The Power Institute is delighted to announce its public programs schedule for 2022!
Over three discrete series, we will present some of the most exciting thinkers in art and visual culture from Australia and around the world. Over the coming week, we'll be introducing you to each of these series,
beginning with the 2022 Sydney Asian Art Series.
-Mark Ledbury, Director, The Power Institute
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Each year, the Sydney Asian Art Series gathers leading international voices on critical issues in early, modern and contemporary Asian art. In 2022, the Sydney Asian Art Series introduces its audience
to a spectrum of innovative new research on the experience of photography in Asian art.
This series is convened by art historian, curator and editor Dr Olivier Krischer.
To learn more about the series and to register, click on the images below.
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14 APR 2022
ROBERTA WUE
ON PHOTOGRAPHIC CHINOISERIE
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12 MAY 2022
THY PHU
ON VIETNAM PICTORIAL AND SOCIALIST FUTURITY
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29 SEP 2022
CHRISTOPHER PINNEY
ON PHOTOGRAPHIC CITIZENS IN SOUTH ASIA
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10 NOV 20
MIRYAM
SAS
ON MEDIA & JAPANESE WOMEN PHOTOGRAPHERS
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Images
John Thomson, "Peking Peep Show," from Illustrations of China and Its People, (London: Sampson Low, Marston, Low, and Searle, 1874), vol. 4, plate 27. /
Cover of Vietnam Pictorial featuring Black revolutionary, Angela Davis (1973). /
Photograph by Christopher Pinney / Tokiwa Toyoko, "Oroku's Room," 1956.
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The Power Institute is a Foundation based at the University of Sydney, dedicated to understanding the visual world, through art and visual culture. We support research, publish texts,
and organise publc programs.
The Power Institute would like to acknowledge and pay respect to the Gadigal people of the Eora Nation, the traditional owners of the land upon which the University of Sydney, and the Power Institute, is built. As we share our own knowledge, teaching, learning
and research practices, may we also pay respect to the knowledge embedded forever within the Aboriginal Custodianship of Country.
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