The 1910 edition of Grove's Dictionary has an entry naming Haydn (i.e., Leopold's),
Mendelssohn, etc. The 1980 New Grove doesn't have an entry under "Toy Symphony"
and since I don't have all the volumes, I can't check other possibilities.
> >> I was actively listening to classical music before you were born, boy.
> >> I was obsessed with Bach's Double Violin Concerto in D minor (BWV
> >> 1043) when I was nine years old. I had a stack of 78 rpm vinyl disks
> >> - all classical - given to me by a family friend.
> >>
> >> I would have liked to have heard E. Power Biggs play this on the
> >> Flentrop tracker at the Busch-Reisinger Museum, Harvard University.
> >>
> >>
https://www.youtube.com/watch?v=rZQ--KHn21A
> >>
> >> (I love classical organ. You will probably know this as music from the
> >> movie, "Casino")
> >
> >I'm not sure I've ever heard of that movie -- certainly haven't seen it --
> >but I outgrew E. Power Biggs's approach to Bach as soon as I encountered organists
> >who knew what they were doing, in terms of historical practices and appropriate
> >timbres. That was upon arriving in college in 1968.
> >
> >The Flentrop was a decent guess in 1955 or so. We know much more now.
> >
> >Maybe the only decent recording Ormandy ever made was Saint-Saens's Organ Symphony
> >with Biggs. That was the kind of thing he was good at. His pedal-harpsichord
> >attack on Schubert's Marche Militaire is hilarious.
>
> I see Google must have been smoking.
What would Google have to do with it???
You're a fraud. How can anybody
> believe anything you say?
In 1968, there was a Schlicker in Bailey Hall, the main concert hall, that
replaced the grand 1913 organ that had been destroyed in a flood (when someone
idiotically turned on the blower while it was under water). The Schlicker was
monumentally unsuited to the large concert hall, or to use with orchestral works,
and when the university bookstore moved out of Barnes Hall, the former chapel
in Barnes Hall was converted to a recital hall and the Schlicker worked
perfectly there. (Though it's since been removed.)
Sage Chapel has a 1940 Aeolian-Skinner, based on the 1909 E. M. Skinner, and
it's remarkable versatile. Sometimes I'd hang around when Mr. Strauss was
tuning it. (Yes, the small town of Ithaca, New York, could support a full-time
professional organ tuner.)
Just after I graduated, an Adam, IIRC, French Baroque
instrument was installed in the Annabel Taylor Chapel; I heard it a year or
two later; Mr. Paterson, our Organist and Choirmaser, was a specialist in French
Baroque organ music and also participated in the dedicatory recital series at
St. Thomas's on Fifth Avenue (NYC) when the same builder installed a similar
instrument in the balcony, complementing the Aeolian-Skinner in the chancel.
In Chicago, I mostly heard the E. M. Skinner in Rockefeller Chapel, though the
Organ Historical Society had its national convention in Chicago in 1986 or
so, so I heard historic instruments all over the city in free recitals. (That
was before the OHS started putting out CD sets of representative pieces
on each of the organs they visited -- there's a Chicago set from years later but
it seems not to have hit equally old instruments.)
Medinah Temple had an organ excellently suited for orchestra work --
you can hear it in Reiner's Also Sprach Zarathustra (only recently is there
an organ in Orchestra Hall). The only time I heard it was in Mahler's Eighth
in 1997. Medinah Temple is now a department store and I've no idea what happened
to the organ. Clearly they had no notion of doing a Wanamaker's and drawing
in customers with daily organ recitals (the New York store, which burned up in 1955,
had an organ too, but not as elaborate as the Philadelphia one.)