Age Of Empires 1 Trainer

[Heron Mathis]

Iunderstand what a trainer hero is but not sure what the best way to use them. I have a red *2 player who is maxed out at level 20. The trainer hero is red. I hear you get more if you match colors of characters. Is it still beyer value to use the trainer hero on the red color or use it to train a character of another color? I have two *3 characters still at *1.

Hi. There are already some topics about trainer heroes, but I could not find any answer on when to actually use them? I normally save them for 5* heroes, when I get them, but I can imagine that you do not want to use them from the start since leveling at the beginning is fairly cheap, but at what time you want start using them?

I do not have a specific level when I start feeding trainerheroes. What I do is to have a look at the stats of the hero and when I consider them usable I stop giving them feeders and level them slowly with the trainers tickling in from chests etc.

I currently level Zeline and my benchmark was Caedmon +9. I stopped at 4-60 and she is now at 4-76 while I am working on 2 other 5*s with normal feeders. Until then Vivica was getting the trainers.

No longer working, even with waiting like ten minutes on the AOE2:DE main menu. The menu may not detect it if you open the trainer AFTER opening the game in steam, but it crashes upon loading the scenarios.

Trainer heroes are a special type of hero that is designed specifically to help other heroes level up. They may be found at star levels 1-4 only, and always come fully leveled and ascended. Because of this, for the purposes of leveling up, they are worth much more than a typical, unleveled hero.

Trainers have stats that are generally somewhat better than unleveled heroes of the same star, but well below that of one that is fully maxed. They all have the same Special Skill, which is a lackluster 150% damage to a single target.

In battle an unlevelled 3* trainer hero will perform generally better than a 3* unlevelled non-trainer while a levelled 3* trainer will generally perform worse than a leveled 3* non-trainer. Because they come fully leveled and ascended they have the potential to do some decent damage compared to regular 2* heroes.

Because food costs increase with each new level of the hero that is leveling up, it is recommended that one saves trainers for the latter levels. Trainers provide so much experience that one may jump numerous levels at once. Since the cost for each hero sacrificed (with a maximum of 10) is equal to the cost of the first one selected, this allows one to skip the final and most expensive levels, thus conserving food when it is most expensive.

With the release of Version 49 Master Trainer Heroes were added as additional resources for leveling heroes. They do not have a specific element and they cannot be used in battle. They can only be used for feeding other heroes regardless of their Special Skill, "Trainer Strike". See the chart immediately above for Master Trainer XP values in leveling.They give the same XP during leveling regardless of the element.

GuangBiographical InformationStatusAlivePhysical InformationRaceHumanGenderFemaleHair colorNone - BaldCareer InformationOccupationTrainer of Gang's Acolytes and Shin's AttendantsRankAcolyte TrainerAffiliationImperial Arena - Formerly

Lotus Assassins

Acolyte Trainer Guang was a Lotus Assassin in-training and one of Master Gang's acolytes. As trainer, she was in charge of training Gang's acolytes as well as the Attendants in Master Shin's personal entourage. She was aware that if she appeared too skilled one of Master Shin's undercover Lotus Assassins would have her killed. Guang remained alive by appearing mediocre and staying out of Master Gang and Master Shin's power plays.

Acolyte Trainer Guang was originally a fighter in the Imperial Arena and caught the eye of a recruiter. She felt her only skill was combat or killing and felt the Imperial Army was too strict and the Arena too tame.

As the Player was Master Gang's newest acolyte, Acolyte Trainer Gaung fought him/her to assess the Player's abilities. Gaung was easily defeated and because of her failure Master Gang promoted the Player to be the new trainer. Gang assigned Acolyte Trainer Guang to assist the Player and Guang outlined the Player's new duties and offered new techniques.

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The Tortoise Trainer (Turkish: Kaplumbağa Terbiyecisi) is a painting by Osman Hamdi Bey, with a first version created in 1906 and a second in 1907. Hamdi's painting of an anachronistic historical character attempting to train tortoises is usually interpreted as a satire on the slow and ineffective attempts at reforming the Ottoman Empire.

The painting depicts an elderly man in traditional Ottoman religious costume: a long red garment with embroidered hem, belted at the waist, and a Turkish turban. The figure may be a self-portrait of Hamdi himself. The anachronistic costume predates the introduction of the fez and the spread of Western style dress with the Tanzimat reforms in the mid-19th century. He holds a traditional ney flute and bears a nakkare drum on his back, with a drumstick hanging to his front. The man's costume and instruments suggests he may be a Dervish.[1]

The scene is set in a dilapidated upper room at the Green Mosque, Bursa, where the man is attempting to "train" the five tortoises at his feet, but they are ignoring him preferring instead to eat the green leaves on the floor. Above a pointed window is the inscription: Şifa'al-kulp lika'al Mahbub ("The healing of the hearts is meeting with the beloved").[2][3]

The first version of Hamdi's painting was exhibited at the Grand Palais in the 1906 Paris Salon, under the title L'homme aux Tortues ("Man with tortoises"). It was formerly in the collection of Turkish businessman Erol Aksoy [tr; de]. It was sold for US$3.5 million in 2004 and is currently displayed at the Pera Museum in Istanbul.[4][5]

A second smaller version was completed in 1907, dedicated to his child's father-in-law, Salih Mnir Pasha. The second version was bought by the journalist Erol Simavi [tr] in the 1980s, and was exhibited at the Sakıp Sabancı Museum in 2009.[6]

Both may be inspired by an article that Hamdi read in the Le Tour du Monde travel journal decades before, which described Korean tortoise trainers in Japan, who trained their animals to walk in lines to the beat of a drum.[7]

Osman Hamdi Bey created the painting at a time of great social and political turmoil in the Ottoman Empire. The reforms introduced by Sultan Abdlhamid II had either proved ineffective, or had been blamed for the increased upheaval. The Ottoman Empire, which still encompassed parts of the Balkan peninsula, parts of North Africa, all of Anatolia and the Levant, and much of the Arabian peninsula at the turn of the 20th century, was under serious threat from both the growing power of nationalist movements within its territory, and from the incursions of foreign powers which would eventually divide the Empire between them in the aftermath of the First World War.[8]

Although not widely shown or understood at the time, the painting achieved greater significance in subsequent decades as it presaged the Young Turk Revolution of 1908 which brought an end to the direct autocratic rule by the Sultan (eventually replaced by the regime of the Three Pashas after the 1913 coup d'tat) and set the stage for the Empire's entry into the First World War on the side of the Central Powers and for its subsequent partitioning.[9]

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