Derrick Carter @ Meridian July 1

[Nightculturalist]

 

 

 

WHEN:
JULY 1st
doors at 9P


WHERE:
Meridian

1503 Chartres
Houston

 

INFO:

www.77002.com  
Press contact me direct 77...@77002.com

 

TICKETS:

GENERAL ADMISSION TICKET LINK : 
http://www.groovetickets.com/ordersystem/Tribe/eventviewqb.asp?affilid=10&EventsID=22991

VIP TICKET LINK:
http://www.groovetickets.com/ordersystem/Tribe/eventviewqb.asp?affilid=10&EventsID=22992

 

WHO:
DERRICK CARTER
with

RnR's  Amanda Robinson & James Reed
Rotate's Josh DuPont & John Osorio 
Vic Vegas & Mr Bristle
Mike W & many more TBA

Live Painting by
Micah Simmons

 

BIO:

Derrick Carter. Where do you start? This man has made his mark on so many clubs and labels, it's difficult to know where to begin. The beginning would probably be a good place. Growing up in the western suburbs of Chicago, Carter took a keen interest in music at an early age. In '86 he started tinkering with equipment, producing tracks, and shopping them out to labels of the time, including Transmat, SRO, and finally KMS, for whom he produced a cut under the guise 24-7-365.

It was with Mark Farina and Chris Nazuka and Tim Shumaker that Carter would produce his first big release, under the pseudonym Symbols and Instruments. The track was well received in the U.K. by more discerning dance music aficionados and helped galvanize his reputation as an up-and-coming producer. From this platform, Carter went from strength to strength and is now widely regarded as one of the premier deep house DJ in the world alongside Kenny Hawkes, Mark Farina, and Pepe Bradock.

Carter's releases can be found on labels such as Organico (as Sound Patrol), The End (as Tone Theory), and of course the London-based label he runs with Luke Soloman, Classic. In addition, he has had mixes commissioned by U.K. dance publication Mixmag and South London tech-house/deep house imprint Pagan. As you can tell, he's a bit of a star. The Fred Everything remix of "Life Is Like A Circle," released on Bombay Records, combines deep graceful chords with gritty beats and solemn male vocals. This is the music that you pray for on the dance floor. "Do You Believe?" and "Where You At" are taken from Carter's '02 solo album Squaredancing In A Round House on his own Classic imprint.

Born and raised in the western suburbs, Derrick was into music from a young age, but during his teens Chicago's house scene sucked him in for good. Before long Derrick became a strong presence in Chicago's underground dance scene. "When I got my driver's license at 16 my sneak ability was validated," he laughs. "I was a fierce bedroom jock for a long time. After you mix for the love of it for six or seven years, you get it pretty tight and you can take it on the road." Derrick got by working at dance-music specialty stores like
Gramaphone and gigging at parties. LaterDerrick landed regular DJ stints at Shelter, Foxy's, and Smart Bar.

 

Though he doesn't spin much locally anymore, when he does he attracts large crowds. Derrick's sets are rooted in house, but he freely travels outside club tastes, seamlessly incorporating old-school disco, soul, jazz, and whatever else catches his fancy. Most of the timeDerrick works in Europe, where he's become a major celebrity among dance-music aficionados. And the money's a hell of a lot better there. "It's hard not to laugh on the occasions when you'll make 20 times what you make in Chicago on a Saturday night, but there are also times when you do it just for the fun, like at home. So many people come up to me and say, 'Man, I had the worst day. My girlfriend left me, I locked my keys in my car, but you turned me for two hours, and that made me able to get up in the morning.' That's the best thing going."

 

In 1988 Derrick, fellow DJ Mark Farina, and friend Chris Nazuka released an EP as the group Symbols &  Instruments. The record had a strong influence on the burgeoning ambient techno movement in England. While it wasn't a commercial success, it established Derrick as an international figure in the dance-music underground. Since then he's been involved with a number of recording projects, firstly his solo project Sound Patrol under whom he released his first album 'Sweetened -No Lemon' which exuded a soulfulness and low-key grittiness that resonated beyond the infectious grooves and made a departure from the machine-like quality of the dance music fare of the time.

 

Since then the pioneering, innovative tracks and consequent critical acclaim have  marked Derrick out as one of the most important players in dance music. Most notably  through his more recent releases on Classic. His first release was as Rednail with 'I Think of You', followed by Nu Pschidt and Hope under his own name.  Nü Pschidt combined woven scatting with sleepy minimal beats on 'Dreaming Again' and skilfully cast his own low, sexy drawl over his trademark Carter grooves to form 'Boompty Boomp Theme', described by Seven magazine as 'without doubt the slinkiest and downright funkiest track I've heard for a long time.'  Derrick's latest Classic release 'Hope' is again causing a storm amongst DJs and press alike and his Classic album is eagerly awaited and expected for release sometime within the next year.

 

Derrick Carter is most definitely bringing the Boompty Boomp back to the dancefloor!

 

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