news:d4f14h...@mid.individual.net:
It's a natural English idiom: a number of notable writers have deployed
it in dialogue and narration, e.g., Charles Dickens, in *Bleak House*:
'I do assure you both, there's nothing I wouldn't do to discharge
this obligation. But whatever I have been able to scrape together,
has gone every two months in keeping it up...'
And Anthony Trollope:
'Surely we can do something. Can't we get it in the papers that he
must be innocent,- so that everybody should be made to think so? And
if we could get hold of the lawyers, and make them not want to - to
destroy him! There's nothing I wouldn't do...'
And Edith Wharton:
She was a delicate-looking lady, but when she smiled I felt there
was nothing I wouldn't do for her.
Oscar Wilde put the phrase in Lord Illingworth's mouth in *A Woman of No
Importance*: 'To win back my youth, Gerald, there is nothing I wouldn't
do - except take exercise, get up early or be a useful member of the
community.' P.G. Wodehouse used it in first-person narration: 'She made
me feel that there was nothing I wouldn't do for her. She was rather
like one of those innocent-tasting American drinks which creep
imperceptibly into your system so that, before you know what you're
doing, you're starting out to reform the world by force if necessary and
pausing on your way to tell the large man in the corner that, if he
looks at you like that, you will knock his head off.'
If it sounds odd to modern ears, I think it's only because most of the
other double- (and triple-, and even quadruple-) negative constructions
that were once common have been chased out of common usage.
--
S.O.P.