AAANZ Conference - Call for Papers CLOSING July 29

[Michelle Antoinette]

Dear AN4AA community,

Please note that the Call for Papers for this year's Art Association of Australia and New Zealand  (AAANZ) conference closes on July 29. The conference is this year hosted by Monash University and The University of Melbourne and will be held 1 – 3 December 2022.

If you would like to speak at the 2022 AAANZ Conference and are not already involved with a pre-organised panel, you can now apply to join one of the open panels detailed at the AAANZ conference website which you can find at this link. You can find a range of panel topics there.

AN4AA members might like to note that I have submitted an open panel on the broad topic "Demonstrations of Modern and Contemporary Asian Art" and therefore welcome any related paper abstracts by July 29. If there is enough interest this could even be extended to a double session.

We hope you'll be interested to join the conference this year and look forward to receiving your submissions.

Warm regards, 

Michelle

The Call for Papers is now open from 3 June to 29 July

The Call for papers is open to art historians, artists and curators. Outside these core areas, we also welcome design and moving image historians, museum studies academics, and arts and design professionals.

We welcome speakers from across Australia, New Zealand and the Pacific Region, and in 2022 we are offering bursaries to Indigenous Australian, Māori and Pacific Indigenous participants from the region.

Learn more about the panels, propose a paper and for guidelines click here

For all enquiries please contact: co...@aaanz.info

FAQ

Do I need to be an AAANZ member to join the conference?

Yes, you will need to be a AAANZ member to attend the conference. (Some parts of the conference, such as the keynote addresses, may also be open to the public.)

However, you do not need to be a member to submit a proposal for a panel or a paper.  If your application is accepted, you can join AAANZ when you register for the conference.

What bursaries will be available for presenters in 2022?

For information regarding bursaries please visit the fees and bursaries page.

--

Dr Michelle Antoinette

Researcher of Modern & Contemporary Asian Art

Senior Lecturer, Art History and Theory Program

Program Coordinator, Bachelor of Art History and Curating

MONASH

ART

DESIGN &

ARCHITECTURE

Monash University

Building B, Room 6.21, Caulfield Campus

900 Dandenong Road

Caulfield East VIC 3145

Australia

T:  +61 3 990 31856 

E:  michelle....@monash.edu 

W: monash.edu/mada

I acknowledge and pay respect to the Traditional Owners, and Elders past and present, of the lands and waters on which Monash University operates. At MADA we acknowledge Aboriginal connection to material and creative practice on these lands for more than 60,000 years, and celebrate their enduring presence and knowledge.

 

CRICOS Provider 00008C/01857J

[Michelle Antoinette]

Dear AN4AA community,

A kind reminder that the Call for Papers for this year's Art Association of Australia and New Zealand  (AAANZ) conference closes this coming Friday, July 29th. The conference is this year hosted by Monash University and The University of Melbourne and will be held 1 – 3 December 2022.

Please get in touch with me directly by July 29 if you would like to be part of the following open panel:

"Demonstrations of Modern and Contemporary Asian Art" 

This panel invites papers on the 2022 AAANZ conference theme of ‘Demonstration’ with a broad interest in modern and contemporary Asian art and its contexts. This includes demonstrations of Asian art through art practice itself, exhibition-making and other kinds of curatorial practice, as well as art history. These demonstrations may be wide ranging in their intent, for instance: politically-motivated art demonstrations to engender change, protest, and propose alternative realities in Asia; educative or pedagogic demonstrations that literally show, teach or explain through art; and the development of modern and contemporary Asian art histories or exhibitions as forms of demonstration, to evidence or reveal the existence of art practices in the past or the present. Asian contexts are broadly defined and may include a consideration of demonstrations of Asian art outside Asia, including in Australia.

There are also other open panels on other topics that you can join, which you can find details for at the conference website.