Crazy Little Thing Called Love Trailer

[Klaudia Aricas]

TheThing Called Love is a 1993 American comedy-drama film directed by Peter Bogdanovich and starring Samantha Mathis as Miranda Presley, a young musician who tries to make it big in Nashville. River Phoenix, Dermot Mulroney and Sandra Bullock also star. While the film involves a love triangle and various complications in Miranda's route to success, it provides a sweetened glimpse at the lives of aspiring songwriters in Nashville. Its tagline is: "Stand by your dream".

The film was Phoenix's final complete screen performance before his death, as well as Phoenix's final film which released during his lifetime. Bogdanovich called the movie "a little picture with a slightly meandering French quality."[2]

Miranda Presley is an aspiring singer/songwriter from New York City who loves country music and decides to take her chances in Nashville, Tennessee, where she hopes to become a star. Arriving after a long bus ride, Miranda makes her way to the Bluebird Caf, a local bar with a reputation as a showcase for new talent. Although she arrives too late to audition for that week's roster, the bar's owner Lucy likes the plucky newcomer and gives her a job as a waitress.

By the caf's second week of auditions, Miranda has become familiar with some other Nashville transplants who are looking to land a gig or sell a song. This includes sweet and open-hearted Kyle Davidson of Connecticut, moody but talented James Wright from Texas, and spunky Linda Lue Linden of Alabama. Linda Lue talks Miranda into sharing her motel room, which her mother is subsidizing. As the four friends struggle to find their place in the competitive Nashville music scene, both Kyle and James display a romantic interest in Miranda, but she is drawn to James in spite of his moody temperament.

James convinces Miranda to spend time together, partially under the pretense of writing music. They have a date ending with a kiss, but he does not follow through with a telephone call the next day. Days later they coincide in a recording studio, and he practically ignores her.

Convincing Kyle that a song he wrote is good enough to be sung by an established singer, Miranda helps him sneak the tape into a singer's car's tapedeck. Unfortunately, the police notice and apprehend them. The singer follows them, listening to the tape on the way. Enamored, she chooses not to press charges and tells Kyle she would like the song.

Out dancing on a double date with Kyle and Linda Lue and her boyfriend, Miranda line dances. James is called to perform his music, and for his second song, he asks her to help him sing it. Singing together, their chemistry is palpable. Kyle is visibly upset when Miranda tells him she is leaving with James.

They have a whirlwind romance. Miranda moves in with James, and in a few short days they take an impromptu road trip to Graceland. In a convenience store, he obtains a toy ring from a candy dispenser, and he proposes marriage. One of the clerks gets her brother to officiate a brief ceremony, and they return to Nashville married.

At the caf that evening, James and Kyle come to blows over Miranda. The subsequent months, the newlyweds soon realize marriage takes work. They rarely see each other because of her odd sleeping hours and his isolating himself in his practice room.

James leaves Miranda behind to make his album for some months in Texas, what he always wanted to do. He realizes he left his heart with her, so he comes back to the Bluebird Caf, seeking Miranda, but he learns that she has left for New York City.

Miranda returns and sings a new song which finally earns her a spot performing in the Bluebird, before tentatively reuniting with James. Kyle joins them as Linda Lue leaves for New York to try acting, and the remaining three discuss writing a song together.

Bogdanovich says Phoenix approached Paramount to appear in the film. "He was brilliant to work with," said the director. "There were maybe two days during the 60-day shoot that I felt he wasn't as together as he was on other days. But one day, it was freezing cold and the other day, he took some kind of cold medicine that didn't agree with him. That was what I was told. But all the rest of the time, he was great... He was concerned with more than his own role. He was concerned with the overall picture, with the other actors and characters... He would have made a very good director.""[5]

The film features cameos from Trisha Yearwood, Pam Tillis and Kevin Welch. River Phoenix wrote two songs including "Lone Star State of Mine"; Dermot Mulroney wrote one, and Sandra Bullock wrote lyrics for the song she performed. Bogdanovich admitted[7] the film had some similarities to Fame and Flashdance movies that became "kind of a genre of its own... We tried to play by the rules of that. But we also tried to play against that -- we tried to make it different from that kind of movie. We tried to walk a sometimes difficult tightrope."[6]

On the review aggregator website Rotten Tomatoes, 57% of 21 critics' reviews are positive, with an average rating of 5.7/10. The website's consensus reads: "The last film River Phoenix completed before his death, The Thing Called Love doesn't have much new to say about show business, but it's energetic and well-acted."[9] Metacritic, which uses a weighted average, assigned the film a score of 46 out of 100, based on 19 critics, indicating "mixed or average" reviews.[10]

Todd McCarthy of Variety magazine wrote: "Perhaps there's not much new to say about the dues and disappointments involved in breaking into the country music scene, but the scenes are fresh and the emotions real in Peter Bogdanovich's tune-laden, mixed-mood drama."[11]

Roger Ebert of the Chicago Sun-Times gave it 1 out of 4 and wrote: "Perhaps no one could have saved Phoenix, who was not lucky enough to find a higher bottom than death. But this performance in this movie should have been seen by someone as a cry for help."[12]

The film debuted in several Southern markets. It was expected to open wider in autumn, but Paramount decided against this following the death of River Phoenix. The movie ultimately ranked among the least profitable films of 1993. "Paramount did do some releases in Seattle and a few other places," said Bogdanovich in 1994. "But I think they were afraid of being accused of exploiting River's death. There was a kind of general worry about that. I guess that is the thinking that prevailed. It's pretty disappointing, but you know, I've learned to go on."[5]

The director felt the death of Phoenix affected watching the movie. "It was a totally different movie before. It had a hopeful quality and now it doesn't. The ending is ambiguous, but because River died, it becomes very sad. The last thing you're left with is that he is dead, even though the character is alive ... (The movie) was supposed to be bittersweet, but it turned out being more bitter than sweet."[5]

Nam is an ordinary, unattractive 14-year-old girl secretly in love with a popular boy in school named Shone. Wanting to catch his attention, she tries various ways to get close to him. Will Shone notice her efforts? The flush of youth comes with all its awkwardness and insecurities, and there's really nothing like a crazy little thing called love.

Mario Maurer Pimchanok Luevisadpaibul Sudarat Butrprom Peerawat Herapath Pijitra Siriwerapan Akkaranat Ariyaritwikul Kachamat Pormsaka Na-Sakonnakorn Paveena Rojjindangam Nisa Boonsantia Sasiprapha Thanuchawiwat Yanika Thongprayoon Puttipong Promsaka Na Sakolnakorn Wongjirasak Maneerut Pongpat Wachirabunjong Jaturong Mokjok Wasin Pokpong Kamesak Chaengthipnang Ratabhan Wittawat Louis Chernyim

The rest of the package brings together QUEEN hits, classic tracks, and new takes on well-known songs, matched with band recordings Brian May describes as "things that we have collected together that are representative of our growth rather than the big hits" in a collection immaculately assembled by May and Roger Taylor themselves. The tracks are all linked to represent a definitive collection of QUEEN's timeless love songs.

Speaking at the press conference to launch their North American concert tour with singer Adam Lambert earlier in the year, May said: "There was a little bit more in the can that we had overlooked for a long time, so we have a few songs which we're working on right now. Freddie sounds as fresh as yesterday."

"When I first played it in my studio, I opened a trove of delights provided by the greatest of musicians. Hearing Michael Jackson's vocals was stirring. So vivid, so cool, and poignant, it was like he was in the studio singing live. With Freddie's vocal solo on the mixing desk, my appreciation for his gift was taken to an even higher level.

Alongside this new material, both the one and two-CD versions of "Queen Forever" feature songs that spotlight the band's songwriting prowess, studio experimentation and remarkable development. It's a timely reminder that, almost uniquely in the world of rock and pop, all four members of QUEEN were accomplished songwriters and superlatively gifted musicians.

"Queen Forever". Forever? Who can tell? But for now we can be certain that this highly rewarding collection of QUEEN new, rare, and at their most accomplished, more than serves to uphold the band's indisputable place in music history and is certain to earn a prized place in music collections for a long time to come.

QUEEN certainly rates in the top among Britain's favourite bands. The UK's Official Charts Company earlier this year confirmed QUEEN's 1981 "Greatest Hits" album as Britain's best-selling album of all time all after surpassing the 6 million sales milestone. A staggering one in three British households now own a copy of the iconic act's original best-of collection.

And if 6 million sales isn't enough for the band, QUEEN's follow-up, "Greatest Hits II", which was released in October 1991 also rides high at No. 10 in the all-time Official Albums Chart, having notched up a further 3.9 million UK sales to date.

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