Volcanois a 1997 American disaster film directed by Mick Jackson, written by Jerome Armstrong and Billy Ray, and produced by Neal H. Moritz and Andrew Z. Davis. The film stars Tommy Lee Jones, Anne Heche, Don Cheadle and Keith David. It tells the story of an effort to divert the path of a dangerous lava flow through the streets of Los Angeles following the formation of a volcano at the La Brea Tar Pits. The story was inspired by the 1943 formation of the Parcutin volcano in Mexico.
In downtown Los Angeles, an earthquake strikes. Mike Roark, the new director of the city's Office of Emergency Management, insists on coming to work to help out with the crisis even though he has been on vacation with his daughter Kelly. His associate Emmit Reese notes that the quake caused no major damage, but seven utility workers are later burned to death in a storm drain at MacArthur Park. As a precaution, Mike tries to halt the subway lines near the location of the earthquake. MTA Chairman Stan Olber opposes, believing that there is no threat to the trains. Seismologist Dr. Amy Barnes believes that a volcano may be forming beneath the city due to the earthquake opening a fissure in the fault line; however, she has insufficient evidence to make Mike take action.
Early the next morning, Amy and her assistant Rachel venture in the storm sewer to investigate. While they take samples, another (more powerful) earthquake strikes the city. Rachel falls into a crack and is killed by a rush of hot gases. A subway train derails from falling debris, and a power outage occurs across the entire city. Later, in the La Brea Tar Pits, the volcano begins to erupt. As Mike helps injured firefighters out of the area, lava begins to flow down Wilshire Boulevard. The lava incinerates everything in its path and kills two firefighters in an overturned fire truck. The Roarks become separated, as Kelly is injured when a lava bomb burns her leg and is taken to Cedars-Sinai Hospital along with other patients. Meanwhile, Stan leads his team through the tunnel to the derailed train to search for survivors. While his team save everyone aboard, Stan rescues the driver just as lava reaches the train, causing it to disintegrate. Stan sacrifices his life by jumping into the lava flow to throw the driver to safety.
Mike, Amy, and LAPD lieutenant Ed Fox devise a plan to use concrete barriers to create a blockade, which obstructs the lava in its path. A fleet of helicopters dump water collected from the ocean to subdue the lava and volcano, forming a crust and making the plan a success. However, Amy thinks that the magma is still flowing underground through the subway because of the amount of ash still falling. When Mike helps her confirm her suspicions, she calculates that another eruption will occur at the end of the Red Line at Cedars-Sinai and, after calculating the speed of the flowing lava, determines the lava will reach the end of the tunnel in thirty minutes.
Mike devises another plan to demolish a 22-story condominium building to block the lava's path from flowing towards the hospital and the rest of the West Side of Los Angeles, redirecting it into a nearby storm drain. As the lava arrives, Mike's co-worker Gator and an LAPD Bomb Squad officer (trapped under debris) sacrifice their lives to detonate the final explosive charge. Mike then spots Kelly nearby, trying to retrieve a little boy she was watching who wandered off; the two are in the direct path of the collapsing building. Mike barely manages to save them from being crushed as the building collapses. The plan succeeds, and the lava flows directly into the ocean. As it begins raining, the trio emerge from the rubble unscathed and reunite with Amy before heading home.
Filming was primarily on location in Los Angeles, California.[3] Various filming sites included MacArthur Park, Cedars-Sinai Medical Center and the La Brea Tar Pits.[3] Extensive special effects surrounding certain aspects of the film such as the lava flow were created by ten separate digital effects companies including VIFX, Digital Magic Company, Light Matters Inc., Pixel Envy and Anatomorphex.[4] An 80% full-size replica of Wilshire Boulevard, which was one of the largest sets ever constructed in the United States, was assembled in Torrance, California.[5] The computer-generated imagery was coordinated and supervised by Dale Ettema and Mat Beck.[3] Between visuals, miniatures, and animation, over 300 technicians were involved in the production aspects of the special effects.[4][6]
The score for the film was originally composed and orchestrated by musical conductor Alan Silvestri.[7] Recording artists James Newton Howard and Dillinger among others, contributed songs to the music listing.[4] The audio soundtrack in Compact Disc format featuring 8 tracks, was officially released by the American recording label Varse Sarabande on April 22, 1997.[8] The sound effects in the film were supervised by Christopher Boyes. The mixing of the sound elements were orchestrated by Jim Tanenbaum and Dennis Sands.[4]
Among mainstream critics in the US, Volcano received mixed reviews.[9] Rotten Tomatoes reports that 49% of 47 sampled critics gave the film a positive review, with an average score of 5.10/10. The website's critical consensus reads, "Volcano's prodigious pyrotechnics and Tommy Lee Jones' crotchety sneers at lava aren't quite enough to save this routine disaster film."[10] At Metacritic, which assigns a weighted average using critical reviews, the film received a score of 55 out of 100 based on 22 reviews, indicating "mixed or average reviews".[9] Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale.[11] In 1997, the film was nominated for a Golden Raspberry Award in the category of "Worst Reckless Disregard for Human Life and Public Property", but lost to Con Air.[12]
Rita Kempley of The Washington Post wondered why "there's no volcano in "Volcano"?...The hokey disaster drama features towering plumes of smoke, a splendid display of fireworks and brimstone, and rivers of molten magma, but I'll be darned if there's a burning mountain."[23] Todd McCarthy of Variety was more positive, writing that "first-time screenwriters Jerome Armstrong and Billy Ray waste no time with exposition or scene-setting, starting the fireworks with a nerve-jangling morning earthquake that puts city workers on alert for possible damage."[5]
Following its cinematic release in theaters, the film was released in VHS video format on May 26, 1998.[31] The Region 1 Code widescreen edition of the film was released on DVD in the United States on March 9, 1999. Special features for the DVD include interactive menus, scene selection and the original theatrical trailer. It is not enhanced for widescreen televisions.[32] The film was released on Blu-ray Disc on October 1, 2013 by Starz/Anchor Bay.[33]
Both movies were fun to watch, but I'm curious, of the two gems of moviemaking, which were more scientifically accurate in their depiction of what would happen? Do both score relatively well? Were there glaringly obvious problems with both plotlines?
A quick survey of reviews by non-scientists suggests overwhelming agreement with the statement in Wikipedia that Dante's Peak is more scientifically accurate than Volcano, although Wikipedia only says "slightly". The impression is strengthenedby the careful discussions of the science ofDante's Peak that have been published by the USGS and the UMD Geology department without bothering to mention Volcano.
However, the only side-by-side comparison between the two movies that I could find made by an actual geologist comes out differently. Erik Klemetti's guide to volcano movies has heavy criticism for both; on scientific accuracy, Volcano scores 4 out of 9 but Dante's Peak gets only 3.
I get a lot of questions about what I think of the various movies that have come out over the years that feature volcanic activity. So, I thought I'd try to write a few capsule review/commentaries on the many volcano movies I've seen - and trust me, I haven't seen them all (e.g.,2012, Joe vs. the Volcano, Magma: Volcanic Disaster). However, I have seen a lot of them ... and I have to admit, no matter how silly premise or how bad the science, I do get a kick out of most of them. Sure, there are some that are such an abomination unto mankind that I can't even appreciate them on a Satellite of Love level, but that is the price we pay, isn't it? It is interesting that there aren't a huge number of Hollywood films that have used a volcanic eruption as a central theme - but we have seen an upswing in made-for-TV movies and docudramas (I've included a couple of these) as special effects become cheaper.
Permission and permits are easier (and cheaper) to acquire in a small town than an industry hub. Be sure to do so before you shoot. The last thing you want is to alienate or infuriate your hometown audience, who can later act as a built-in fanbase. Our local film commissioner was happy to help us pull permits for most of our public locations for free, but shooting near the volcano was another thing entirely.
Our original story called for a final scene at the mouth of a lava ocean entry point, which was, pre-2018, a rogue, wild-west tourist attraction accessible by foot off our main highway. Seemingly in the middle of nowhere, the location technically sits on the edge of Volcanoes National Park, which as it turned out, has strict "No Shoot" rules. So after months of processing, our permit was denied just two weeks from our start date.
To navigate, we rewrote the final scenes to access the lava area by boat, which both avoided park jurisdiction and allowed us to hire a local Hawaiian tour boat company to play themselves in the actual film. The end result was much better than what we could have captured on land, proving flexibility can be a major boon.
A squad of rental cars can be pricey if you live in a tourist destination where cars can run upwards of $50 a day. Instead, aim for privately owned vans. Is there a youth group or school not currently in session? Do they have a 15-passenger van laying dormant?
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