[Commercial Fonts Avenir Next Pro Font Family
Hanne Rylaarsdam
Avenir next font belongs to the largest sans serif typeface family. This font was designed by a famous graphic designer Adrian Frutiger and was released in 1988. This typeface is the expanded version of Avenir font family.
Initial release of this font family includes 24 font (six weights, each with a roman and italic version, two widths: normal and condensed). This font was released for the graphic designing projects. This font became popular in very short time.
This font contains the similarities with many famous sans serif typefaces such as Futura font and Nunito font. Later this font family was redesigned that includes 52 styles and 10 weights like regular, thin, lite, italic and bold etc.
The Avenir Next font family was designed by Adrian Frutiger in collaboration with Monotype Type Director Akira Kobayashi. It was an expanded reworking of the original font family (released as an OpenType font with both oldstyle and lining figures) and received considerable acclaim upon its publication by Linotype in 2004.
Adrian Frutiger was destined for typographical greatness well before his entrance into the world of commercial typeface production. Very creative from an early age, Frutiger dabbled in sculpture and type design, in particular, alternatives to the stiff, formal cursive taught at his native Swiss schools.
Since its release, the Avenir Next design has been immensely popular for an extensive range of different applications. The font was instantly successful in print and with its expanded range of characters and specific optimization, equally successful as an on-screen font. -- fonts.com
In 2019 we reviewed the set of fonts provided with Office identifying stylistic gaps. The result of that effort was the addition of over a hundred new fonts, including classics like Avenir Next LT Pro and Walbaum along with contemporary designs like The Hand, Sagona and Modern Love. These new fonts are available in most Office applications and have been used in a range of new templates.
This font issue seems to be originating in Adobe programs on Windows 10. I was given a file from a Mac version of Adobe Illustrator. I have worked between Windows and Mac and back again on a weekly basis at my previous job and font recognition has not been an issue.
The file that was given to me was a packaged file with a "Fonts" folder containing multiple .ttf and .otf fonts which I installed on my Windows 10 PC. The Avenir Next font family was packaged in a .ttc file which I have never seen before.
But when I go into the AI file I was given, all of the font family shows up except for Avenir Next Bold, which it shows as missing. This is true in every Adobe program I have tried ie. Photoshop, and InDesign so far.
Thx @Ton Frederiks , I wish I found this answer a lot sooner. This also worked for me and its great to know that is how I can get Illustrator to find a font. Does this also work for other Adobe products?
Avenir is one of the most widely used typefaces in corporate branding, with many well-known corporations, including banks, rail companies, and food brands, using the font prominently in their logos and brand identities.
The typeface is exceptionally legible and clear to read, making it highly versatile for use in headers and body text. Avenir paved the way for later humanist geometric sans serifs, such as Freight Sans and Calluna Sans.
Okay, let's get into the Avenir typeface history. Avenir was created by legendary Swiss type designer Adrian Frutiger (1928-2015), who also created Univers and the self-named Frutiger. Frutiger had dabbled in both sculpture and type design from a very young age, and the influence of the strict, formal cursives taught to him in his Swiss schooldays galvanised him to create more modernist and revolutionary alternatives.
He worked on Avenir alone, without the help of drafting assistants, and said he designed the typeface with "human nature in mind". Avenir was released in three weights in 1988, which later expanded into a six-weight family.
British retail and wholesale company The Co-operative Group uses Avenir in its corporate identity. Software company Bloomberg also uses a customised version of Avenir Next (see below) as its corporate typeface.
Widely acclaimed on its release, Avenir Next is a subtly edited version of Avenir. The most notable difference is the more generous tracking (letter-spacing) of Avenir Next, which gives it a more contemporary, airy appearance.
Electronics company LG chose Avenir Next for the button lettering of mobile devices, due to its excellent legibility. British TV channel BBC2 also broke away from the use of Gill Sans, which is used across other BBC channels, in favour of Avenir Next on their logos and promotional materials to achieve a cleaner, more contemporary brand identity.
Designed by SIGNIA PRO designers Fontastica, Berlin is ultra-minimal, clean, and contemporary, exaggerating the geometric heritage of Avenir and its counterparts. Use it in headlines, across minimal packaging designs, and in fashion and lifestyle branding to make the most of its cutting-edge good looks.
Available in three weights and as both a desktop and web font, Herz has a retro, condensed style that is reminiscent of Akzidenz Grotesk and Futura. Simple, friendly, and versatile, Herz is legible both at large display size and for smaller body copy.
Quoting its inspiration as stemming from 1920s Italian design, Regime Grotesk pays tribute to the quirks of typefaces from this era, such as Futura and Mostra. The font is designed to be balanced, modern, and easily adaptable for web, print, or signage design.
Pure and minimal, Normal is an everyday font with added style. Tailored for logotypes, headlines, branding materials, and corporate identities, Normal looks fantastic paired with colourful, modernist-inspired graphics and black-and-white photography.
Lifting influences from classical and contemporary type styles, and blending these with more playful elements, Konnect is a sans serif with soul. The curving ligatures give the typeface a dynamic quality that is reminiscent of mid-century and 1960s sans serifs.
Released by Mindburger Studio, Bergen Text is the companion font to Bergen Sans and is a font similar to Avenir. Designed to be highly legible while retaining personality, this is a bouncier alternative to more traditional geometric sans serifs like Avenir.
A monospaced take on sans serif type styles and also released by Mindburger Studio, Bergen Mono balances retro functionality with a clean, contemporary style. Use it on magazine design, posters, and signage to make the most of its vintage good looks.
Sans serif and serif fonts pair extremely well, so it makes sense to kick things off with Hamlin and Adorable. Both fonts could be described as stylish, but Hamlin is more on the minimalist side, while Adorable is on the more boho side of stylish. Both fonts are highly legible and would work equally well for body and header text, so they offer loads of versatility.
If you are creating text for a creative project and are using Regime for your body text, you're going to need a fabulous complementary font to catch your viewer's eye. That's where Veopras comes in. This elegant font offers something a bit extra for those special projects where nothing but "extra" will do.
Anything Branding Serif Font is highly legible but very stylish, making it perfectly suited for both body and header text. It pairs beautifully with the Herz font, which offers a cleaner style with high legibility and comes in three different weights. This pairing is one you should have in your font library because you will definitely be using them again and again.
Whether you're looking for an Avenir Next font pairing or a pairing for a font similar to Avenir Next, you can't go wrong with Nostalgic Script Font. Nostalgic is a fun, modern calligraphy font that will complement the geometric sans serif, Brooklyn.
Konnect offers 18 incredible fonts within its family, which is an enormous range for a font. When you are using the regular to light fonts in this set for your body text, Threads will offer a great header text complement.
Rosiana is a wonderful header font that will draw attention to your design. It includes over 200 special characters and ligatures, so you can make it as fancy as you like. It pairs well with Lorin, which offers a soft, rounded style in four different weights.
With five weights and four styles, Frank is one of those highly versatile fonts that is a workhorse in your font library. It pairs well with Voyage, which offers more whimsical and delicate lines in four different weights.
Simple and stylish, Normal offers five weights so that the font can be used for body and header text. Wigan is an elegant and classy serif typeface that is the perfect complement for the clean and elegant Normal. It's more suitable for header text than body text, so try it with different weights of Normal to see what works best for your project.
Chiralla doesn't suit every occasion, but for those occasions when you need a superbly elegant and eye-catching font to pair with your fonts like Avenir, Chiralla is a great choice. Here we have paired it with the wonderful Liber which, with its great legibility, is a great font for body text.
Importantly, we recognise that there can be constraints around choosing a typeface like pre-existing brand and style guides. Ideally, branding is developed with accessibility in mind; however, this is not always the case. Even when restricted to using a specific typeface, the way the typeface is sized, styled, and formatted (including spacing between letters and lines of text, avoiding italics, etc.) can improve the typeface's accessibility. See the Typographic layout and styling section of this blog for more information.
Typefaces are classified based on various factors, including their historical origins, the period in which they were designed, and their visual properties. This makes type classification a very complex field, and there is deliberation about how some typefaces are classified.
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