Thanks!
That figure is for "top earners" and is perhaps a little high for Chuck Woolery
hosting WOF during that era. Jack Barry made more than his MC salary by
co-owning shows that he and others emceed -- same with Monty Hall.
Apparently, NBC thought the same thing about Chuck's salary being
too high...
--Robair
>Apparently, NBC thought the same thing about Chuck's salary being
>too high...
I was saying that Woolery probably wasn't making $5,000 per week, not that his
salary, whatever that might have been, was too high.
The figure bandied about by Jeff Graham was $300,000 for Chuck circa 1982,
eight years after the TV Guide article. Barker and Rayburn were making about
$260,000 a year in 1974, if that article is taken as gospel.
I guess the question is who's making what *now*. There's got to be a big
difference between Pat Sajak's salary and John O'Hurley's.
-- Curt Alliaume
----------------------
Game Shows '75
http://www.geocities.com/Hollywood/Bungalow/2827/gameshow.html
Louie Anderson makes $75K/wk, if that helps.
Chuck Donegan (The Illustrious "Chuckie Baby")
OK, so a "veteran" emcee making $5,000 per week in the '80s has the misfortune
of landing a show which lasts just 13 weeks. His total take for the entire run
amounts to $65,000 -- less than Louie makes in a single week. To quote Dean
Martin, "ain't that a kick in the head?".
But then Louie is sooooo much better than Rayburn, Marshall, Cullen, etc. that
it isn't even worth discussing.
Eric Panchenko
<chris319> wrote in message
news:a7v20ucb8erceu400...@4ax.com...
To the rest of ATGS: who wants to contribute to the "Buy Eric Panchenko
a Sarcasm Detector" fund?
-- DZ
--
David Zinkin's Happy Fun World -- http://www.davidzinkin.com
CompuZink Computer Consulting -- http://www.compuzink.com
The Barely Tolerated E.D. Donahey Site -- http://www.eddonahey.com
** COMING SOON ** The Fiduciary Sanctuary - http://www.donnafiducia.com
$75K/week for the weeks he tapes episodes (let's say there are ten weeks with
tapings; that's $750,000 a year), $75K/week for each week of first-run episodes
(39 weeks of first-run episodes = $2,925,000), or $75K/week for all 52 weeks of
the year (52 weeks = $3,900,000)? Could be a big difference.
That $5,000 figure was from 1974, but the point is well taken. Bill Cullen did
a bunch of short-run shows (Winning Streak, Blankety Blanks, Pass the Buck);
fortunately he had a steady salary as a TTTT panelist and a side income doing
the syndie Pyramid over that time.
Rayburn, Marshall, and Allen Ludden, on the other hand, seemed to be one-trick
ponies; they never had *truly* successful shows other than the obvious ones.
(Unless someone wants to argue the merits of Dough Re Mi.)
I'd be curious about what a "week" means here. If it means that he gets
$75K for every five shows he tapes (a "week" of shows), that means they'd be
paying him more than three million a year, and that's just nuts. However,
if we're talking about a more traditional "work week", in which he could
tape many weeks' worth of shows, then the $75K figure makes a little more
sense.
<chris319> wrote in message ...
> But then Louie is sooooo much better than Rayburn, Marshall, Cullen, etc.
that
> it isn't even worth discussing.
OK, Chris, I know you're joking, but I'm trying to keep my turkey down here,
please don't post sentences like that anymore.
--Matt
otti...@acd.net
>Rayburn, Marshall, and Allen Ludden, on the other hand, seemed to be
>one-trick
>ponies; they never had *truly* successful shows other than the obvious ones.
I'm not sure exactly what Marshall made for "The Hollywood Squares", but an
early '70s interview in TV Guide implied it was a lot more than $5,000 per
episode. Plus he did five a week for the NBC show and two a week for the
syndicated version and apparently invested that money well...
Dixon
===========
"I'm not standing in the stag line with Old Man Perkins and a bunch of
slumped-over teenaged boys!"
--Barney Fife
Classic Hollywood Squares: http://www.classicsquares.com
It's revolting however you cut it. No one on a show pulling such
pitiful ratings deserves that kind of jack. Philbin, yes. Robinson, yes.
Sajak, yes. Trebek, yes. Bergeron, sure, what the hell. Anderson? Hell
no.
One thing's for sure... dude'll never have to want for Yodels again.
Justin Alexander Lollie
AIM: PierceNDismantle
Electric Lollieland is back! (RUUUUNN!)
http://lolliesmack.cjb.net
"When you do the common things in life in an uncommon way, you will command
the attention of the world."
- George Washington Carver (1864-1943)
He didn't make $5,000 per episode for the daytime show, I'll guarantee you that.
He might have made $5,000 per five daytime shows. Don't forget HS had nine other
celebrities on the set.
That's my guess, which works out to $15,000 per show he tapes, or $30,000 per
hour, or $500 per minute. And of course he'll get checks for reruns.
And free suits.
Turkey staying down, Matt?
Today I'm guessing Barker makes close to $2 million a year... somewhere in that
area code of $2 to $3 mil.
I'll say it again: That's just nuts. I have a ballpark idea of what
Bergeron makes for a higher-rated, higher-profile show and it's nowhere near
that figure. And the Fremantle folks are supposed to be the cheapskates!
Something's out of whack here.
> And free suits.
[Insert any NUMBER of jokes here.]
> Turkey staying down, Matt?
GAK!
--Matt
otti...@acd.net
"ROBDON33" <robd...@aol.com> wrote in message
news:20011126091243...@mb-ct.aol.com...
Given the way Louie butchers Fast Money questions regularly, I have to
agree. He also can't ad-lib going into commercials.
Does anyone know what Combs got for his run (syndie or CBS)?
USA weekend magazine reported shortly before Combs Feud debuted, that he'd be
getting $800K a year for hosting network and Syndie Feud.