Of interest to
Annie fans: A long article about this year's Stratford Festival, focused mostly on the Shakespearean titles being performed, but also some mention of our favorite orphan:
Harper Rae Asch as Annie with, from left in the background, Sofia Grace Otta and Harmony Holder in “Annie.”Credit...David Hou
Excerpt:
Seen today, “Annie,” in a crowd-pleasing staging by Donna Feore, is somewhat shocking. Despite allusions to Depression Hoovervilles, its portrait of poverty is relentlessly jaunty, a common problem in musicals. (Lyrics about childhood cruelty probably shouldn’t be this delightful: “No one cares for you a smidge / When you’re in an orphanage.”) And did we never notice that, despite her pluck and aplomb, the moppet’s happy ending is completely the result of accidental intercession by, as it happens, a president of the United States and a Republican billionaire? The billionaire’s servants sell Annie on life in his Manhattan mansion with promises of satin sheets and tennis lessons. ...
Is it overreaching to note that the musical is content to leave Annie, the American, merely an heiress? As if the point of striving were luxury, and the world’s fate is best left to the whims of the powerful?
Respectfully,
Mike Poteet