Ba History Books In Telugu Pdf Free Download

[Saran Bascas]

Teluguliterature is the body of works written in the Telugu language. It consists of poems, short stories, novels, plays, and song lyrics, among others. There is some indication that Telugu literature dates at least to the middle of the first millennium, the first extant works are from the 11th century when the Mahabharata was first translated to Telugu from Sanskrit by Nannaya. The language has experienced a golden age under the patronage of the Vijayanagara Emperor-Poet Krishnadevaraya.

There are various sources available for information on early Telugu writers. Among these are the prologues to their poems, which followed the Sanskrit model by customarily giving a brief description of the writer, a history of the king to whom the book is dedicated, and a chronological list of the books he published. In addition, historical information is available from inscriptions that can be correlated with the poems; there are several grammars, treatises, and anthologies that provide illustrative stanzas; and there is also information available from the lives of the poets and the traditions that they followed.[1]

Early Telugu literature is predominantly religious in subject matter. Poets and scholars drew most of their material from, and spent most of their time translating epics, such as the Ramayana, the Mahabharata, the Bhagavata and the Purāṇas, all of which are considered to be storehouses of Indian culture.[2]

From the sixteenth century onwards, rarely known episodes from the Purāṇas would form the basis for the tradition of Telugu-language kavya. Literary works are drawn from episodes of the Purāṇas under the name Akhyana or Khanda became popular along with depictions of the fortune of a single hero under the title of Charitra, Vijaya, Vilasa and Abhyudaya. Such titles are examples of what would become the most common subject matter of poetry.[2]

Traditional Hindu knowledge systems such as Vedic astrology, the Arthashastra , grammar, ballets, moral aphorisms, and Bhakti (devotional psalms) to deities within the Hindu pantheon are characteristics of more popular works of Telugu literature.[2]

Telugu literature uses a unique expression in verse called Champu, which mixes prose and poetry. Although it is the dominant literary form, there are exceptions: for example, Tikkana composed Uttara Ramayana entirely in verse [6]

Avadhanam is a literary performance popular from the very ancient days in Sanskrit and more so in Telugu and Kannada languages.[4] It requires a good memory and tests a person's capability of performing multiple tasks simultaneously.[4] All the tasks are memory intensive and demand an in-depth knowledge of literature, and prosody. The number of Prucchakas can be eight (for Ashtavadhanam) or 100 (Sataavadhaanam) or even 1,000 (for Sahasravadhanam). A person who has successfully performed Ashtavadhanam is called Ashtavadhani, one completing Satavadhanam is a Satavadhani, and after performing Sahasraavadhaanam is called Sahasravadhani.[4]

A dwipada is a couplet with a specific rhyme scheme.[9][10] A stanza contains two short lines, each with less than fifteen characters. Longer poems, composed of many dwipada, can be composed with a "highly musical" effect.[9] Much of the extant corpus in this form was written using the common language of the time. The form's musicality and accessibility made the form a natural fit for spreading religious messages. Palkuriki Somanatha (or 'Palkurki') the first to write in this form in the 12th or 13th century.[9] His works Basava Puranam and Panditaradhya Charitra were "immensely singable" devotional works to Shiva as Basaveshwara.[9] Influenced by Shaivaite poets' use of dwipada, a Vaishnavite poet wrote the Ranganadha Ramayana, a version of the Ramayana that became incredibly popular for its singability, vernacular diction, and stories not found in Valmiki's version.[9] The form reached its apex with Palnati Vira Charitra, popularly ascribed to the 14th century poet Srinatha.[9] By the end of the Prabandha era, the three most important Sanskrit poems had been translated into Telugu in dwipada: the Mahabharata by Thimmaya, the Ramayana by Ranganadha, and the Bhagavatam by Tekumalla Ranga Sai.[9] The form declined after the dwipada works of the early 17th century king-poet Raghunatha Nayak of Tanjore. Dwipada's accessibility has sometimes meant it was not a prestigious form of Telugu poetry. In the 19th century, scholar Charles Philip Brown noted "the learned despise couplets because the poems thus written are in a flowing easy style which uneducated persons read with enjoyment."[10] Only a few writers today use it out of lingering respect its history.[9]

Chatus (meaning "charming utterance") are remembered poems passed on by recitation.[12] In premodern South India, literate people recited chatus to each other as a social pastime.[12] Most of these poems have memorable stories that go along with them that explain and contextualize them. They have passed through a lively oral tradition for hundreds of years, and been anthologized since the 19th century by scholars like Veturi Prabhakara Sastri.[12] Many chatus are attributed to Srinatha, Tenali Ramalingadu, and other famous poets. These attributions, most of which are unverifiable, serve to make both mythologize these poets and judge their relative merit. Once made legends, they're free to interact anachronistically in chatus. Poets from different eras meet, exchange poems, and critique each other.[12] In sum, chatus, "moving from gnomic advice to metalinguistic criticism, through the domains of desire, social commentary, the articulation of cultural values, and critical taste, these interlocking stanzas embody an entire education, an expressive vision of life and poetry."[12]

A satakamu literally means "an anthology of a hundred poems", but the number is usually somewhat higher, often an auspicious number like 108.[13] The anthology is meant to be taken together. A list of notable such anthologies:

The 6th- or 7th-century Sanskrit text Janashrayi-Chhandovichiti (or Janāśraya-chandas) deals with the metres used in Telugu, including some metres that are not found in Sanskrit prosody. This indicates that Telugu poetry existed during or around the 6th century.[14]

Malliya Rechana (940 CE) composed the first Telugu poetic prosody book Kavijanasrayam (pre-Nannayya chandassu) around 940 AD. This was a popular one and referred by many poets. There seems to be even an earlier prosody book by Rechana's guru Vaadindra Chudamani which is not available.[15][16][17]

Veturi Prabhakara Sastry in 1900s mentioned the existence of Pre-Nannayya Chandassu in Raja Raja Narendra Pattabhisheka Sanchika.[17] Accurate dating of this piece of literature happened after the 1980s discoveries in Karimnagar.[18][15][19]

Tallapaka Tirumalamma (Telugu: తాళ్ళపాక తిరమలమ్మ) (Annamacharya's wife)[31] wrote Subhadra Kalyanam, and is considered the first female poet in Telugu literature.[by whom?] Her main work, Subhadra Kalyanam, which consists of 1170 poems, is about the marriage of Arjuna and Subhadra, who are characters that appear in the Mahabharata. She presented the Telugu nativity and culture in the story taken from Sanskrit epic.[citation needed]

Garlapati Tenali Ramakrishna (Telugu: గార్లపాటి తెనాలి రామకష్ణ), popularly known as Tenali Rama and Vikata Kavi, was another sixteenth-century court poet of the Vijayanagara empire and also one of the Ashtadiggajas. His family had originally hailed from Tenali in Guntur district, he was born in a Telugu Niyogi Brahmin family. His famous work Panduranga Mahatyamu is one among the Pancha Kavyas.[citation needed] He dedicated that to Viruri Vedadri.[33] This book is about the Pundarika Kshetram on the banks of river Bhaimi and its legend. He also composed Udbhataradhya Charitram on the story of Udbhata, a monk, as well as Ghatikachala Mahatyam about Ghatikachalam, a place of worship for God Narasimha near Vellore. He followed the Prabandha style. He took the theme for Panduranga Mahatyam from the Skanda Purana and enhanced it with many stories about the devotees of God Vitthala (Panduranga). He is noted for brilliance and wit and for mocking other poets and great personalities. He created a celebrated character called Nigama Sarma akka (sister of Nigama Sarma) and a story about her without giving her a name. He also had written many Chatuvu (extempore poems).

Mulugu Papayaradhya is regarded as the first poet to translate the Devi-Bhagavata Purana into Telugu.[40] From the more than hundred works he wrote, Kalyanacampu, Ekadasivratacampu, Aryasati, Sivastotra, and Vedantasarasangraha are among the more prominent works.[37] Papayaradhya also wrote the Ahalya Sankrandana Vilasamu.[41]

Tarikonda Venkamamba (Telugu: తారికొడ వెకమాబ; alternate spelling: Vengamamba, born 1730) was a poet and staunch devotee of Lord Venkateswara in the 18th century. She wrote numerous poems and songs.

The period of Modern Telugu Poetry began with Gurajada Apparao, who changed the face of Telugu poetry with his Muthayala Saralu, and was perfected by later writers in the Romanticism era including Rayaprolu and Devulapalli Krishna Sastri. Gurajada's attempt to reform Telugu poetry by shedding old rules and styles reached a zenith with Sri Sri. SriSri's famous work "Maha Prastanam" is an instant hit with every corners of society. Many writers followed his style and continue to enrich the literature.

One patriotic verse by Subba Rao, "Edesamegina Endukalidina" (also known as "Janmabhumi"), is a perennial favourite, being regularly sung and recited. It was particularly popular for public events in the pre-Independence Andhra region. The verse has been adapted many times into song for use in Telugu films.[47]

3a8082e126