Lopez 2018

[Deandra Uleman]

JenniferLynn Affleck[2] (ne Lopez; born July 24, 1969[3]), also known by her nickname J.Lo, is an American actress, singer, dancer and businesswoman. Lopez is regarded as one of the most influential Latin entertainers of her time,[4] credited with breaking barriers for Latino Americans in Hollywood and helping propel the Latin pop movement in music. She is also noted for her impact on popular culture through fashion, branding, and shifting mainstream beauty standards.

With over 80 million records sold, Lopez's most successful singles include: "If You Had My Love", "Waiting for Tonight", "Let's Get Loud", "Love Don't Cost a Thing", "I'm Real", "Ain't It Funny", "Jenny from the Block", "All I Have", "Get Right", and "On the Floor".[5][6] Her accolades include a star on the Hollywood Walk of Fame, the Billboard Icon Award and the Michael Jackson Video Vanguard Award. She has been ranked among the 100 most influential people in the world by Time and the World's 100 Most Powerful Women by Forbes. Her other ventures include a lifestyle brand, beauty and fashion lines, fragrances, a production company, and a charitable foundation.

Jennifer Lynn Lopez was born on July 24, 1969, in the Bronx, a borough of New York City, and raised in its Castle Hill neighborhood.[7][8][9] Her parents, Guadalupe Rodrguez and David Lopez, were born in Puerto Rico and met in New York City.[10][11] After serving in the Army, David worked as a computer technician at Guardian Insurance Company.[12] Guadalupe was a homemaker for the first ten years of Lopez's life and later worked as a Tupperware salesperson[13] and a kindergarten and gym teacher.[14] They divorced in the 1990s after 33 years of marriage.[13]

Lopez is a middle child; she has an older sister, Leslie, and a younger sister, Lynda.[15] The three shared a bedroom.[16] Lopez has described her upbringing as "strict".[17] She was raised in a Roman Catholic family; she attended Mass every Sunday and received a Catholic education, attending Holy Family School and the all-girls Preston High School, a private school.[18] In school, Lopez ran track on a national level, participated in gymnastics and was on the softball team.[19] She danced in school musicals and played a lead role in a production of Godspell.[20] She described herself as a "tomboy" and "very athletic".[21]

There was "lots of music" in the typically Puerto Rican household,[22] and Lopez and her sisters were encouraged to sing, dance, and create their own plays for family events.[23][24] West Side Story made a particular impression on the young Lopez, who wanted to be an entertainer from an early age.[18] As a teenager, she learned flamenco, jaz, and ballet at the Kips Bay Boys & Girls Club[18] and taught dance to younger students, including Kerry Washington.[25] After graduating from high school, she had a part-time secretarial job at a law firm and studied business at New York's Baruch College for one semester.[26][27] At age 18, she enrolled as a full-time student at Manhattan's Phil Black Dance Studio, where she had already taken night classes in jazz and tap dance.[17][16][18] Her parents were unhappy with her decision to leave college to pursue a dance career. According to Lopez, her parents felt it was "foolish" because "no Latinas did that".[20] Her mother asked her to move out of the family home and they stopped speaking for eight months.[23][28] Lopez moved to Manhattan, sleeping in the dance studio's office for the first few months.[17][16][18]

Lopez's first professional job came in 1989 when she spent five months touring Europe with the musical revue show Golden Musicals of Broadway. She was upset at being the only member of the chorus not to have a solo, and later characterized it as a pivotal moment where she had to "try harder and become that much more committed".[29][30] In 1990, she danced alongside MC Hammer in an episode of Yo! MTV Raps,[31] and traveled around Japan for four months as a chorus member in Synchronicity.[18] When she returned to the United States, she was hired as a backup dancer for New Kids on the Block's performance of "Games" at the 1991 American Music Awards.[32] She also traveled around America with regional productions of the musicals Jesus Christ Superstar and Oklahoma!.[33] During this period, Lopez also danced in music videos including Doug E. Fresh's "Summertime", Richard Rogers' "Can't Stop Loving You", EPMD's "Rampage",[34] and Samantha Fox's "(Hurt Me! Hurt Me!) But the Pants Stay On".[35] Lopez stated: "I'd dance in a piece-of-garbage rap or pop video for 50 bucks and make the money last a whole month."[36]

Her most high-profile job as a professional dancer was as a Fly Girl jazz-funk dancer on the sketch comedy television series In Living Color. The show's choreographer, Rosie Perez said she chose Lopez because "she had that look that I knew the audience would tune in to".[37] Lopez moved to Los Angeles in late 1991 for the job; she filmed In Living Color during the day and attended acting classes taught by Aaron Speiser at night.[18] Lopez felt ostracized by the other Fly Girls because of her "voluptuous figure", and also clashed with Perez.[37] The head of Virgin Records considered signing The Fly Girls as a girl group to rival the Spice Girls, but the deal fell apart.[30] After appearing as a Fly Girl in seasons three and four of In Living Color, Lopez left to work as a backup dancer for Janet Jackson, and appeared in the music video for "That's the Way Love Goes".[30] She was scheduled to tour with Jackson on her Janet World Tour in late 1993 but opted to pursue an acting career instead.[38] Lopez hired In Living Color producer Eric Gold as her manager. He advised Lopez to lose weight if she wanted to succeed as an actress.[39]

Lopez's first professional acting job was a small recurring role on the television show South Central (1994). She was invited to audition for the pilot by a casting director who had seen her speak to camera during a behind-the-scenes In Living Color segment.[18] She then acquired an agent and was cast in the CBS show Second Chances; the series was quickly cancelled, but her popularity with viewers led to her being cast in its spin-off Hotel Malibu.[40] She subsequently appeared in the television film Lost in the Wild (1993).[41] For her first major movie role, in Gregory Nava's 1995 drama Mi Familia, Lopez received a nomination for the Independent Spirit Award for Best Supporting Actress.[42] She then starred in the action comedy Money Train (1995). The film was not a box office success, though her performance was reviewed positively,[43] which led to her being further noticed in Hollywood.[44] In 1996, Lopez had a supporting role opposite Robin Williams in the comedy Jack, which director Francis Ford Coppola cast her in after seeing her performance in Mi Familia.[43] She next starred opposite Jack Nicholson in the neo-noir thriller Blood and Wine (1996), where David Rooney of Variety felt she delivered in "juggling" the "smoldering and soulful sides" of the character.[45]

With her casting as the singer Selena Quintanilla-Prez in the biopic Selena (1997), Lopez became the first Latina actress to earn $1 million. She described her salary for the film as a "statement to the world",[46] but expressed disappointment that other Latina actors were not being afforded the same opportunities.[47] Despite having previously worked with the film's director Gregory Nava on Mi Familia, Lopez participated in an intense auditioning process and spent time with the late singer's family in Corpus Christi, Texas before filming began.[48][49] Selena was a box office hit, and Lopez's performance received critical acclaim.[50][51] Roger Ebert of the Chicago Sun-Times described it as "a star-making performance" and wrote: "She has the star presence to look convincing in front of 100,000 fans."[52] Lopez received her first Golden Globe nomination for the performance. Nava asked the heads of Warner Bros. to fund an Academy Award campaign for Lopez but was told the Academy would "never nominate a Latina."[53] Later in 1997, Lopez starred opposite Ice Cube in the horror film Anaconda, which received negative reviews from critics but was a box office success.[54] Joe Leydon of Variety found the film "silly" but said it deserved "a little credit" for being "the first movie of its kind to have a Latina and an African-American" as its stars.[55] In the crime film U Turn (1997),[56] Lopez appeared topless in a sex scene that was added by director Oliver Stone during filming. Speaking in 2003, Lopez said it was not something "I would have chosen to do" and that she and Stone fought over it: "It's hard being the only woman on a set."[18]

Lopez starred opposite George Clooney in the crime caper Out of Sight (1998), Steven Soderbergh's adaptation of the Elmore Leonard 1996 novel.[57] Cast as a deputy federal marshal who falls for a charming criminal, she won rave reviews for her performance.[58][59] Janet Maslin of The New York Times described it as her "best movie role thus far, and she brings it both seductiveness and grit; if it was hard to imagine a hard-working, pistol-packing bombshell on the page, it couldn't be easier here."[60] Turan of the Los Angeles Times described Lopez as "an actress who can be convincingly tough and devastatingly erotic" and said the film solidified "her position as a woman you can confidently build a film around."[61] In 2021, Peter Bradshaw of The Guardian named Lopez and Clooney's partnership as one of the best examples of on-screen chemistry in cinema history.[62] Also in 1998, Lopez provided the voice of Azteca in the animated film Antz,[58] and ventured into product endorsement, becoming a national spokesperson for Coca-Cola and L'Oral.[63][64]

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