TABLE OF CONTENTS
39.4 (Winter 2021)
Special Edition on the Ballets Russes in America
Guest Editors’ Introduction
Mary Simonson and Samuel N. Dorf
ARTICLES
Diaghilev’s Ballets Russes in the American Midwest
Samuel N. Dorf
A “Brilliant Talk” and a “Stirring Appeal”: How Women of Grand Rapids, Michigan Built and Audience for the Ballets Russes in 1917
Julia Randel
Touring the Screen: Cinematic Resonances of Diaghilev’s Ballets Russes
Mary Simonson
“It Must Be Preserved”: Adolph Bolm’s Revival of Le coq d’or
Carolyn Watts
Imported Sophistication: The Ballets Russes Tours and Toronto’s Quest for Cultural Significance
Sarah Gutsche-Miller and Carolyne Sumner
TABLE OF CONTENTS
40.1 (Spring 2022)
ARTICLES
Stephen Foster and the Slavery Question
Christopher Lynch
Navigating Black Identity and White Desire: Seven-Eleven and the 1920s Crossover Musical Comedy
Peter Graff
Defining Conjunto Quantitatively: Classical and Modernist Styles in a Texas-Mexican Genre
Erin E. Bauer
Making an American Opera Career: Conductor May Valentine (1890-1974) and a Women’s Role(s) in the Business of Opera
C.A. Norling