Seven Bollywood Movie
Muredac Ford
If you are not prepared for three hours movies full of songs, culture, and beautiful stories that will make you feel every emotion under the Sun, this industry of movies is not for you. The essence of Bollywood cannot be captured by any set of words I use here, so all I can do is highly encourage these seven movies if you are looking for something new and exciting to watch.
Lab-grown diamonds have become the talk of the town, and our beloved stars are at the forefront of this trend. From suave actors to glamorous divas, here are seven Bollywood celebrities who are not only embracing the sparkle but also championing a more sustainable and ethical approach to fashion.
1. Shah Rukh Khan: The king of Bollywood, Shah Rukh Khan, demonstrates his support for sustainability. He is known for gifting lab-grown diamond jewellery, contributing to the shift towards responsible luxury in the industry.
3. Deepika Padukone: This Bollywood queen is not only known for her impeccable style but also her eco-conscious choices. Deepika has been spotted numerous times flaunting stunning lab-grown diamond jewelry, setting a trend for sustainability in the industry.
5. Alia Bhatt: The young and vibrant Alia Bhatt is known for her sustainable fashion choices, complimented by a chic and contemporary style. She has embraced lab-grown diamonds as part of her jewelry collection, showcasing her support for ethical fashion.
6. Sonam Kapoor Ahuja: Fashionista extraordinaire, Sonam Kapoor Ahuja is renowned for her avant-garde fashion sense. She has been vocal about her preference for lab-grown diamonds, promoting ethical practices in the fashion industry.
7. Kareena Kapoor Khan: A true Bollywood diva, Kareena Kapoor Khan exudes elegance and grace. She has been seen accessorizing her outfits with lab-grown diamonds, demonstrating her support for ethical fashion choices.
These Bollywood celebrities are not only setting fashion trends but also leading the way towards a more sustainable and ethical future in the entertainment industry. With their influence and advocacy, lab-grown diamonds are becoming the new symbol of luxury and conscientious living.
Prime Minister Narendra Modi, seeking a third straight term in the vote, has set a target of 370 seats for his Bharatiya Janata Party (BJP) and 400-plus for the National Democratic Alliance (NDA) the BJP heads in the 543-member lower house of parliament.
The first phase of the parliamentary election will be held on April 19, second on April 26, third on May 7, the fourth phase on May 13, the fifth on May 20, the sixth on May 25 and the seventh phase on June 1.
One of the most remarkable revolutions in Indian society has been women empowerment. Changes in law, the rise in levels of literacy, better access to healthcare has meant that women are living better, learning more, being more aware. Tragic heroines like Meena Kumari's Choti Bahu in the 1962 Sahib Biwi Aur Ghulam are now virtually extinct.
Here celebrating seven decades of independence, we give seven women who embody freedom, one for each decade. They are neither wholly, nor in full measure representative of all the wonderful women of Hindi cinema, but at least substantially they depict the ever-continuing struggle for liberation.
Nargis' Radha is frozen in time for generations of moviegoers as the young woman with the plough in the Soviet-style poster that seems to be an advertisement for agrarian reform, or as the older woman aiming a gun at her son's heart ("Tu mujhe maar nahin sakti, tu meri maa hai,'' says Birju to her. ''Main ek aurat hoon, main beta de sakti hoon, laaj nahin de sakti").
Radha was independent India's mother, a woman bound by traditional expectations. When she is made to inaugurate the canal that will bring water to the village, she is standing in not just for the mothers, but also for the independent Indian, the free Indian, the aspiring Indian. She is India, Mother India.
Aaj phir jeena ki tamanna hai/Aaj phir marne ka irada hai. As Waheeda Rehman's Rosie flits about the ramparts of the majestic Chittorgarh Fort, dancing energetically, gracefully, you can almost smell the freedom in the air. Rosie is the daughter of a prostitute, forced to forego her dance to be a respectable wife to Marco. When freedom is offered to her, she grabs it, moving out from the shadows of yesterday. Rosie is quixotic, self-absorbed, she is also the emerging Indian woman who is not afraid to say that narrow domesticity is not for her. She wants the world to be her stage, she loves the attention, she adores the bouquets, she lives for the applause. And why not?
Gulzar's direction and Suchitra Sen's subtle performance create a memorable screen woman, who can occasionally lament all that she has lost (a caring husband, a growing daughter, a loyal servant who knows her every need even before she does) but not enough to abandon her calling: "Tere bina zindagi se koi shikva to nahin/jee main aata hain/tere daaman main sar jhuka ke ham/rote rahen, rote rahen''.
Has rejection ever looked more alluring? Smita Patil tells the subedar in every way possible that she doesn't want his attention. Naseeruddin Shah's little despot refuses to take no for an answer. But Sonbai is firm, even when everyone in the village turns against her. But the final scene in Ketan Mehta's film, when all the women in village throw chillies in his face, blinding him and forcing him to flee, is the 1980s version of "f*ck off" written in giant letters, lit up in neon.
In the wasteland of the 1990s, Nisha is at least given some agency. She studies computers so she is modern. She loves ice cream, so she is cool. She is as outdoorsy as she is good in the kitchen, and as devoted to her sister, as she is coquettish with a potential suitor. Madhuri Dixit lights up the screen with her presence, imbuing this family drama with a lightness of spirit and litheness of foot. Nisha is the life of the family, as much perfect wife material, as she is post liberalisation India's poster girl for consumerism.
This is Nisha's version of growing up: "Chocolate, lime juice, ice cream, toffeeyan/Pehle jaise ab mere shauk hain kahan Gudiya, khilone, meri saheliyan/Ab mujhe lagti hain saari paheliyan Yeh kaun sa mod hai umar ka''. She is the model citizen, perfect consumer, loving partner, self-sacrificing sister.
The model for all subsequent screen women looking for their identities. Geet is a talkative, vivacious young woman who helps a young man escape his burdens for a while, all the while chasing love herself. Main apni favourite hoon, she says, in one of the most quoted film lines of recent times. Indeed she is. She is also independent minded, willing to take the rap for her mistakes, and not afraid to be alone.
Of course, she needs the love of a good man to complete her, but that is less an attack on her sense of self and more a way to "complete" her (yes, yes, in the Jerry Maguire way). An early Imtiaz Ali movie where the outward journey mirrors the journey within, and where a return home is not an admission of defeat but a moment's rest for the weary traveller till he/she begins again.
Rani is the direct descendant of Geet. Left at the altar, she refuses to go gently into the good night. In Vikas Bahl's movie, she decides to travel to the cities that she would have with her sneaky fiance who now believes she is not cool enough to be his wife.
She makes friends, from the gorgeous Vijayalakshmi, to the two boys she shares her youth hostel room with; learns that cooking her escape (much like the laddoo-making housewife of Gauri Shinde's English Vinglish), gets drunk, goes dancing, finds admirers, all without losing her integrity and her innate desi-ness (mistaking a vibrator for a muscle massager). She is a desi girl and proud to be so, carrying it like a badge of honour like her untamed curls, her
She is a desi girl and proud to be so, carrying it like a badge of honour like her untamed curls, her hand-knitted sweaters, and her way with words. "Indians sab chiz main best hain. Kissing main bhi Indian hi best hain. Emraan Hashmi ha naam nahin suna hai?"
Meet the music magicians of Bollywood! Our gallery showcases the top 7 composers who create the songs we love. Featuring Pritam, Shankar-Ehsaan-Loy, Amit Trivedi, Amaal Mallik, A.R. Rahman, Vishal-Shekhar, and Ajay-Atul. These seven composers are currently leading the Bollywood music scene, each bringing their unique flair and creativity to the industry. Their contributions continue to shape the soundscape of Indian cinema, making them the top choices for directors and fans alike.
Also known as the "Mozart of Madras," A. R. Rahman continues to enchant audiences worldwide with his innovative and soul-stirring compositions. Currently his work in movies like "Dil Bechara" and "Atrangi Re" showcases his versatility and enduring appeal.
Amit Trivedi's eclectic style blends traditional Indian music with contemporary sounds. His recent hits from "Queen" to "Andhadhun" have cemented his position as one of Bollywood's most desired composers.
Pritam is synonymous with chart-topping music in Bollywood. His compositions for movies like "Chhichhore" and "Brahmastra" have been massive hits, making him a favorite among directors and fans alike.
This dynamic duo, comprising Vishal Dadlani and Shekhar Ravjiani, is known for their energetic and catchy tunes. Their work in "War" and "Student of the Year 2" has kept them at the front of Bollywood music.
The trio of Shankar Mahadevan, Ehsaan Noorani, and Loy Mendonsa continues to create magic with their compositions. Their recent projects, such as "Bhaag Milkha Bhaag" and "2 States," highlight their ability to blend different genres seamlessly.
Ajay-Atul have brought the essence of Marathi folk music to Bollywood with their unique style. Their work in "Sairat" and "Dhadak" has been widely acclaimed, showcasing their talent for creating emotionally resonant music.
Trying to decide which movie to catch in UAE cinemas or on your streaming platform this weekend? Look no further. We have curated a list of our top seven picks for you. From Nicole Kidman's charming romantic comedy 'The Family Affair' with Zac Efron to Prabhas' grand and star-studded dystopian epic 'Kalki 2898 AD', our list promises something for every movie enthusiast. Let's dive in ...
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