covid-19.

Optimism abounds, courtesy of the vaccinations currently making their rounds. But Chris has a unique perspective, given his scientific and legal backgrounds, and he does not mince words about the readiness of Ashkenaz to re-open its doors.

"I value my legal education in terms of how things work and how things don't work," he noted. "I've cloned genes and worked with viruses and made antibodies. So the miscommunication around Covid-19 from the outset was just so overwhelming. I had to talk so many people out of the notion that we were going to re-open in a week.

"And now, maybe everything will line up and there will be an opportunity to open in the fall. But we don't have an executive director, first and foremost, and we don't have a night manager or a booking agent or a cafe manager and 20 other positions. We need to expand our board. And right now, we don't even have a dance floor. So if I'm being honest with myself, I don't think we'll re-open in 2021."

But he has few worries that Ashkenaz, unlike so many dance and concert venues in the overpriced Bay Area, will reopen. Financially, he noted, the nonprofit is on solid footing, seen through a pandemic lens, because the board has been aggressive in grant-seeking and patrons have been generous with donations.

"One of the things that we're going to have to deal with are the protocols of public safety," he said. "We're a dance hall, and there's no way for us to police how closely people are spacing. What can we do that will make people feel safe coming back and touching a stranger on the dance floor? We're not a restaurant where we can pivot and sell our product for take-out. And this 25-percent capacity stuff isn't going to cut it. In order for us to get back to where we were, we literally have to get back to where we were.

"But not operating as a venue has given us a chance to collectively take our breath," he added. "That was very difficult to do when were operating. Because of grants and donations, we are in pretty good shape. We’ve been around a long time. The people that love Ashkenaz really love it. (Reopening) is just a sensitive subject right now."
PUTTING SOME BOUNCE IN YOUR STEP
Ashkenaz has long been known as one of the best dance floors in the Bay Area, thanks to its spring-loaded construction. Many folks find it more comfortable on their joints to dance on a spring-constructed dance floor, and we got a recently got an archeologist's view of ours because we had to excavate part of the dance floor in order to examine the concrete footings for our facade.

Among the capital improvements we plan to make before re-opening, retrofitting the facade to withstand seismic activity is at the top of our list.
Ashkenaz Music & Dance Community Center | 1317 San Pablo Avenue, Berkeley, CA 94702


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