Sharper Image Australia
Brian Scarano
2592x1944P resolution with 5 million pixels delivers clearer and sharper images. On basis of Sony IMX 335 sensor, video quality is significantly enhanced, even in low-light conditions, with little-to-no over-exposure across the image. Discover a world rich in detail with high resolution and sharp out-lines. The crystal clear video makes it easy to see even the tiniest details.
Custom algorithm models combined with exclusive Realcube hyper-realistic color image technology developed by DDPAI can capture every frame with better pixel arrangement, higher brightness, accurate color, and better picture quality.
The front and rear cameras simultaneously capture the road front and rear in crystal details, provid-ing different perspectives and all-round protection for you. Front camera records a crystal clear HD video in 1944P/1600P/1080P resolution as what you need.
The 1080P rear camera can rotate 360 and be installed in the front of the car to capture your beau- tiful selfies or record precious memories in the car. It can also be installed behind the car to record road conditions. Flexible installation, whatever you like.
Combined with built-in GPS, G-sensor and a 3-axis gyro, SR(sense reality) effect allows you to make cool racing videos, turning your driving travel into race that immerses your mind, body and soul in every action. Stop feel bored and get more exciting during driving right now!
DDPAI APP is easy for you to discover and create your own cinematic masterpiece by providing easy-to-use tools to view and capture your daily driving moments. Take your videos to the next level with special effects, filters, music, and more. Making connection around the world and start your Vlog with a lot of fun!
The built-in G-sensor gets activated by sudden shock or collision, the camera will automati- cally record driving incidents and lock 10s video as important evidence for insurance claims in a separate folder. Never worry about loop recording that will cover incident videos.
To understand by precisely how much this gravitational lensing brightened the view of the galaxies, the team made sharper images of them using more ALMA observations at wavelengths of around 0.9 millimetres.
Analysis of the distortion reveals that some of the distant star-forming galaxies are as bright as 40 trillion (40 million million) Suns, and that gravitational lensing has magnified this by up to 22 times.
"This is an great example of astronomers from around the world collaborating to make an amazing discovery with a state-of-the-art facility," said team member Daniel Marrone (University of Arizona, USA). "This is just the beginning for ALMA and for the study of these starburst galaxies. Our next step is to study these objects in greater detail and figure out exactly how and why they are forming stars at such prodigious rates."
The Atacama Large Millimeter/submillimeter Array (ALMA), an international astronomy facility, is a partnership of Europe, North America and East Asia in cooperation with the Republic of Chile. ALMA is funded in Europe by the European Southern Observatory (ESO), in North America by the U.S. National Science Foundation (NSF) in cooperation with the National Research Council of Canada (NRC) and the National Science Council of Taiwan (NSC) and in East Asia by the National Institutes of Natural Sciences (NINS) of Japan in cooperation with the Academia Sinica (AS) in Taiwan. ALMA construction and operations are led on behalf of Europe by ESO, on behalf of North America by the National Radio Astronomy Observatory (NRAO), which is managed by Associated Universities, Inc. (AUI) and on behalf of East Asia by the National Astronomical Observatory of Japan (NAOJ). The Joint ALMA Observatory (JAO) provides the unified leadership and management of the construction, commissioning and operation of ALMA.
Real-Levitation Photography is a testament to finding beauty in the surrealism of moving subjects in the air. It is a celebration of the transient moments happening all around us every day that we barely seem to notice.
The goal is to create studio and on-site photos that use Manfrotto gear to elevate production value, freeing me from environmental constraints and elevating my creativity to unlimited levels.
Study your subjects. What kind of light makes them look better? What kind of background do I need? Will I shoot from below or from eye level? The main levitating subject should always be sharp, have depth and be well positioned within the frame. I like to take test shots to position the subject in the pre-drawn frames.
For this location, I carried most of my delicate gear in my Manfrotto Tough hard case, Which has a pretty good rubber traction on the wheels. It also has the ability to attach to my Pro Light Tough Tripod Bag, which detaches from the tough case in seconds!
Inside, I imagined a scenario where flash was not an option. So I used external light and shaped it using Manfrotto Pro Scrim All In One Kit. There are many roles this scrim can play, one of them being an incredibly big bounce (reflector) to make sure I light up not only the main subject but also the back talent seamlessly and evenly.
My outside location required more lens choices (all wide!), bouncers, an extra camera for BTS, and stands. I used my PRO Light Flexloader Backpack to carry all of this necessary equipment! I love it because it's super modular, has some of the best equipment protection in the world and it even fits my Manfrotto Axis Modular Gimbal MVG300XM!!
Real levitation shines when light is abundant! This gives you the option to bump your shutter speed up and lower your aperture, ending with a sharper image with more information across the board. Outside, I use Two Nano Plus Stands, which are light and extremely portable for a variety of needs, making them perfect travel companions.
In one stand, I mounted a flash with a softbox, on the other, I mounted a HaloCompact Reflector. Which is sturdy enough to stand on its own, and comes with a 1/4th thread mount, which fits perfectly on the stand!
Remember to find your frame before you levitate. Preparation is key. Below you will find my frames before and after. My 055 tripod kept my frames intact, helping me focus on my levitation while keeping my angle intact.
The purpose of this study was to test the hypothesis that audiovisual (AV) biofeedback can improve image quality and reduce scan time for respiratory-gated 3D thoracic MRI. For five healthy human subjects respiratory motion guidance in MR scans was provided using an AV biofeedback system, utilizing real-time respiratory motion signals. To investigate the improvement of respiratory-gated 3D MR images between free breathing (FB) and AV biofeedback (AV), each subject underwent two imaging sessions. Respiratory-related motion artifacts and imaging time were qualitatively evaluated in addition to the reproducibility of external (abdominal) motion. In the results, 3D MR images in AV biofeedback showed more anatomic information such as a clear distinction of diaphragm, lung lobes and sharper organ boundaries. The scan time was reduced from 401215 s in FB to 33494 s in AV (p-value 0.36). The root mean square variation of the displacement and period of the abdominal motion was reduced from 0.40.22 cm and 2.82.5 s in FB to 0.10.15 cm and 0.91.3 s in AV (p-value of displacement
N2 - The purpose of this study was to test the hypothesis that audiovisual (AV) biofeedback can improve image quality and reduce scan time for respiratory-gated 3D thoracic MRI. For five healthy human subjects respiratory motion guidance in MR scans was provided using an AV biofeedback system, utilizing real-time respiratory motion signals. To investigate the improvement of respiratory-gated 3D MR images between free breathing (FB) and AV biofeedback (AV), each subject underwent two imaging sessions. Respiratory-related motion artifacts and imaging time were qualitatively evaluated in addition to the reproducibility of external (abdominal) motion. In the results, 3D MR images in AV biofeedback showed more anatomic information such as a clear distinction of diaphragm, lung lobes and sharper organ boundaries. The scan time was reduced from 401215 s in FB to 33494 s in AV (p-value 0.36). The root mean square variation of the displacement and period of the abdominal motion was reduced from 0.40.22 cm and 2.82.5 s in FB to 0.10.15 cm and 0.91.3 s in AV (p-value of displacement
AB - The purpose of this study was to test the hypothesis that audiovisual (AV) biofeedback can improve image quality and reduce scan time for respiratory-gated 3D thoracic MRI. For five healthy human subjects respiratory motion guidance in MR scans was provided using an AV biofeedback system, utilizing real-time respiratory motion signals. To investigate the improvement of respiratory-gated 3D MR images between free breathing (FB) and AV biofeedback (AV), each subject underwent two imaging sessions. Respiratory-related motion artifacts and imaging time were qualitatively evaluated in addition to the reproducibility of external (abdominal) motion. In the results, 3D MR images in AV biofeedback showed more anatomic information such as a clear distinction of diaphragm, lung lobes and sharper organ boundaries. The scan time was reduced from 401215 s in FB to 33494 s in AV (p-value 0.36). The root mean square variation of the displacement and period of the abdominal motion was reduced from 0.40.22 cm and 2.82.5 s in FB to 0.10.15 cm and 0.91.3 s in AV (p-value of displacement
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3. This tip is super simple, but important: hold the phone with two hands to keep it steady during exposure. The steadier you hold your phone, the lower the risk of camera shake and the sharper your image. When working in low light try bracing the phone against something steady, like the ground or a tree, or use a tripod.
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