Fwd: [Smt-Announce] American Music Vol. 39, no. 4 (Winter 2021) and Vol. 40, no. 1 (Spring 2022)

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Lena Leson

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Aug 31, 2022, 8:44:19 AM8/31/22
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A special edition of American Music on the Ballets Russes in America was just published; apologies for any duplicate postings.

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From: <dfi...@wustl.edu>
Date: Wed, Aug 31, 2022 at 8:31 AM
Subject: [Smt-Announce] American Music Vol. 39, no. 4 (Winter 2021) and Vol. 40, no. 1 (Spring 2022)
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Cc: smt-an...@lists.societymusictheory.org <smt-an...@lists.societymusictheory.org>



We are excited to announce the publication of the fourth issue of American Music, Volume 39 and the first issue of Volume 40.
 
American Music encourages proposals for special issues, forums, or unusual formats, including 39, no. 4 and additional exciting examples already in the works. We invite our readers to view our submission guidelines online or contact the editor, Todd Decker (tdecker-at-wustl-dot-edu), with any questions about submitting to the journal.

Daniel Fister, PhD (he/him)
Editorial Assistant, American Music
PhD in Musicology, Washington University in St. Louis

TABLE OF CONTENTS  

39.4 (Winter 2021)  

Special Edition on the Ballets Russes in America  

  

Guest Editors Introduction  

Mary Simonson and Samuel N. Dorf 

  

ARTICLES  

Diaghilev’s Ballets Russes in the American Midwest  

Samuel N. Dorf 

  

A “Brilliant Talk” and a “Stirring Appeal”: How Women of Grand Rapids, Michigan Built and Audience for the Ballets Russes in 1917  

Julia Randel 

  

Touring the Screen: Cinematic Resonances of Diaghilev’s Ballets Russes  

Mary Simonson 

  

“It Must Be Preserved”: Adolph Bolm’s Revival of Le coq d’or  

Carolyn Watts 

  

Imported Sophistication: The Ballets Russes Tours and Toronto’s Quest for Cultural Significance  

Sarah Gutsche-Miller and Carolyne Sumner 

 

 

 

TABLE OF CONTENTS  

40.1 (Spring 2022)  

ARTICLES  

Stephen Foster and the Slavery Question  

Christopher Lynch 

  

Navigating Black Identity and White Desire: Seven-Eleven and the 1920s Crossover Musical Comedy  

Peter Graff 

  

Defining Conjunto Quantitatively: Classical and Modernist Styles in a Texas-Mexican Genre  

Erin E. Bauer 

  

Making an American Opera Career: Conductor May Valentine (1890-1974) and a Women’s Role(s) in the Business of Opera  

C.A. Norling 


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--
Lena Leson (she/her)
Visiting Assistant Professor of Music, Dickinson College
PhD, University of Michigan School of Music, Theatre & Dance
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