Download Extra Quality Bass Music
Ellyn Brener
Hey guys! I was wondering if anybody had any tips on mixing dubstep and bass music (think Arius, Zomboy, Culprate, etc.). I've made a few sets in this set of genres, and I feel like there is a lot more in technique and tips to be gained.
Also, integrating a sense of showmanship. I've always been really into scratching, but mixing that with this type of music is really difficult, I've done it here and there but finding other elements of showmanship (some sort of controllerism or something) is a big thing that I'm focusing on too. I know that it sounds a little ridiculous and out-of-the-norm for this genre but whatever I suppose.
Are you listening to any interesting podcasts that you can recommend?
Obviously, I am primarily after bass-related topics, but share links if you know any good music-related one that is worth listening to.
Listen to In The Pocket on Spotify. The perfect podcast for bass players - Giving you the low-down on the low-end! Totally average bassist/YouTuber Jonny Dibble and session player Chris Horrocks and (sometimes) joined by guests to talk all about the...
Music is both heard and felt-tactile sensation is especially pronounced for bass frequencies. Although bass frequencies have been associated with enhanced bodily movement, time perception, and groove (the musical quality that compels movement), the underlying mechanism remains unclear. In 2 experiments, we presented high-groove music to auditory and tactile senses and examined whether tactile sensation affected body movement and ratings of enjoyment and groove. In Experiment 1, participants (N = 22) sat in a parked car and listened to music clips over sound-isolating earphones (auditory-only condition), and over earphones plus a subwoofer that stimulated the body (auditory-tactile condition). Experiment 2 (N = 18) also presented music in auditory-only and auditory-tactile conditions, but used a vibrotactile backpack to stimulate the body and included 2 loudness levels. Participants tapped their finger with each clip, rated each clip, and, in Experiment 1, we additionally video recorded spontaneous body movement. Results showed that the auditory-tactile condition yielded more forceful tapping, more spontaneous body movement, and higher ratings of groove and enjoyment. Loudness had a small, but significant, effect on ratings. In sum, findings suggest that bass felt in the body produces a multimodal auditory-tactile percept that promotes movement through the close connection between tactile and motor systems. We discuss links to embodied aesthetics and applications of tactile stimulation to boost rhythmic movement and reduce hearing damage. (PsycInfo Database Record (c) 2020 APA, all rights reserved).
Richard Bass holds degrees in piano performance from Georgia State University and Northern Illinois University, and a doctor of philosophy degree in music theory from the University of Texas at Austin. He also studied at the Aspen Music School and Indiana University, and he attended Yale University as a visiting Faculty Fellow. Before joining the faculty at the University of Connecticut in 1987, he held teaching appointments at institutions in Illinois, Texas, and Michigan.
As a pianist, Bass has performed extensively as a recitalist and in chamber ensembles and has appeared as soloist with a number of orchestras, including the Atlanta Symphony. His scholarly articles have been published in Music Analysis, Music Theory Spectrum, Journal of Music Theory, 19th Century Music, and numerous other journals, covering topics ranging from eighteenth-century to twentieth-century music. He has presented papers and lecture-recitals throughout the United States and in Europe and has written extensively on the music of American composer George Crumb. Bass is a former president of the New England Conference of Music Theorists, and has served as a member of the Publications Committee of the Society for Music Theory and on the editorial board for the journal Music Theory Spectrum. He was a founding core member of the UConn Digital Musicology Group (2013-16), using micro-computed tomography and 3-D printing to study, replicate, and restore antique wind instrument parts (see a video at s.uconn.edu/instruments). His most recent research focuses on aspects of harmonic practice in music of the late-nineteenth century.
Double bassists at CSU are trained in a wide variety of performance styles, as bassists have the unique opportunity to work professionally in more genres than any other instrument. While all students receive rigorous classical training, each student is encouraged to pursue other musical styles, especially jazz. Students have the opportunity to perform in a number of CSU ensembles, including symphony, chamber orchestra, opera orchestra, wind ensemble, symphonic band, jazz big bands, and jazz combos. Many students also take advantage of performing in the flourishing Northern Colo. music scene, from jazz and classical to Ska and Bluegrass.
The LSU School of Music is pleased to present the 2023 Louisiana Bass Fest, a special event all about contribution, collaboration, inspiration and sharing our passion with all bassists, and creating educational and performance opportunities for young bassists.
We are grateful to the Interlochen Arts Academy for sponsoring a total of $30,000 scholarship awards for the age 15-18 division, which is given in addition to any need-based financial aid. Additionally, the Orchestral Competition winner will earn opportunities with the Indianapolis Symphony Orchestra, as well as a $20,000-$25,000 bass instrument on loan for one year from the Guarneri House. The Guarneri House will also generously donate $1000 store credit for the first prize of the Young Artist Solo Competition. We look forward to hosting a raffle for registered participants of the festival, with prizes provided by Pirastro Strings.
The 2023 Louisiana Bass Festival marks 12 years of gathering with the goal of sharing and connecting passionate bassists around the world. We are fortunate to have collaborated with the Interlochen Center for the Arts, Indianapolis Symphony Orchestra, Master Players Festival, and composers to commission bass quartets for the Louisiana Bass Festival in the past. We are also proud that our past prizewinners and participants also had great success in competitions such as the Stulberg International String Competition, National YoungArts Foundation, International Society of Bassists Solo Competition, Boston Symphony Concerto Competition, and Dallas Symphony Orchestra Lynn Harrell Concerto Competition.
Masterclasses, bass ensembles, and concert are free and open to the public. To see everything on offer during the festival, open the "Schedule of Events" section further down this page.
Join us in Morgantown for an exciting and fun day of low strings nerdom! Bass clef pals will unite and form an awesome ensemble of both cellos and basses. Get ready for some low string rumbling! If you need some new inspiration, are tired of practicing by yourself, or want to up-level your musicianship, please join us to celebrate making music together. Participants will have the opportunity to participate in group workshops (separated by instrument), play with the cello and bass choir, and enjoy fellowship with other bass clef enthusiasts. New this year: more advanced separate cello choir and bass choir music, in addition to the full ensemble. Come make new friends, improve your technique, and leave playing better than you ever have!
Appropriate for students, amateurs and professionals of all ages that have been playing for at least one year and/or can read music. If you have questions about participating in the workshop, please contact Erin Ellis ( erin....@mail.wvu.edu). All participants under the age of 18 must be accompanied by an adult.
Cherished producer, DJ, and leader in the bass music community CharlestheFirst has passed away at just 25 years old. On Friday afternoon, his death was confirmed in posts across social media from Lab Group, a collaborative project from CharlestheFirst, Potions, and Supertask. Nashville detectives are currently investigating the cause of death.
Born Charles Elias Ingalls, CharlestheFirst was born in the Sierra Nevada mountains in 1996, an upbringing that fueled his passion for nature and directly influenced his forward-thinking music. Known in the bass music scene as a friend to all, an innovative artist, and a positive force in the community, Charles fostered a genuine connection with peers and fans alike through music and art.
The Harry W. Bass Jr. School of Arts, Humanities, and Technology offers many ways for students to explore and expand their musical talent, whether they are seeking a BA, a minor or music electives. Courses are offered at a variety of levels and interests. Beginning, intermediate and advanced instruction is offered in voice, piano, and guitar.
The Music Minor gives students a range of choices among the courses and ensembles at UT Dallas. Two lower-division courses are required: Music Theory I and Music in Western Civilization. After that, students take two additional classes in theory, history, or digital music, along with six additional credit hours of ensemble participation and/or class study of voice, guitar or piano. Private study may also be available through audition and subject to availability.
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