Reply to AM-Global writing on RAWA Program under heading- My Own Experience

[rajesh singh]

Dear Brother(s)

Cordial Namaskar

Your writings have a great impact on at least one section of Margi Society and they consider, what ever you write as TRUTH. So, you have a greater responsibility to take extra precautions, when ever and what ever you write.

Here, in my personal capacity I would like to reply referring your following lines- 

(Unfortunately, this type of degrading display in RAWA programmes is common to  all the groups. Intermingling among boys and girls in the name of a RAWA programme is not group centric. This is a pan-group activity. I know that in Faridabad Third Front (EC) organised this same kind of programme with the help of B Group. 

B group also organises this same kind of programme in Delhi annually. Even from 19991 to 2003, before the time of division into various factions, this same kind of programme was happening in DMS. After 2003 when third front was with Ranchi this same programme was     being organised during DMS.)

Being actively associated with Faridabad Bhukti and even being branded as ANTI-BENGALI (till date I don't understand, why?????) actively supported and participated since last 5 years  the annual RAWA program organized by B-Group.

First and foremost, Faridabad Bhukti is completely in the hands of Rational and Mission Centric margii brothers and sisters who are free from any GROUP AFFILIATION. In the construction of Faridabad Jagriti other than margii brothers and sisters it was assisted by Dada Vandnanandji & Dada Premendranandji. There monetary or physical contribution can't be branded as its a THIRD FRONT affiliate.

As  the celebration of Prabhat Samgiita Diwas is concerned Prabhat Samgiita is sung by Margii Brothers and Sisters and SOLO dance by the children's of Margii family.  

As per the RAWA Program organized by Faridabad Bhukti or B-Group(In Delhi) Group Dance on various Prabhat Samgiita is/was never performed by Margii Brothers and Sisters together, rather performed by renowned cultural 

artists like- Raja & Radha Reddy Group, Yamini Krishnamurti & Group, Saroja Vaidyanathan & Group. 

With due honesty I can say, all the programs were aesthetic, descent & sober.

I am not contradicting sake for debate, I have wrote what I have seen or lived.

---------- Forwarded message ----------
From: AM-GLOBAL <am-g...@earthlink.net>
Date: Fri, Nov 23, 2012 at 5:26 AM
Subject: <Baba-krpa> My Own Experience (Anandasharan)
To: AM-GLOBAL <am-g...@earthlink.net>

Date: Thu, 22 Nov 2012 18:33:37 -0000
From: Anandasharan <a.sharana@photolab..>
Subject: My Own Experience
To: am-g...@earthlink.net

Baba

"Tamasa'y dha'ka' gharete ghumiye chilum nibhrte..." (PS 3930)

Purport:
 
Baba, that night I was sleeping deeply in one solitary corner of my house, which  was submerged in the cimmerian darkness. And that very night
the front door of my house was bolted shut. No one knocked to come inside.

Suddenly, out of nowhere, one divine Entity graciously took advent in my room. With a sonorous and beautiful voice He sweetly told me, 'Awake, arise, how long will you sleep. Since ages you have been in slumber. Now take a look around - look towards Me'.

Baba, I did not unbolt nor open the door, even then You are here next to me in my room. O' my most adorable One, my mind fails to conceive how
charming and beautiful You are. Baba, I feel in my heart that Your divine splendor and glory cannot be expressed in words. You are beyond all logic
and reasoning. Baba, my mind fails to comprehend the greatness of Your grandeur. I do pranam to You an infinite number of times.  

Baba, with Your boundless love You have come to me and showered Your grace...


END NOTE FOR PRABHAT SAMGIITA #3930:

In the above scene, the sadhaka was in a drowsy state of mind; he was not even aware about his own condition. His mind was not working in a pointed way. In such a circumstance, there was an urgent need to get some guidance from the Guru. Usually we see that people do not readily realise the advent of Parama Purusa in their practical life. Only when Guru reveals His identity to such people and invites their attention by internally pulling their heart, then to some degree they are able to recognise Him. In response, they take initiation and try to lead a dharmic life.

== MY OWN EXPERIENCE ==

Namaskar,
I am now above forty five years of age, have cared for three young sisters, have a wife and sister-in-law, and have interacted with so many girls who were my classmates. I know today that gossip across the sexes and too much intermingling, especially between young males and females, always creates a devastating story.

I have personally seen what happens with those who gossip and intermingle too much with the opposite sex. So many boys and girls become emotionally attached which results either in (a) sexual involvement or (b) they face terrible emotional tragedy and heartache.

In both cases, the prana dharma of the individual is disturbed and the situation and atmosphere becomes negative for ideological activity.

In that era of old, Buddhism had the full support of so many strong kings including the great King Ashoka and the Indian populace was also Buddhist. But since there was no separate system for male sadhus and female nuns, a terrible problem of infatuation between sadhus and nuns literally destroyed the prana dharma of Buddhism. That culminated in the end of Buddhism in India.

Since our psychology has been weaved by the LORD Himself, He has clearly given instructions about the separate system for males and females. By that guideline, He is alerting us to the painful downfall that meets those who mix freely with the opposite sex.

If we continue to allow our youths involved in Rawa programmes to go against Baba's mandate, then there will be a terrible price to pay. At present, under Mrinal Pathak's direction, there is far too much loose behaviour related with our Rawa programmes - both on the stage and off of it.

We should all let it be known to the organisers that we will not tolerate a repeat performance at this coming DMS.

COMMON AMONGST ALL THE GROUPS

Unfortunately, this type of degrading display in RAWA programmes is common to all the groups. Intermingling among boys and girls in the name of a RAWA programme is not group centric. This is a pan-group activity. I know that in Faridabad Third Front (EC) organised this same kind of programme with the help of B Group.

B group also organises this same kind of programme in Delhi annually. Even from 19991 to 2003, before the time of division into various factions, this same kind of programme was happening in DMS. After 2003 when third front was with Ranchi this same programme was being organised during DMS.

In fact no single group is considering it wrong. In fact, it seems these group leaders are (a) either not aware or (b) do not bother, or (c) do not sense it as problem.

Moreover, it is possible that they are having competition to do more glamorous.

Whatever the reason, this type of degrading display and activity surround RAWA programmes must come to an end. Rational margiis and wts are rallying to bring this to a close. It cannot be tolerated any longer - prakrti will not allow it.

BABA'S GUIDELINES:

MALE - FEMALE RELATIONS

As a reminder, here is what our Sadguru Shrii Shrii Anandamurtiji guide us about RAWA and our cultural programmes:

Baba says, “Men and women should not jointly participate in theatrical performances.” (Caryacarya-1)

Baba says, “It should be remembered that a woman’s friend is a woman and a man’s friend is a man. The more distant the relationship between men and women, the greater should be the courtesy maintained in mutual conversation and behaviour between them.” (Caryacarya-1)

According to Baba, our cultural programs must be consistent with Ananda Marga ideals and must be of a requisite standard. Baba Himself has told what constitutes a real RAWA program: That which goads the mind toward a higher ideal. Baba critically warns us not to allow our Rawa programmes to fall prey to debased approaches. Our standard is far above.  

Baba says, "If art or literature is created around the base propensities of the human mind, people will naturally gravitate towards it in large numbers, and the creators of such literature will earn a great deal of money from it; indeed, this is the only aim of their artistic creation. Engaged in the quest of evil, obscenity and vulgarity, they also [like the rightists] lose sight of the primary goal of art." (A Few Problems Solved - 1, The Practice of Art and Literature)

MORE ABOUT TODAY'S RAWA PROGRAMS UNDER MRINAL PATHAK

It has been an ongoing concern that adolescent boys and girls - as well as young unmarried males and females - openly mix and mingle in preparing & performing Rawa programmes at DMS under the direction of Mrinal Pathak.

A more descriptive portrayal of this is appended in note 1, beneath my signature.

I have thought at length about past articles on this matter, and also watched Pathak's activity along with all his team - boys and girls in DMS. One solution is to have girls play the role of males in girls performances, as needed; and have boys play the role of females in boys performances. That would eliminate the mixing of the sexes amongst our yoga and provide a safer, more stable atmosphere.

As things are happening now, under Mrinal Pathak's guidance and supervision, there is far too much loose behaviour etc.

I have personally known Mrinal Pathak and his family for the last 25 years. So there is a long history here.

EVERYTHING IS SEPARATE IN ANANDA MARGA

We have to remember that Baba has arranged life in Ananda Marga where we we maintain our sanctity by adhering to certain codes of conduct, not by compromising with our values. In the realm of male-female relations, our proper standard is separation, not free and sensuous mixing of the sexes.

Baba has mandated that everything in Ananda Marga should be separate: For example WWD, our relief activities (AMURTL), reportings, social service projects, LFT trainings, etc. There are all separate along gender lines.

Here is a more complete list for your review:

1. Jagrtis are not shared between males and females for staying over or for office work.
2. Co-education is not practiced with students above 8 or 10 years of age, i.e. or above the age of puberty.
3. During dharmacakra, seminar, and classes, sadhana is done in distinctly different rows.
4. The organisation itself has an entire separate wing for females, WWD or Women’s Welfare Department.
5. Prout, AMURT, VSS etc also have separate sections for males and females.
6. Reporting is done separately.
7. LFT, Tattvika, and Acarya training is separate for males and females.
8. In-Charges are not mixed. Males are in-charges of males and females of females.
Note: Only in Central Office will the head of WWD be controlled by the General Secretary.
9. During DMS, kaoshikii was also performed separately. And still this practice is maintained for DMS.
10. Females do guard duty for females, and males for males; it is not mixed.
11. Akhanda kiirtana is done in a separate manner.
12. Madhur sadhana is done according to gender, not with the opposite sex.
13. In any gathering, females & males do not participate together for games and sports.
14. All public processions are organised keeping males and females separate
15. And there are so many systems in place that ensure strict separation of the sexes.

Thus, when our entire Ananda Marga way of life is separated along gender lines, it is shameful that today we are allowing the free and sensuous mixing of the sexes on the stage during our RAWA cultural programs. This sets a bad example for those young dancers and thrusts them into the world of pseudo-culture. Plus it is degrading for the audience to watch. It is a negative scene from all directions.

Namaskar,
in Him,
Anandasharan

Note 1: WHAT HAPPENED AT THE DANCE PROGRAM

Here it should be understood that Mr Pathak earns his livelihood by directing dance / dramas for the general society. This is how he earns his food; so he is well-accustomed to creating programs that suit the Hollywood taste of the common public. That means he regularly uses 16-21 year-old boys and girls in his programs. And he encourages them to dance and sing together. Mr. Pathak's shows are designed in the ways of Bollywood and Hollywood. There is an open degree of sensuality in his performances.

For example, at his recently displayed performances at Ananda Nagar in May 2012:

(a) All females aged 16-21 danced with their mid-section uncovered. That means the entire region from just above their waist to just below their chest was completely bare.

(b) All males aged 16-21 danced with their entire top exposed, from the waist up. Males were only wearing a dhoti; their upper body was fully naked.

(c) These males and females - or young men and women - were dancing on the stage together, holding and touching one another, according to the role of their characters. In that way they were in each other's grasp.

Everyone is aware that per the Ananda Marga system, adult males and females should not dance together on the stage; indeed, no females should dance in front of a male audience. That is just one unfortunate scene. And our RAWA stage is not a night-club, where all kinds of sensual acts are put on display

(d) The males also had shaved all the hair from their underarm; it was visible to all. This contravenes Baba's guidelines of 16 points, i.e. "Do not cut the hair of the joints of the body." This gives the wrong message to the audience.

(e) Amazingly, the theme of the show was how youths prepare their mind to become avadhutas and avadhutikas. Yet, in reality, the entire program only served to goad people's minds toward sensuality - not towards divinity. Our RAWA programs should goad the mind from muladhara cakra to the sahasara cakra - not sahasrara to muladhara. So see what Mr Pathak's dance program did - that is the irony.  (DMS News: Uncultured Dance in Cultural Program, posted 6/10/12)

Note 2: HUMAN MOVEMENT AND RAWA:

TOWARDS THE SUBTLE SPHERE

Baba says, "Then again, you are not merely an animal: simply eating, drinking and sleeping is not everything for a human. A human has a subtler life, a more charming life, a more fascinating life, so your physical existence moves towards your psychic existence, and this movement is your [quest] for higher life, your [quest] for subtler life, that is, your physico-psychic movement, starting from the physical level and moving towards the psychic level. Your physico-psychic activities are architecture, literature, dance, music – they are all your physico-psychic movement. And this movement is from crude to subtle, starting from the cruder arena and moving towards the subtler arena. That’s why in Ananda Marga I encourage this physico-psychic movement: because it will help you in moving towards the subtler world, in moving towards the supreme spiritual goal."

"Then the third human [movement] is on the pure psychic level. Your thought-waves, your subtler thoughts, your aesthetic tastes, they are all your psychic movement. For physico-psychic movement, I encourage boys and girls to start work in the RAWA [Renaissance Artists’ and Writers’ Association] movement. You know, to work in RAWA, high-grade intellect is not necessary. But for pure psychic movement, pure psychic development, higher intellect is necessary. And in that realm also humans are to be encouraged, because it is even subtler than physico-psychic movement – it is pure psychic movement. And for that I encourage the intellectuals of Ananda Marga to form RU [Renaissance Universal] Clubs. Let there be psychic development, let there be clashes and cohesions in the realm of intellect. This will help a person to move from crude to subtle. This is the third expression of the human actional faculty." (Ananda Vacanamrtam - 30, Human Expressions and Human Movements)

Note 3: LINK TO PRIOR LETTER

(Note: The above email is in follow up to the thread titled, "DMS News: Uncultured Dance in Cultural Program." Below is a link to the most recent letter of that thread. - Eds)

http://am-global-01.blogspot.com/2012/07/re-dms-news-12-uncultured-dance-in.html

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In Him & His Mission
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