Hi, all—please see this message (and song!) from Louis Epstein about his new book.
Dear Colleagues,
In
the book I argue that music patronage was a widespread, diverse, and
collaborative process that shaped the sounds and meanings of interwar
French music. My argument builds on the scholarship of many in this
group, particularly in the chapter where I explore the intense
competition among the entrepreneurial patrons who led the Ballets
Russes, Ballets Suédois, Soirées de Paris, and Ballets Ida Rubinstein.
I
hope you’ll consider asking your local music/dance library to acquire
the book, or perhaps pick up a copy for yourself (but be sure to use the
discount code BB135 at checkout).
Many thanks to those of you whose scholarship and collegiality over the years made this book possible!
Best,
Louis