Epic Dubstep Music
Versie Rons
Widescreen and powerful orchestral dubstep. Dramatic, Exciting and cool, it features contemporary Dubstep instruments accompanied by two grand pianos and a full symphonic orchestra. Beginning with piano and incorporating super cool synths and big beats and drops along with the strings, this beautiful building track is full of energy and emotion.
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Launched in 2008, Prime Loops award-winning team of specialist product engineers, audio technicians & sound designers have lovingly created every single sound library, with the highest attention to detail.
Sounds from Prime Loops libraries have been featured in many chart-topping tracks from artists such as Lady Gaga, Skrillex, Chris Brown, Doctor P, Beyonce, Crookers, Nicole Scherzinger and many more.
Is your music sounding a little too fluffy for your liking lately? Rip through the niceties with some of the phattest, meanest, dirtiest Dubstep available! Our latest collection of massive, roaring sound is the huge "Dubstep Producer" Bundle, which has all the power to blast your tunes across every dancefloor from here to Timbuktu!
Mixing together no less than 6 epic Dubstep sample packs from amidst our bulging catalogue, you'll find sonic inspiration in the form of old skool Dub, UK Bass, contemporary US Dubstep and everything in between!
Dubstep producers want their music to sound loud so badly that they often crush everything up against a limiter or maximizer on the master channel, which completely destroys the dynamic range of the song, making it sound even more processed and unnatural. The lack of dynamic range means that there is no life left in the music. You may have heard of the loudness war, which is a common theme among mastering engineers. You can read some tips on how to master your own music here.
Making each element of your track sound big with the sound design helps toward the epicness. You can do this by increasing the unison in your synth. For bass sounds I usually use a unisono of between 4 and 6 in massive. I use between 3 and 4 for pads, and around 4 for synths.
A lot of producers use long, drawn out notes. One excellent technique is to layer pad chords over the top of long bass notes. These two instruments playing in harmony will create a big epic feel. I like to side chain my pads to the kick, or a dedicated silent sidechain track or channel in my DAW. I like the pads to rise up from silence to gradually become loud through each note, which gives more of a 3D feel to the whole song.
With this slow tempo, there is a lot of room to play with adding little shuffles and rhythms that make the overall groove of your song more interesting. The key is to play around with the groove and rhythm of the drums and percussion and leave out enough small gaps to create small tensions in the flow of the rhythm pattern. I spend a lot of time getting the groove interesting so that the song has its own character. A lot of the melodies will fit into this rhythm to make the individual elements of the overall song sound tightly woven together, so I like to get the percussion and hats worked out after the kick, snare and main chords of the pads and main long notes of the bass. From this point on I am able to start adding funky little intricate details to the bassline and other parts of the song.
pitch the snare down a bit to make it sound more raw and cool. Time stretch it to keep its punch. Set up parallel distortion using a buss or return track, and parallel compression, but instead of using a compressor, use the Schaak Audio Transient Shaper. You have more control over the transients and the punchiness of the snare.
Choosing the right kick drum that matches well with your snare is very important. I have a selection of about 12 kick drums that I really like, and I only use one of those with the snares. I usually make the snare first and then choose the best matching kick drum after that.
Another important thing about kicks is that, similarly to the snare needing some top end to cut through the mix, I like to use a kick that has some top end information, usually between 3 and 4 kHz, so that the kick will be clearly heard in the mix even at lower volumes.
More of the best Epic Dubstep Musc No Copyright that we just had to feature here at Bass Rebels. Another huge slice of uplifting dubstep intro music from Vorsa with the track Digital World that is music that you can use in your YouTube videos. #NoCopyrightMusic #RoyaltyFreeMusic #NoCopyright #BassRebels
Country music princess Taylor Swift branched out into pop music long ago, and on her forthcoming 'Red,' she's reaching out to some new genres for inspiration. Rolling Stone reports that the album features songs inspired by dubstep artists and rock bands like U2.
RS describes the track 'State of Grace' as "a howling, U2-style epic with reverb-drenched guitar," while another track lights up the dance floor with a dubstep breakdown. Swift now joins Muse and Kanye West on the list of established artists who have drawn inspiration from the success of Skrillex and other electronic dance acts.
'Red' hits stores in October. Swift told the magazine the album chronicles her romantic ups and downs over the past two years. "I went through a few roller coasters," she revealed. "Trying to chronicle each step of the way was challenging, because you go to some really dark places with the lyrics. Then in the next track, you're talking about how amazing it is to meet somebody new."
Country music princess Taylor Swift branched out into pop music long ago, and on her forthcoming 'Red,' she's reaching out to some new genres for inspiration. Rolling Stone reports that the album features songs inspired by dubstep artists and rock bands like U2.\nRead More