Caitlin Hughes <caitlin....@gmail.com>: Jul 15 05:57AM -0700
Hello everyone,
Sharing the below information, with thanks to Abdi Karya.
Hopefully Melbourne friends will be able to take a visit to the Melbourne
Documentary Film Festival to see *Wangany Mala **- *more details below.
There are still a handful of tickets available on either the 21st of July
(7:10pm; special screening, with talk afterwards) or 23rd of July (9pm) at
Cinema Nova. For those based interstate - it is available for streaming
online via 'online pass' until 31 July.
Check here:
https://www.cinemanova.com.au/films/mdff-wangany-mala-glossary-of-an-empty-orchestra
<https://www.cinemanova.com.au/films/mdff-wangany-mala-glossary-of-an-empty-orchestra>
-
*SYNOPSIS*
Hundreds of years before European colonies were established on the
Australian continent, First Nations were part of a trading network that
extended to China’s Qing Dynasty. Indonesian ‘Makassan’ fishing fleets
harvested trepang (sea cucumber) for six months of every year with the
local Nations of northern Australia. By 1907 the trade was ended by
colonial authorities.
WANGANY MALA follows the journey of Nirmala in South Sulawesi as she works
on the construction of a traditional pinisi sailboat and discovers her
region’s ongoing connections to Marege’ – the Macassan name for Arnhem
Land. Filmed over five years in collaboration with Anindilyakwa and Yolŋu
communities, this documentary is set to a soundtrack by experimental
Melbourne composer Fia Fiell, and features rarely seen footage, photographs
and artwork.
Yolŋu, English, Amamalya Ayakwa (Anindilyakwa, Groote Eylandt), Bahasa
Indonesia, and Coastal Konjo (South Sulawesi) languages.
*DIRECTOR:* Will McCallum
*PRODUCERS: *Will McCallum, Abdi Karya, Arian Pearson, Horst Liebner
*STORY*
In Makassar, South Sulawesi, Indonesia, a young Muslim woman buys supplies
for a traditional sailing boat that is nearing completion. Meanwhile in
Yirrkala, northeast Arnhem Land, Arian and Timmy make arrangements for a
visit to their Bawaka homelands. Alternating between communities in
present-day Australia and Indonesia, the film shows that the First Nations
connections with the so-called Macassans are still alive, despite the
actions of Australian authorities. Featuring rarely seen photographs,
artwork, and also footage from the National Film and Sound Archive, the
film amplifies the knowledge of Edith Mamarika on Groote Eylandt, along
with other Knowledge Holders on both sides of the relationship – some of
whom have now passed away.
Set to a multilayered soundtrack by experimental Melbourne composer Fia
Fiell, the film features rarely seen photographs, artwork, and footage from
the National Film and Sound Archive.
*this is the trailer of the movie :*
*https://youtu.be/bu5ED1nOhWQ?si=_NADyTmmDTSbjzcE*
<https://youtu.be/bu5ED1nOhWQ?si=_NADyTmmDTSbjzcE>
*And as also featured in this The Conversation article: Long before
politicians called to ‘stop the boats’, First Nations people welcomed
arrivals from Indonesia
<https://theconversation.com/long-before-politicians-called-to-stop-the-boats-first-nations-people-welcomed-arrivals-from-indonesia-228614>*
--
Caitlin Hughes
PhD Candidate (Art History and Curatorship)
School of Culture and Communication, Faculty of Arts, University of
Melbourne
cmhu...@student.unimelb.edu.au
|