4. I think the interview brings up a questions as to which genre is the best one for Barefoot Gen. It might be better to place it into Realistic Fiction opposed to an autobiography. I think the interview brings up some interesting concepts. For example, Gen basically lived his hold life in war until the dropping of the Atomic bomb. I think it would be interesting to compare the differences between war for Gen and war for children in the US or children from the Middle East that have been born during the Middle Eastern wars. I think Americans don’t understand the devastation of war because we haven’t experienced it daily in our country. I was fascinated by his description of the effects of the bomb and the irony of the fact that luck was on the side of his family. I was surprised that they could return to Hiroshima because I thought the radiation was similar to the radiation given off by nuclear power plants when they melted down. I think this could lead to an interesting conversation. I agreed with his statement that Japan would finally get better once it lost the war. Gen’s dad didn’t think war was right. Is there ever a time when war is justified? Finally, I agree that more Americans and people around the world need to clearly remember the events of WWII and the dropping of the bombs. Until recently, I did not realize that so many Japanese people were killed by the fire bombs dropped.
Week (June 25) Pages 125- 169 Liz Pipkin Response to the question
Week 4 (June 26) Liz Pipkin response Question 3 Page 159 has something of note that most younger readers won’t be aware of. A character says “help build a world where you can marry the woman you love,” but even though the medieval class system was gone, many Japanese people still could not get family permission to marry someone of a lower-class or otherwise objected to by their family. Does this quote refer only to the war or if not how does this knowledge change your reading of that quote? The character Mr. Nakayama was referring to his dilemma of wanting to go home to the two women he loved but he was unable because his duty to country and the emperor. The disgrace of his Japanese manhood is held over him as a Kamikaze Special Attack Corps. In this respect he is referring to the nobler love, done in cheek as his cause of his sacrifice for country. Love/loyalty of Japan is the higher ranking than his love for his mother and love at home. The medieval thinking was still evident during the Pacific War-where country came before personal needs or wants.
More direct pressure exists in the context of the Buddhist temple, the military, and society, in general. At the temple, that is, students are pressured to conform to the expectation that they bow their heads every morning to the emperor’s palace at a particular direction in the horizon, because the emperor is treated as a god that protects Japan. (p. 126) That is ironic, though, and some students are critically refuting this reality of the emperor as the protector, because of the incessant bombings that plague Japan, but they are forced to obey. Students, who have been escorted to rural areas for their protection, are ordered by adults to endure hunger and any kind of suffering for the sake of their country, all the soldiers that are fighting for their sake, and the honor of the emperor. Students have no other option but to suffer, otherwise they get kicked in their body, or punched in the face (p. 129). I am unsure how truthful can the latter scene be, but if true, the coercion is obvious. Along the same lines, lieutenant Kumai is pressured to enlist in the military, as are numerous other young men from 77 universities. (p. 147) If they don’t, they suffer psychological bullying, as members of society, which expresses itself in an array of dehumanizing insults, such as when Kumai was called “a stinking coward,” “an idiot,” committing an act that is “disgusting” to all of society. (pp. 150, 159) Lieutenant Kumai submits his will, at first, from all this pressure, but he still refuses to commit himself wholeheartedly to the cause. He goes against the tide, and he suffers the fate of the outcast.
Finally, relating pressure in the story to pressure in the classroom, there is a thread of connection that can be woven in-between. There are all sorts of pressures in the life of a student, particularly, in low socio-economic school settings, where students who do well can be bullied, or students who behave well could be treated as the teacher’s pet, to the extent that such a pressure can lead the student who fails to conform at first, to do so, eventually. Students can face the pressure of smoking, or doing drugs, also, because their friends are doing it, or are pushing them to do so they can show how cool they can be, or courageous, disregarding individual moral choice and moral standards of right and wrong taught by school and parents. Making comparisons to the story, then, will benefit students towards giving them a context to reflect upon the role of individual choice and action in complex and pressuring social contexts, where students might act contrary to their will, and without thinking responsibly and critically.
Question 3:
Based off the sequence of scenes on p. 159, my impression is that Kumai is referring to just the conditions of war that do not leave space for love and other human affairs to prosper, because the latter could only flourish in the conditions of peace. It is only through peace that humanity can build a more happy and prosperous society and world. War just destroys and brings everything to nothingness. War annihilates life and the respect for life and happiness. Kumai wishes he could live a life as a happily married man with a woman he loves and build a family. He has already found a woman he loves and intends to marry, but war most possibly interfered with his plans, and he is afraid that this reality will never actualize itself because his role as lieutenant is burdening him with a suicidal mission. Any other considerations, such as whether, and to what degree, societal biases had any influence on the choices of young people in marriage, would play a secondary role, in my view. They could probably have existed before the war broke out, but the message Kumai communicates, seems to me to be more about the devastating impact of war on all aspects of life, given that one of the most typical aspects of life consists in marriage that is based on true love.
Topic 1: Like mentioned already, there are several reasons that the rural kids targeted the evacuees. There may be jealousy as seeing people fleeing their problems and making it now the rural people’s problem or that they had somewhere to run to. Also, resources were surely limited, so they may see them as an extra burden in an already troublesome time. These kids may be hearing their parents complaining about their negative feelings, and therefore are going with what their parents think and fell by bullying these kids.
Topic 2: The ideas of pressure influencing action can be taken in several ways for the kids to make a connection. I would ask them if they can think of a time when they were pressured by others (peers, family, society, etc.) to do something due to their expectations. Then have them think about if they followed with the expectation, or if they did the opposite, and if either choice was the right decision in their mind. Then we can connect to the expectations that Kumai felt the pressure to do, and the consequences of his actions. They could then also connect Kumai’s experiences with what Koji is experiencing, and his own fears.
Question 1. I believe that the Nakazawa is highlighting that the ages-old division between city and country is no different in Japan, and that the war has given those from the country the opportunity to get their own back on these newcomers. Even looking at the language used between the two groups (‘dirty evacuees from the city’, ‘[y]ou think you can come and go as you please’, ‘city punk’, ‘[d]amn farmers’, ‘country bumpkins’), it is clear that these very basic stereotypes are very much alive and well in wartime Japan.
I believe that it also highlights that, for all the talk (and it is talk) of unity, that there are far more divisions within Japan than anyone would give a genuine voice to – at least not in the company of outsiders. What Akira has discovered is a very hard truth that he seemed to be unaware of before leaving for the refugee camp. That truth is this: there is no escape from wars within and without. And that truth is only further hit home when he returns to his family and their own difficulties, both within and without.
Question 3. I think that throughout the book, in fact, there are some interesting discussions about (or at least comments on) the status quo in Japan. Some accept it explicitly; some accept it implicitly; while others are not so convinced. It’s clear that these disagreements predate the war, and that the war has, perhaps, only served to bring them into clearer focus. When Mr. Kumai reflects on his past disgraces, which in many ways have a parallel, at least as they are perceived by others, with Gen’s family’s predicament, he is reflecting, in some ways, on a past that never was – or a past that might have been. Either way, it is an impossible past, which makes it all the more traumatic for the characters.
In our India unit, we discuss marriage and the caste system, so the students are passingly familiar with the notion of arranged marriages. In this case, Mr. Kumai, and Gen and his family, are going up against a rule of law, but a long-held tradition, which, in many ways, is even more unbreakable.
1. “There’s a wide variety of possible answers, but why do you think the rural kids would target the evacuees?”
It is true that there are so many answers to this question which depend on one’s background knowledge in culture, loss, and place. I would imagine that culture played a large role, as Japan was a society very moored to tradition and the culture of place and belonging. The fact that children who did not belong were being forced upon the households and temples in the rural areas was a shock to which many children and adults would not have been previously exposed. While rural children may have been somewhat accustomed to shortages of food depending upon annual yields, they were not most likely to relish the idea of having to share their limited resources with an abundant number of newcomers who had not taken the pains to participate in the hard work required to be able to eat. In addition, the stresses of war and loss of family members who would have played a major role in food production, who may have been conscripted, could have influenced the behavior of children and adults alike. We teach so much about anti-bullying here and now, to the point where many students may not understand at all how such targeting could occur, so their background knowledge on this issue could be very limited. It would be important to explain that historically, in most countries, (our own included) people had specific “places” to which they were relegated based upon their birth or the birth of their forebears. In such situations, members of society were less transitory, so those who had to travel to live outside of their relegated place were not generally accepted. If children were involved, bullying like this would likely have happened. It relates as well to how the children were treated at school in the city, based on their father’s words and actions. I think my students would have a difficult time understanding that as well, without my trying to build their background knowledge a bit.
2. “Throughout this book, but especially in this section, you see pressure to volunteer (for example see page 150). Would you use this idea of peer pressure, community pressure, national pressure, Confucian pressure…in your use of the book? Explain what that might look like.
For middle school students, since this will be a book that we will use as a foundation for a project, I would certainly capitalize on the pressures seen and felt in this book. Because this demographic of students feels some of the most severe pressure, I would have a conversation about what pressures that they might be having and whether they feel as “up to” dealing with them as the family and community in the book did. One of the project options will be to create either a PSA against such pressures (those in the book) OR a persuasive commercial or advertisement for the “cause”. Forgive the simplicity of this answer, but this is only one of the myriad ideas that are floating around in my head which, if put to paper, would take up pages and pages to explain!
4. I read through the two interviews that were available. With a class, it might be interesting to look at Nakazawa's thoughts about his audience. In the TCJ interview, for instance, Nakazawa mentions that his publishers were initially concerned that pro-American interests might protest. Elsewhere, he mentions his reputation in Japan as a left-leaning graphic novelist. One thing he mentions is his opposition to the "emperor system," especially in the Asia-Pacific journal interview.
With this week's reading in particular, it could be interesting to look at that section of the interview with the scene Nakazawa depicts on 125-126. We are seeing Akira's experiences as an evacuee in the countryside. In particular, we see the students sitting in rows and chanting a Buddhist prayer. Later, the children are shown to be bowing to the emperor as the sun rises. In both cases, the children are being asked to conform to a system by adults who are drawn in particularly cartoonish and caricatured ways. For students who aren't familiar with the emperor system or criticisms of it, the interview could provide background.
6. As I was looking closely at the section I mention in my other response (125-6), I noticed a few interesting panels with birds. In particular, as the students bow to the emperor, two birds, pigeons or doves, are shown watching the students from the top of the building. As their chanting ends, the leader of the group yells, "Dismissed!" At that point, one of the birds flies off.
I don't know whether the birds have a special cultural meaning, but I think it could be interesting for students to think about why Nakazawa includes the birds to frame these panels. Does the freedom of the bird to fly off emphasize the lack of freedom among the children? Or is it important that one of the birds follows the order and flies off when he is dismissed? In the west, doves are symbolic of peace. It may be that the birds contrast the students with their symbolism of peace and freedom and nature.
1. Rural kids would target the evacuees for a variety of reasons, possibly including effects from (a) bullying (the “new kids,” the “outsiders/invaders”), (b) insecurity over the scarcity of resources (food, etc.), and (c) fears that the targeted areas of bombing might “follow” the evacuees to the rural areas.
2. Yes, I would use the topic of “volunteerism” in my course, including discussions on “military recruitment” on page 150, box 6, “You won’t give your life for your country? That’s disgusting!” Is this scene unique or universal? Are pressures to “volunteer” for national service found disproportionately in some cultures (including non-Western traditions, fascist or militarist societies, etc.)? What kinds of pressures were at play in the United States (or elsewhere) during this (or another) time?
Question 2: I'll definitely use this particular section to discuss what societal expectations are and what happens to individuals who cannot conform and comply with these expectations. I'll probably have my kids pull out examples of what those societal expectations are while they are reading the book. I'll also have them pull out examples of what happens to people who do not conform. Our protagonist's father definitely fits the example of someone who does not conform and comply with these expectations. They kids will be able to see what happened to him and his family in the book.
After this discussion, I would have the students re-read the section with the pilot and family to apply their answers. I would think that the opinion would split---some would feel compassion for the pilot who does not want to die but brings dishonor to the family for his actions; some would feel contempt for the pilot. Since not all my classes have students from Asian cultures, this would be time to reiterate the "duty/honor" concept to the discussion. Then, I would have the students look at these pages with that cultural lens and ask: How does that lens change this scene?
Also, you may have other issues at hand such as dialect, mannerisms, dress that another group may find odd and attack. Even today, society finds the differences and pokes fun at them instead of celebrating them and use the to enrich culture.