In the earliest prints shown in this exhibition, figures are the main focus of each image and darkness simply sets the stage. This is true for the mid- to late 18th-century works of Okumura Masanobu and Suzuki Harunobu, where a solid curtain of black appears behind each dramatic scene. By the 19th century, however, landscape prints were often dominated by the night sky—with or without a moon—and townspeople in urban settings or travelers in rural scenes were less prominent.”