Thanks,
Paul.
The state of having the hell scared out of one.
--
Steve Hayes from Tshwane, South Africa
http://www.geocities.com/Athens/7734/steve.htm
E-mail - see web page, or parse: shayes at dunelm full stop org full stop uk
It has to have some figurative interpretation, I think, unless you can
find some objective definition in a dictionary someplace.
In my view, 'moral terror' takes on a feeling of fear for one's soul,
fear of loss of courage, fear that one is making a horrible mistake,
extreme guilt.
But I haven't seen the movie. Is there a discussion or mood in the film
that gives more context?
An afterthought: Are you sure you aren't hearing 'mortal terror'?
>In my view, 'moral terror' takes on a feeling of fear for one's soul,
>fear of loss of courage, fear that one is making a horrible mistake,
>extreme guilt.
>But I haven't seen the movie. Is there a discussion or mood in the film
>that gives more context?
I have quoted more of the speech Kurtz makes below. Fear for one's soul,
morality in wartime etc. are indeed themes in the movie.
This is a central speech in the movie, but I could never put into words what
I thought 'moral terror' meant. The above explanation is the best I've heard,
BTW this movie is definitely worth checking out - the recent redux version
has the advantage of excellent coloring.
>An afterthought: Are you sure you aren't hearing 'mortal terror'?
I think it was moral terror. Using google I can find the same quotation with
'moral terror' and 'mortal terror'. However, after listening to a sound clip
from the movie at http://film.tierranet.com/films/a.now/sounds.html it is
indeed 'moral terror'. This is a very slow download, there is a copy
at www.galcit.caltech.edu/~pog/kurtz.wav.
Cheers,
Paul.
KURTZ:
"I've seen horrors...horrors that you've seen. But you have no right to call
me a murderer. You have a right to kill me. You have a right to do that...But
you have no right to judge me. It's impossible for words to describe what is
necessary to those who do not know what horror means.
Horror. Horror has a face...And you must make a friend of horror. Horror and
moral terror are your friends. If they are not then they are enemies to be feared.
They are truly enemies. I remember when I was with Special Forces...Seems
a thousand centuries ago...We went into a camp to innoculate the children.
We left the camp after we had innoculated the children for Polio, and this old
man came running after us and he was crying. He couldn't see. We went
back there and they had come and hacked off every innoculated arm. There
they were in a pile...A pile of little arms. And I remember...I...I...I cried...
I wept like some grandmother. I wanted to tear my teeth out. I didn't know what I
wanted to do. And I want to remember it. I never want to forget it. I never want
to forget. And then I realized...like I was shot...Like I was shot with a
diamond...a diamond bullet right through my forehead...And I thought:
My God...the genius of that. The genius. The will to do that. Perfect,
genuine, complete, crystalline, pure. And then I realized they were
stronger than we. Because they could stand that these were not
monsters...These were men...trained cadres...these men who fought with
their hearts, who had families, who had children, who were filled with
love...but they had the strength...the strength...to do that. If I had ten
divisions of those men our troubles here would be over very quickly. You
have to have men who are moral...and at the same time who are able to
utilize their primordal instincts to kill without feeling...without passion...
without judgement...without judgement. Because it's judgement that
defeats us. "
>I think it was "mortal", not "moral", that Marlin Brando as Colonel Kurtz
>actually said, or at least was meant to say. The dictionary I have uses
It is possible that he was meant to say 'mortal', but said 'moral' instead.
The phrase 'mortal' terror would certainly make sense in context.
-Paul.
This is difficult. Going back to Conrad, in *Heart of Darkness* (p 159
of my undated Blackwood edn of *Youth and Two Other Stories* so
probably about 20-25 pages before the end of HofD in most editions)
the narrator, Marlow, says:
"The fact is I was completely unnerved by a sheer blank fright, pure
abstract terror, unconnected with any distinct shape of physical
danger. What made this emotion so overpowering was -- how shall I
define it? -- the moral shock I had received, as if something
altogether monstrous, intolerable to thought and odious to the soul,
had been thrust upon me unexpectedly."
I think Coppola may well have had this passage, or key words from it,
somewhere in his mind. I'm not entirely convinced it means anything
more than just "terror"(i.e., Steve may be right), but if this is the
feeling referred to, it's clearly "moral" as opposed to "physical"
rather than "moral" as opposed to "immoral".
I wonder, too, if "moral terror" may be hinting at "moral" as in
"moral tales": a terror which has a beneficial effect from some point
of view.
Perhaps there's a connection with the naval and military view of "good
morale", the state of mind in which your bosses want you to be? (Also
in a colonial context, Kipling in *Kim* has "Whisky was demoralizing
the Ao-Chung man" when the latter had started being rude about white
men.)
I now can't help noticing that right at the beginning of the story
there's a passing mention of the ships *Erebus and Terror*.
Does any of this chime with what you've been thinking?
Mike.
My goodness! He is describing the suicide bombers, al Qaeda. How
timely for this day and age!
It could be a mis-hearing; I can't recall, myself. But "Apocalypse
Now" is not far removed from its ancestor, "Heart of Darkness", and
the latter could be used to make a pretty good case that there is such
a thing as "moral terror" in the sense you give to it.
--
Chris Green