Reading the excellent 'The Phoney War on the Home Front' by ES Turner
(1961), I come across a bit (p107ff) on ITMA.
It highlights
"'This is Funf speaking' (for leg-pulling on the phone); 'After you
Claude - No, after you, Cecil' (for collisions at doors, or baling out
of aircraft); 'I don't mind if I do' (for the bar); 'I go - I come
back' (for anyone temporarily excusing himself from company); 'TTFN'
(Ta Ta For Now - for longer absences); 'It's me noives' (to excuse any
clumsiness); 'Boss, boss, something terrible's happened' (for softening
adverse news); 'Well, for ever more' (to express moderate suprise [I've
never seen this one mentioned elsewhere]); and 'Can I do you now, sir?'
(applications various)."
Of these, TTFN has survived (whether via ITMA or Jimmy Young or by some
other route, I couldn't say), and the others haven't. My recollection
is that the Claude/Cecil line was still in use in the 1970s, the others
not so much.
The line I like the best of its kind is
"You should use stronger elastic"
dated (with details of its origin) to a BBC broadcast on December 3
1950 by Eric Partridge's 'Dictionary of Catchphrases' (2nd Ed p373).
> The really effective catchphrase was the one that listeners would find
> useful in everyday life - for breaking the ice, covering embarrassment
> and the like.
>
> Reading the excellent 'The Phoney War on the Home Front' by ES Turner
> (1961), I come across a bit (p107ff) on ITMA.
>
> It highlights
>
> "'This is Funf speaking' (for leg-pulling on the phone); 'After you
> Claude - No, after you, Cecil' (for collisions at doors, or baling out
> of aircraft); 'I don't mind if I do' (for the bar); 'I go - I come
> back' (for anyone temporarily excusing himself from company); 'TTFN'
> (Ta Ta For Now - for longer absences); 'It's me noives' (to excuse any
> clumsiness); 'Boss, boss, something terrible's happened' (for softening
> adverse news); 'Well, for ever more' (to express moderate suprise [I've
> never seen this one mentioned elsewhere]); and 'Can I do you now, sir?'
> (applications various)."
>
> Of these, TTFN has survived (whether via ITMA or Jimmy Young or by some
> other route, I couldn't say), and the others haven't.
They have in some places. Claude and Cecil still appear occasionally in
my extended family, as do "I don't mind if I do" and "Can I do you now,
sir?"
My recollection
> is that the Claude/Cecil line was still in use in the 1970s, the others
> not so much.
>
> The line I like the best of its kind is
>
> "You should use stronger elastic"
>
> dated (with details of its origin) to a BBC broadcast on December 3
> 1950 by Eric Partridge's 'Dictionary of Catchphrases' (2nd Ed p373).
>
--
Laura
(emulate St. George for email)
>Halcombe wrote:
>
>> The really effective catchphrase was the one that listeners would find
>> useful in everyday life - for breaking the ice, covering embarrassment
>> and the like.
>>
>> Reading the excellent 'The Phoney War on the Home Front' by ES Turner
>> (1961), I come across a bit (p107ff) on ITMA.
>>
>> It highlights
>>
>> "'This is Funf speaking' (for leg-pulling on the phone); 'After you
>> Claude - No, after you, Cecil' (for collisions at doors, or baling out
>> of aircraft); 'I don't mind if I do' (for the bar); 'I go - I come
>> back' (for anyone temporarily excusing himself from company); 'TTFN'
>> (Ta Ta For Now - for longer absences); 'It's me noives' (to excuse any
>> clumsiness); 'Boss, boss, something terrible's happened' (for softening
>> adverse news); 'Well, for ever more' (to express moderate suprise [I've
>> never seen this one mentioned elsewhere]); and 'Can I do you now, sir?'
>> (applications various)."
>>
>> Of these, TTFN has survived (whether via ITMA or Jimmy Young or by some
>> other route, I couldn't say), and the others haven't.
>
>They have in some places. Claude and Cecil still appear occasionally in
>my extended family, as do "I don't mind if I do" and "Can I do you now,
>sir?"
Didn't Bill Fraser - "Snudge" say something similar? He certainly preceded
something with an exagerated cough.
>
>
>My recollection
>> is that the Claude/Cecil line was still in use in the 1970s, the others
>> not so much.
>>
>> The line I like the best of its kind is
>>
>> "You should use stronger elastic"
>>
>> dated (with details of its origin) to a BBC broadcast on December 3
>> 1950 by Eric Partridge's 'Dictionary of Catchphrases' (2nd Ed p373).
>>
--
Jim
"a single species has come to dominate ...
reproducing at bacterial levels, almost as an
infectious plague envelops its host"
http://tinyurl.com/c88xs
>Reading the excellent 'The Phoney War on the Home Front' by ES Turner
>(1961), I come across a bit (p107ff) on ITMA.
>
>It highlights
>
>"'This is Funf speaking' (for leg-pulling on the phone); 'After you
>Claude - No, after you, Cecil' (for collisions at doors, or baling out
>of aircraft); 'I don't mind if I do' (for the bar); 'I go - I come
>back' (for anyone temporarily excusing himself from company); 'TTFN'
>(Ta Ta For Now - for longer absences); 'It's me noives' (to excuse any
>clumsiness); 'Boss, boss, something terrible's happened' (for softening
>adverse news); 'Well, for ever more' (to express moderate suprise [I've
>never seen this one mentioned elsewhere]); and 'Can I do you now, sir?'
>(applications various)."
>
>Of these, TTFN has survived (whether via ITMA or Jimmy Young or by some
>other route, I couldn't say), and the others haven't. My recollection
>is that the Claude/Cecil line was still in use in the 1970s, the others
>not so much.
We still occasionally use Claude and Cecil, also "It's me noives"
(which seems to come in the same bracket as "distoibed" from an
entirely different source), and "Can I do you now, sir?". Haven't
heard the others for years, though.
--
Katy Jennison
spamtrap: remove the first two letters after the @
> On 10 Aug 2005 07:08:44 -0700, "Halcombe" <halc...@subdimension.com>
> wrote:
>
>
>>Reading the excellent 'The Phoney War on the Home Front' by ES Turner
>>(1961), I come across a bit (p107ff) on ITMA.
>>
>>It highlights
>>
>>"'This is Funf speaking' (for leg-pulling on the phone); 'After you
>>Claude - No, after you, Cecil' (for collisions at doors, or baling out
>>of aircraft); 'I don't mind if I do' (for the bar); 'I go - I come
>>back' (for anyone temporarily excusing himself from company); 'TTFN'
>>(Ta Ta For Now - for longer absences); 'It's me noives' (to excuse any
>>clumsiness); 'Boss, boss, something terrible's happened' (for softening
>>adverse news); 'Well, for ever more' (to express moderate suprise [I've
>>never seen this one mentioned elsewhere]); and 'Can I do you now, sir?'
>>(applications various)."
>>
>>Of these, TTFN has survived (whether via ITMA or Jimmy Young or by some
>>other route, I couldn't say), and the others haven't. My recollection
>>is that the Claude/Cecil line was still in use in the 1970s, the others
>>not so much.
>
>
> We still occasionally use Claude and Cecil, also "It's me noives"
> (which seems to come in the same bracket as "distoibed" from an
> entirely different source)
West Side Story?
, and "Can I do you now, sir?". Haven't
> heard the others for years, though.
>
--
>Wood Avens wrote:
>> We still occasionally use Claude and Cecil, also "It's me noives"
>> (which seems to come in the same bracket as "distoibed" from an
>> entirely different source)
>
>West Side Story?
What else? (Apologies for any STS that might eventuate.)
>Halcombe wrote:
>
>> The really effective catchphrase was the one that listeners would find
>> useful in everyday life - for breaking the ice, covering embarrassment
>> and the like.
>>
>> Reading the excellent 'The Phoney War on the Home Front' by ES Turner
>> (1961), I come across a bit (p107ff) on ITMA.
>>
>> It highlights
>>
>> "'This is Funf speaking' (for leg-pulling on the phone); 'After you
>> Claude - No, after you, Cecil' (for collisions at doors, or baling out
>> of aircraft); 'I don't mind if I do' (for the bar); 'I go - I come
>> back' (for anyone temporarily excusing himself from company); 'TTFN'
>> (Ta Ta For Now - for longer absences); 'It's me noives' (to excuse any
>> clumsiness); 'Boss, boss, something terrible's happened' (for softening
>> adverse news); 'Well, for ever more' (to express moderate suprise [I've
>> never seen this one mentioned elsewhere]); and 'Can I do you now, sir?'
>> (applications various)."
>>
>> Of these, TTFN has survived (whether via ITMA or Jimmy Young or by some
>> other route, I couldn't say), and the others haven't.
>
>They have in some places. Claude and Cecil still appear occasionally in
>my extended family, as do "I don't mind if I do" and "Can I do you now,
>sir?"
>
>
Mind my bike?
Mike Page
Get up them stairs, Or is that from something else?
Deeeah -- kindly judge yah honah
My parents treat me ruff
Wid all da marijuana
Dey won't give me a puff
Dey didn't wanta have me
But somehow I was had
Leapin' lizards, dat's why I'm so bad.
>Reading the excellent 'The Phoney War on the Home Front' by ES Turner
>(1961), I come across a bit (p107ff) on ITMA.
Pls cd U tel m wht ITMA is?
Abbrvns R a pn n t nk.
--
Steve Hayes from Tshwane, South Africa
http://www.geocities.com/Athens/7734/stevesig.htm
E-mail - see web page, or parse: shayes at dunelm full stop org full stop uk
"It's That Man Again". Old British radio comedy series.
--
MSB "MSB is an accepted explanation for men's
TO misbehaviors. ... Just blame it on MSB
m...@vex.net and everyone nods their heads." -- "TJ"
Philip Eden
>Steve Hayes writes:
>> Pls cd U tel m wht ITMA is?
>
>"It's That Man Again". Old British radio comedy series.
Thanks.
Google suggests Cyril Fletcher. I would have guessed Al Read or Jimmy
Clitheroe.
During the past couple of months ScreenSelect have sent us the
complete "Rumpole" series, and I thought I recognised the voice of
"Uncle Tom". Sure enough, when I checked the credits, it was Richard
"Stinker" Murdoch who, with Kenneth Horne, starred in "Much Binding in
the Marsh" in the late 1940s. MBitM started a couple of years before
ITMA was brought to a halt by the sudden death of Tommy Handley, but I
don't remember any of its catch-phrases.
--
Robin Bignall
Hoddesdon, England
>On Thu, 11 Aug 2005 04:10:34 -0000, m...@vex.net (Mark Brader) wrote:
>
>>Steve Hayes writes:
>>> Pls cd U tel m wht ITMA is?
>>
>>"It's That Man Again". Old British radio comedy series.
>
>Thanks.
The actual man concerned was Tommy Handley.
I suppose it depends how precocious he was. The first ITMA was broadcast
just before he was born and the last when he was 10 years old. Though "I
don't mind if I do" is tracked to the mid 19th Century by OED.
But I remember Claude and Cecil from the 70s - it was quite popular with
senior Civil Servants and I had to ask, discretely, what it was about.
--
John Dean
Oxford
Philip Eden
Al get me coit.
Cheers, Sage
Oy!
In my case I don't think I ever heard ITMA, but I remember vividly how upset
all the grownups seemed to be when Tommy Handley died. And I grew up with all
the ITMA catchphrases although it was a long time before I knew where they came
from. The Cecil one and "Can I do you now, sir?" are still pretty common
currency among my friends of my own generation, who presumably acquired them in
much the same way.
Katy
I asked one person at a time until I found out ...
--
John Dean
Oxford
Didn't Horne often refer to "I remember when I was in Sidi Barani ..."?
We've used the theme tune often for rude singsongs at our local amdram
group. "At Much Binding in the Marsh, tara-da-da-dada-da-dada." There
was, too, "Over the Garden wall" with Norman Someone or other. And a
riotous one from Tyneside with the most astounding stream of Geordie
ever heard outside Newcastle.
Cheers, Sage
Did you ask young Dr. 'Ardcastle? "'E's luvly Missis 'Oskins. 'E's
lovely." Whose line was that, anyway?
And did you canvass the folk in "Aidley, Madeley, Keele and 'castle,
Ukston (Eukeston), Buxton, 'Ale and "Assle." .. from (I think) "our
Birmingham studios." (But could have been Manchester. Note spellings may
be approximate.)
These and others were staple fare at home.
Cheers, Sage
And utterly unknown chez Dean.
--
John Dean
Oxford
In my family, it was Alphonse and Gaston. Apparently that's from an
American cartoon dating to 1901
<http://www.toonopedia.com/alphgast.htm>.
"Bailing" out, according to MWCD on line.
--
Jerry Friedman
We must have had a bigger crystal in our set, or else a tougher cat's
whisker.
Cheers, sage
Cleese was born on the 27th October, 1939, which makes him exactly a
month older than me, and I was brought up on ITMA. It was not just
parents who were upset when Tommy Handley died suddenly. The next
'personality' shock after that, BTW, was when Dean (no relation) and
Jerry broke up in the 1950s.
>>>And did you canvass the folk in "Aidley, Madeley, Keele and 'castle,
>>>Ukston (Eukeston), Buxton, 'Ale and "Assle." .. from (I think) "our
>>>Birmingham studios." (But could have been Manchester. Note spellings
>>>may be approximate.)
>>>
Those I'm unfamiliar with. But they've reminded me of
"'Ull, 'ell and 'Alifax," a favourite of our French master.
Never understood that one either.
Philip Eden
Ah, now *there*, Sir, I *can* do you now:
There is a Proverbe, and a prayer withall,
That we may not to these strange places fall,
From Hull, from Halifax, from Hell, 'tis thus,
From all these three, good Lord, deliver us...
- Thieves Litany by John Taylor (1580-1654)
http://www.metaphor.dk/guillotine/Pages/gibbet.html
Google Groups will show you there's been some previous discussion here.
--
John Dean
Oxford
>>>>And did you canvass the folk in "Aidley, Madeley, Keele and 'castle,
>>>>Ukston (Eukeston), Buxton, 'Ale and "Assle." .. from (I think) "our
>>>>Birmingham studios." (But could have been Manchester. Note spellings
>>>>may be approximate.)
The 5th is Euxton. Supposedly the pronunciation is /'Ekst@n/. It's one
of those towns that provides a pronunciation quiz for foreigners,
especially after one has pointed out the correct pronunciation of
Euston.
>Those I'm unfamiliar with. But they've reminded me of
>"'Ull, 'ell and 'Alifax," a favourite of our French master.
>Never understood that one either.
In times gone by there was little to choose between Hull, Halifax, and
the infernal regions. The first two had severe local laws against
tramping workers. The full speech is "From 'Ell, 'Ull, and 'Alifax, may
the Good Lord preserve us."
There are those who claim that little has changed as regards the
desirability of Hull and Halifax.
--
Graeme Thomas
> There are those who claim that little has changed as regards the
> desirability of Hull and Halifax.
We don't seem to getting much feedback from the third place. Enquiring
minds need to know, because that's where most of their friends will
probably go too.
--
Rob Bannister
>group. "At Much Binding in the Marsh, tara-da-da-dada-da-dada." There
>was, too, "Over the Garden wall" with Norman Someone or other.
The great Norman Evans (Les Dawson's hero).
>On Thu, 11 Aug 2005 04:10:34 -0000, m...@vex.net (Mark Brader) wrote:
>
>>Steve Hayes writes:
>>> Pls cd U tel m wht ITMA is?
>>
>>"It's That Man Again". Old British radio comedy series.
>
>Thanks.
It was actually called "ITMA" and is such a seminal programme that probably
everyone over the age of 40 in the UK will know of it.
I think of :-
ITMA, The Goons, I'm Sorry I'll Read That Again, Monty Python, Fawlty Towers,
Black Adder.
--
Jim
"a single species has come to dominate ...
reproducing at bacterial levels, almost as an
infectious plague envelops its host"
http://tinyurl.com/c88xs
Philip Eden
http://www.whirligig-tv.co.uk/radio/itma.htm