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Goya’s Graphic Imagination |
Mark McDonald
With contributions by Mercedes Cerón-Peña, Francisco J. R. Chaparro, and Jesusa Vega
This object-focused investigation of Goya’s prints and drawings spans six decades—from his early etchings after Velázquez through print series such as the
Caprichos and The Disasters of War to his late lithographs,
The Bulls of Bordeaux, and including albums of drawings that reveal the artist’s nightmares, dreams, and visions.
Published by The Metropolitan Museum of Art/Distributed by Yale University Press
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Strict Beauty: Sol LeWitt Prints |
David S. Areford
Drawing together new archival research, interviews, and careful material and visual analyses, David S. Areford brilliantly situates LeWitt’s prints within the broader context of his serial-, system-, and rule-based approach to artmaking. With over 400
illustrations, many never before published, this study offers a more complete picture of LeWitt’s oeuvre—and the essential place printmaking holds in it.
Published in association with the Williams College Museum of Art and New Britain Museum of American Art |
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The Renaissance of Etching |
Catherine Jenkins, Nadine M. Orenstein, and Freyda Spira
Exploring how Renaissance artists in Germany, the Netherlands, Italy, and France developed and professionalized the new medium of etched prints, this richly illustrated publication also details the printmaking technique's origins in armor decoration, tracks
the spread of its popularity throughout Europe, and features works by masters such as Albrecht Dürer, Parmigianino, and Pieter Bruegel the Elder.
Published by The Metropolitan Museum of Art/Distributed by Yale University Press
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The Private World of Surimono: Japanese Prints from the Virginia Shawan Drosten and Patrick Kenadjian Collection |
Sadako Ohki
With Adam Haliburton
This beautiful volume celebrates the tradition of the Japanese surimono print. Produced from around 1800 until 1840, during the Edo period, surimono (“printed things” in Japanese) combine intricate artwork and playful poetry, and their small print runs and
exclusive audiences allowed for lavish yet subtle surface treatments, such as embossing and gilding.
Distributed for the Yale University Art Gallery |
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The Women of Atelier 17: Modernist Printmaking in Midcentury New York |
Christina Weyl
In this important book Christina Weyl takes us into the experimental New York print studio Atelier 17 and highlights the women whose work there advanced both modernism and feminism in the 1940s and 1950s. Weyl focuses on eight artists—Louise Bourgeois, Minna
Citron, Worden Day, Dorothy Dehner, Sue Fuller, Alice Trumbull Mason, Louise Nevelson, and Anne Ryan—who bent the technical rules of printmaking and blazed new aesthetic terrain with their etchings, engravings, and woodcuts. |
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Rembrandt: Painter as Printmaker |
Jaco Rutgers and Timothy J. Standring
Sumptuously illustrated with comparative paintings and drawings as well as prints, this volume draws on exciting new scholarship on Rembrandt's etchings. Authors Jaco Rutgers and Timothy J. Standring reveal how Rembrandt intentionally varied the states
of his etchings, printed them on exotic papers, and retouched prints by hand to create rarities for a clientele that valued unique impressions.
Published in association with the Denver Art Museum |
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