Fwd: UP NEXT: Dictator Training Centre by Wang Zhiyuan

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Olivier Krischer

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Jun 13, 2025, 9:01:02 PM6/13/25
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Please join Passage for the opening of Dictator Training Centre by renowned installation artist Wang Zhiyuan on Friday 20 June from 6PM - 8PM.‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ 
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UP NEXT

 

Wang Zhiyuan
Dictator Training Centre 独裁者培训中心

Opening Friday 20th June 2025

 

Please join us at Passage for the opening of ‘Dictator Training Centre’ by renowned installation artist Wang Zhiyuan on Friday 20 June from 6PM–8PM.


Originally conceived in Beijing in the 1990s, at a time when advertisements were sprayed or pasted anywhere along the rapidly building urban landscape by small private companies, colleges, and individuals seeking to put a phone number in front of eyeballs, artist Wang Zhiyuan work also touched on a sense of collective renown. He hired/instructed/dictated two labourers to construct a wall, the same dimensions as the one you see here, and spray-painted his own advertisement: "157129667 Teaching Lies." The number was there for all to call and learn from artist Wang Zhiyuan, only to be politely rebuked that, as with most of the best art, he was "only joking."

The difference between "Teaching Lies" (2005) and this Passage presentation, "Dictator Training Centre," is not only the subject matter; there is also a significant shift in the work’s structure. In "Teaching Lies," the artist included his personal phone number, it was, in a way, a personal joke. But this new work was created together with several of the organisers at Passage. They helped build the installation and now maintain a communication platform for the audience. The contact information on the work is the gallery’s, not the artist's. This excites the artist because it demonstrates his shift away from a focus on "authorial rights."

 

So, rather than calling this an artwork of his, the artist would say he merely provided an artistic "form." The final work is truly a collective piece, and that makes him very happy. In fact, he hopes this format can be reused by anyone, in many places, to teach different "subjects." That is the potential of art – to re-enter people’s lives and take on a role no other field can: to enable real communication.

 

We are living in a time utterly different from the past. On a micro level: with mobile phones and the spread of personal media, people now receive only the information they prefer. The benefit is personalisation, but the downside is fragmentation. everyone gets different information, and as a result, meaningful conversation becomes nearly impossible. Friends, spouses, parents, and children often find that all they can do is argue. Everyone seems to be a "little dictator," believing "I am always right."

 

On a macro level: we are now in a "post-globalisation" era, where populism is increasingly visible across regions and nations, often through media manipulation. This is fertile ground for the rise of dictators. Polarization will only worsen. "Dictator Training Centre" is meant to offer a space for conversation, for people to share and reflect on what "dictator" might mean in our current context. 

 

Housed in Sydney's Prince Centre - a building home to a number of other private colleges offering a more vocational style syllabus. Passage is proud to present "Dictator Training Centre."

 

A social collaboration between artist, gallery, printers, brick movers, brick layers, structural engineers  phone companies, and you, the audience. Passage presents a truly democratic dictatorship experience.

ABOUT THE ARTIST

 

Born in Tianjin, China in 1958, Wang Zhiyuan is a Chinese painter and visual artist whose career defies easy classification. He studied at the Central Academy of Fine Arts in Beijing, later teaching there. In 1989, Wang migrated to Australia, earning a master’s degree from the Sydney College of the Arts.

 

Wang’s resistance to categorisation stems from his unique life experiences and the dynamic era in which he matured. This has allowed him the freedom to explore complex themes with a deft sense of humour and a philosopher’s thirst for thought. His work raises questions about sudden shifts and evolutions in culture, politics, and even romantic relationships. While his practice resists simple labels, it consistently engages with contemporary consciousness.

 

Among many other works and projects, his acclaimed series Fragments was acquired by the Queensland Art Gallery in 2000. Wang also served as a consultant during the founding of the White Rabbit Gallery.

CONNECT WITH PASSAGE

Passage wants to hear from you. Stay connected by joining our mailing list or following us on Instagram.

 

We love to see you visiting the exhibition so be sure to tag @passagegallery_ when you visit.

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