Hi David, can you do a video on the circle of fifths feature in scaler 2 I had the privilege of requesting the feature, and you guys listened. But, im confused on how to use it even with the instruction, can you compose a song just using the feature, thank you very much!
In the meantime:
Make a chord progressions in Section C
Go to Modulation and it should be on the Progression Preset.
Choose a key close by on the CO5ths (most compatible)
The bottom row should now be populated with your chord progression on the new scale you just selected in the CO5ths
The middle row is a suggested pathway.
Figure a way to get from your original chord progression to your new one by integrating the suggested pathway somehow. I do this in a very simple fashion in a couple of my videos (in depth scaler 2 and overview scaler 2)
To make it easier choose a scale and turn voice grouping dynamic on so it keeps everything together.
Finally, remember modulation is all about tonicising around the root key to make it feel established. IE - the rest of the tune rather than the chord progression is most important here to make it feel modulated. This last point is a music theory discussion but hope that all helps in the meantime.
I recently purchased Scaler 2.3 and upgraded to Scaler 2.4. It appears to be an incredible program but I cant find any help of how it works. Either the training is outdated and the menu options/organization has changed or it covers a lot of new features that people who already understand how it works can relate to. I have looked at many of the youtube videos and the older menus dont match the way the product now works
I am totally confused on where to go to get help. I am not a novice to computer technology or music theory and I still cant seem to figure out what you use for what. Is there any training for scaler 2.3/2.4 that starts with the basics ? Maybe its just me but something is probably wrong with the design if it is this difficult to figure out how to use.
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A video scaler is a system which converts video signals from one display resolution to another; typically, scalers are used to convert a signal from a lower resolution (such as 480p standard definition) to a higher resolution (such as 1080i high definition), a process known as "upconversion" or "upscaling" (by contrast, converting from high to low resolution is known as "downconversion" or "downscaling").
Video scalers are typically found inside consumer electronics devices such as televisions, video game consoles, and DVD or Blu-ray players, but can also be found in other AV equipment (such as video editing and television broadcasting equipment). Video scalers can also be completely separate devices, often providing simple video switching capabilities. These units are commonly found as part of home theatre or projected presentation systems. They are often combined with other video processing devices or algorithms to create a video processor that improves the apparent definition of video signals.
Video scalers are primarily a digital device; however, they can be combined with an analog-to-digital converter (ADC, or digitizer) and a digital-to-analog converter (DAC) to support analog inputs and outputs.
The native resolution of a display is how many physical pixels make up each row and column of the visible area on the display's output surface.[1] There are many different video signals in use which are not the same resolution (neither are all of the displays), thus some form of resolution adaptation is required to properly frame a video signal to a display device. For example, within the United States, there are NTSC, ATSC, and VESA video standards each with several different resolution video formats. Multiple common resolutions are also used for high-definition television; 720p, 1080i, and 1080p.
While scaling a video signal does allow it to match the size of a particular display, the process can result in an increased number of visual artifacts in the signal, such as ringing and posterization.
When the U.S. cable network TNT introduced an HD feed in 2004, it controversially employed a stretching system known as FlexView (which was also offered to other broadcasters). FlexView used a nonlinear method to stretch more near the edges of the screen than in the center of it. The practice was imposed by the senior vice president of broadcast engineering at TNT, Clyde D. Smith, who argued that pillarboxing led to inconsistency between programs for viewers, could cause burn-in on plasma televisions, some older HDTVs could not stretch 4:3 content automatically, and the quality of stretching on some displays was poor.[2] Despite TNT's intentions, the system was frequently criticized by viewers of high definition channels, with some nicknaming the effect "Stretch-O-Vision".[2][7]
In 2014, FXX faced similar criticism for its use of cropping and scaling on reruns of The Simpsons (which only started producing episodes in HD beginning in its 20th season), as its cropping method caused various visual gags to be lost. In February 2015, FXX announced that in response to these complaints, it would present these episodes in their original 4:3 aspect ratio on its video-on-demand service.[3][8]
Since about 2008, some networks and cable companies have run high-definition versions of old programing that was originally shot on film shown in the 4:3 format. This format always cropped the sides of the image. For example, syndicated broadcast stations and the cable network TBS air Seinfeld in HD. The series producer, Sony Pictures went to the 35mm film source, making new HD masters and cropping the top and bottom parts of the frame, while restoring the sides.[9]
In 2023, video upscaling products using generative artificial intelligence were previewed or released, such as NVIDIA's Video Super Resolution and Adobe's Project Res-Up. Unlike previous upscaling systems, these technologies generated new data based on provided video frames.[10][11][12]
The AMX SCL-1 4K60 Scaler is a small-format scaler that adjusts the output to match the optimal resolution of the display. The scaler includes a single input and a single output, with a size small enough to be mounted behind a display. It was designed to be used in combination with products such as the local HDMI outputs on the AMX Precis 8x8 that do not have built-in scaling. This offers a more flexible, lower cost solution for installations where scaling is needed only on certain outputs.
The scaler is compatible with 4K60 4:4:4 resolutions and HDCP 2.2, offering support for the latest source devices and displays. Because the scaler includes automatic scaling, the device can be configured to automatically scale to the optimal resolution of the display based on its EDID. It can be set to always scale to a particular resolution.
Our best-selling, most versatile, dual DVI Scaler PLUS has two high quality graphic scalers used to convert digital DVI (HDCP) or analog DVI-A signals to other formats with full CORIO2 picture-in-picture flexibility.
AVT-6071 Multi-format Routing Switcher is a high quality device designed to allow the incorporation of HDMI signals with analog video signals for viewing on HDMI displays. It accommodates three HDMI inputs and a variety of analog video and computer inputs that are up-converted to HDMI for compatibility.
Audio Interface provides high quality video switching with two-channel bi-directional conversion between a variety of analog and digital video formats. The system can also have 3G-SDI input/output modules fitted, as well as audio I/O.
With the Hu-Friedy Sharpening Assistant, keeping your dental instruments sharp is easy! Using any Amazon Echo device or the Google Assistant App, get step-by-step instructions for sharpening any Hu-Friedy scaler or curette. This FREE educational tool removes the frustration with remembering what technique to use for all the different scaler options. It's as easy as just saying the scaler name, then follow along.
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In collaboration with Hu-Friedy, Anna Pattison, a leader in hygiene education and training, designed the new Gracey Lite Curettes. These are designed to allow for easier access in patients with tight tissue or previous attachment loss.
Whether following initial scaling or surgery, the gingiva tightens as it heals and there may be areas of recession and/or residual pocket depth. Likewise, patients with relatively healthy gingiva also have tight tissue. In either case, these areas require a smaller and thinner curette blade to insert subgingivally. These new instruments have shorter, thinner, smaller blades honed at a 60 angle with a modified rigid shank specially designed to allow easier access and easier insertion under tight tissue.
Anna Pattison has provided a list of recommended instruments to assist with every type of patient you could encounter! These instruments were personally selected by Anna to not only help with simple patients who just require a routine cleaning but, to assist with patients who have tight tissue, previous attachment loss, and burnished calculus.
The HDMI Video Scaler, 4K/60 (500438-V2) allows one (1) HDMI source to be distributed to one (1) HDMI display. The scaler supports video sources up to 4K/60 Hz, 12 bit color and HD audio. The scaler is able to upscale up to 4K/60Hz and downscale to 1024768/60Hz. It can extract audio signals from HDMI source to digital optical and analog stereo L/R audio outputs. In addition, it supports 10bits HDR (High Dynamic Range) access and HDMI high resolution pass-through digital audio formats, such as LPCM 2CH, Dolby TrueHD, Dolby Digital Plus, Dolby Atmos and DTS-HD Master audio, with audio sampling rate up to 192KHz. The product supports HDCP 2.2 and HDCP 1.X and can be controlled via front panel buttons and RS-232 commands.
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