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Abdul Soumphonphakdy
The Chapel was built in the eighteenth century. Three people were responsible for its diffent stages and lengthy construction.which took from 1720-91, Dr George Clarke, Henry Keane and James Wyatt. It took this long due to shortage of funds.Between 1864 and 1866 the chapel was re-decorated by Wiliam Burges in a highly unusual and decorative way being prodominantly pink , the pew ends are decorated with carved animals of all kinds including Rhino's and Elephants. The first stained glass designs was designed by John Everett Milais, but they were rejected by Burges and later given Henry Holiday.Oscar Wilde said of the Chapel, 'As a piece of simple decorative and beautiful art it is perfect, and the windows very artistic.
The Chapel was built in the eighteenth century. Three people were responsible for its diffent stages and lengthy construction.which took from 1720-91, Dr George Clarke, Henry Keane and James Wyatt. It took this long due to shortage of funds.Between 1864 and 1866 the chapel was re-decorated by Wiliam Burges in a highly unusual and decorative way being prodominantly pink , the pew ends are decorated with carved animals of all kinds including Rhino's and Elephants. The stained glasswere to have been designed by John Everett Milais, but the designs were rejected by Burges and later given Henry Holiday.Oscar Wilde said of the Chapel, 'As a piece of simple decorative and beautiful art it is perfect, and the windows very artistic.
Unusually for a Lawrence Royal plate this image is not quite tack sharp, but it does have a hazy beauty and suggestion "other times" to it! Edermine in County Wexford would appear to be a very big house with wonderful greenhouses for plant growth. I will be following the stream with interest to learn what I can about it!
And what we learned, thankfully, is that everything here is still standing - and occupied. Edermine House itself was built c.1840 by John Benjamin Keane, the central chapel built c.1860 to designs by Augustus Pugin, and the magnificent greenhouse also c.1860 by James Pierce. It seems plausible that the Talbot Powers were the resident family enjoying the gardens around the time of this photo. After hosting refugee monks 100 years ago, it now remains in private hands...
This is how it goes. List 10 things that your friends may or may not know about you, but that are true. Tag ten people and be sure to let them know they've been tagged (a quick message will do). Don't forget to link back to the person who tagged you. Post a picture in your stream with the 10 facts and list your tagged people :)
2. I studied my degree in the UK. One of biggest regrets was I didn't take any great photos of that beautiful country because photography means nothing to me until half year ago, when I got my first DSLR in my life.
4. I did a lot of horse racing photography before but stopped a couple of months before. It was too tired for me to go to the racecourse twice a week. I didn't upload any of my horse racing photos to flickr before and this is the first one
8. I am a big fan of Man Utd, I love watching them winning matches, even in a friendly. FA cup semi-final 1999 Man Utd 2-1 Arsenal is a real classic. My favorite players are Peter Schmeichel and Roy Keane.
Many of these landscapes are still ruined, are dotted with all that remains of houses built to last (as they built them in those days), or, in some cases, only the chimney; and sad isolated graveyards in which the only vegetation is a pepper tree.
It is said that climate change is now moving that line that the visionary Goyder first drew, and that the amount of arable land in SA is decreasing. See the excellent coverage by Michael Dulaney, James Jooste & Daniel Keane on the ABC (Australia's national broadcaster) 'Goyder's Line moving south with climate change, SA scientists say, forcing farming changes' last updated 2 Dec 2015, accessed 28 January 2019.
Richard Cromwell was born LeRoy Melvin Radabaugh in Long Beach, California, in 1910. he was the second of five children of Fay B. (ne Stocking) and Ralph R. Radabaugh, who was an inventor. In 1918, when Radabaugh was still in grade school, his father died of the Spanish flu. Roy earnestly delivered morning newspapers to help out the family's budget crisis. on a scholarship, he attended the Chouinard Art Institute in Los Angeles, a precursor to the California Institute of the Arts. He continued to work part-time as a maintenance man, custodian and soda jerk. He set up a small art shop in Hollywood in the late 1920s and made masks and oil paintings there. He sold pictures, made lampshades, and designed colour schemes for houses. The handsome Cromwell made contacts with film stars of the time such as Anna Q. Nilsson, Colleen Moore, Beatrice Lillie, Greta Garbo, Joan Crawford and Tallulah Bankhead, some of whom he also immortalised in his paintings and masks. He painted scenery for community theatre productions and eventually took on acting roles. His first film appearance was an extra role in King of Jazz (John Murray Anderson, Walter Lantz, 1930), along with the film's star, Paul Whiteman and his orchestra. On a whim, his friends encouraged him to audition for the lead role in a Columbia remake of D.W. Griffith's silent classic Tol'able David (1921) starring Richard Barthelmess. Radabaugh won the role over thousands of hopefuls. In storybook fashion, studio mogul Harry Cohn gave him his screen name Richard Cromwell and launched his career. Cromwell earned $75 per week for his work on Tol'able David (John G. Blystone, 1930), which co-starred Noah Beery Sr. and John Carradine. Gary Brumburgh at IMDb: "the studio publicity machines worked overtime to promote both the film and their new leading man. Richard lived up to all the hype once the reviews came out, giving a terrific debut performance in a very difficult role. As the rather weak-willed young boy who finds the strength and courage to right the injustice done to him, he hit overnight stardom". Amid the flurry of publicity, Cromwell toured the country and was even invited to the White House to meet President Herbert Hoover. Cohn signed Cromwell to a multi-year contract based on the strength of his performance and the success at the box office of his debut. In the following years, Richard played several leading roles in smaller films, often in youthful, somewhat sensitive roles. Leslie Halliwell later described him in his Filmgoer's Companion as the "friendly hero of the early talkies". Cromwell maintained a deep friendship with Marie Dressler, which continued until her death from cancer in 1934. Dressler personally insisted that her studio bosses cast Cromwell on a loan-out in the lead opposite her in Emma (Clarence Brown, 1932), also with Myrna Loy. Dressler was nominated for a second Best Actress award for her portrayal of the title role in Emma. This was another break that helped sustain Cromwell's rising status in Hollywood. He was now much in demand and his next roles were in The Age of Consent (Gregory La Cava, 1932) co-starring Arline Judge and Eric Linden, Tom Brown of Culver (William Wyler, 1932), and Hoopla (Frank Lloyd, 1933), where he is seduced by Clara Bow, in her final film. He made an early standout performance as the leader of the youth gang in Cecil B. DeMille's unusual cult-favourite, This Day and Age (1933). To ensure that Cromwell's character used the right slang, DeMille asked high school student Horace Hahn to read the script and comment. Cromwell then starred with Jean Arthur in Most Precious Thing in Life (Lambert Hillyer, 1934). He had his definitive breakthrough when he co-starred with Gary Cooper and Franchot Tone in the adventure film The Lives of a Bengal Lancer (Henry Hathaway, 1935), which was nominated for seven Oscars. Cromwell played the son of a senior officer who is tortured by insurgents. His father refuses to rescue him in order to demonstrate his impartiality. After this promising start, Cromwell's career received a bump when he wanted more artistic independence.
Richard Cromwell's next pictures at Columbia Pictures and elsewhere were mostly inconsequential. Cromwell starred with Will Rogers in Life Begins at 40 (1935) and appeared in Poppy (1936) as the suitor of W.C. Fields' daughter, Rochelle Hudson. In 1937, he portrayed the young bank robber in love with Helen Mack and on the lam from Lionel Atwill in The Wrong Road (James Cruze, 1937). A challenge was his lead role in The Road Back (James Whale, 1937), a sequel to the classic All Quiet on the Western Front (Lewis Milestone, 1930). The film chronicled the story of young German soldiers readjusting to civilian life after WWI. Fearful that this film would not do well in Germany, the new regime at Universal Pictures severely edited the film before release, removing much of the strongly anti-Nazi slant that author Erich Maria Remarque included in the original novel, and which director James Whale had intended to retain in the film version. The resulting film was not well-received. Richard Cromwell took a detour in his career to Broadway for the chance to star as an evil cadet in an original play by Joseph Viertel, 'So Proudly We Hail!'. The military drama was directed by future film director Charles Walters, co-starred Edward Andrews and Eddie Bracken, and opened to much fanfare. The New York Herald Tribune called Cromwell's acting "a striking portrayal" and The New York Times said that he "ran the gamut of emotions" in the play. Cromwell had shed his restrictive Columbia contract and pursued acting work as a freelancer in other media. Cromwell guest-starred on the radio in 'The Royal Gelatin Hour' (1937) hosted by Rudy Vallee, in a dramatic skit opposite Fay Wray. Enjoying the experience, Cromwell acted in the role of Kit Marshall on the radio soap opera Those We Love, which ran from 1938 until 1942. On-screen, Cromwell appeared in Storm Over Bengal (Sidney Salkow, 1938), for Republic Pictures, in order to capitalise on his success in The Lives of a Bengal Lancer. He stood out in supporting roles as Henry Fonda's brother, who kills a man in a duel of honour, in the romantic drama Jezebel (William Wyler, 1938) starring Bette Davis and as defendant Matt Clay to Henry Fonda's title performance in Young Mr. Lincoln (John Ford, 1939). In 1939, Cromwell again tried his luck on stage in a regional production of Sutton Vane's play 'Outward Bound', co-starring Dorothy Jordan. Cromwell drifted into secondary features. He enjoyed an active social Hollywood life with friends including Barbara Stanwyck, Joan Crawford, Franchot Tone, George Cukor, Cole Porter and William Haines. For Universal Pictures, Cromwell starred as a draftsman who thwarts the Nazis in Enemy Agent. He went on to appear in marginal but still watchable fare such as Baby Face Morgan (Arthur Dreifuss, 1942), with Mary Carlisle. Cromwell enjoyed a career boost with Cosmo Jones, Crime Smasher (1943), the film adaptation of the hit radio serial. However, he was next up at Monogram Pictures, where he was cast as a doctor working covertly for a police department to catch mobsters in the forgettable though endearing Riot Squad.
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