Surrealism as sometimes the incongruous, the exceptional
kuku
-j.
fucking feminine beauty up my ass
"Morpheal" <morp...@sympatico.ca> wrote in message
news:3BFDCCF6...@sympatico.ca...
> Surrealism in life as sometimes the incongruous, the
> exceptional instance. In some way or other what stands
> out from the normative, and is meaningfully different.
>
> What is sometimes fascinating to me, is where feminine
> beauty is merged with mechanical elements in a very
> surreal manner. In theatrical circumstances or in life.
> Sometimes where both merge into one situation. As in
> the appended image. In this instance limbs lost and
> replaced by something that looks essentially robotic.
> An incongruous prosthetic element that startles and
> perhaps surprises the viewer's gaze.
>
> In some ways that added element sometimes makes the appealing
> human figure even more appealing, by means of the contrasts
> that are involved between flesh and the plastics
> and metals that comprise the devices that have replaced
> her tragically lost limbs. The depicted instance is
> particularly interesting because of attitude expressing
> elements of personality that add to the effect
> of the contrasts. In some ways, the contrasts tend to be
> much more pronounced when they occur as to the female figure,
> in addition to the effect of the viewer's sexual predilections
> as to what gender the viewer is attraced to, when there are
> other attractive physical and expressive attributes.
>
> I can visualize certain elements of a surreal film where some
> portion of the actors and actresses within it have such
> incongruous elements as part of how they present themselves
> within certain scenarios of action and dialogue. Of course
> the scenes must include elements of very extraordinary beauty
> if they are to signify something deeper and more profound
> than tend to be more customary implications of human violence
> within the surrealist repertoire. As in crutches appearing in
> Dali's paintings, along with disfigurements of form and function.
> Or Picasso's Guernica, which I cound as a surrealist work. Or
> David Lynch's "Erasor Head". Something more along the lines
> of Fellini, and Man Ray, but not exactly those either.
>
> Robert Morpheal
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Morpheal
> AMEN TO THAT. TOO BAD FOR ALL OF US.
Who is "all of us" ? Who is that instance of "us" ?
Why is it "too bad" ? Explication would be necessitated for the
purpose of any potential comprehension.
> -j.
>
> fucking feminine beauty up my ass
Each human being has a different standard as to beauty, and
what is attractive to that individual. Likely, despite the potential
for similarities as to that, no two individuals have exactly the
same responses as to beauty.
I have never found assholes to be attractive. Then again, there are
many, out there, and in here, who likely do find assholes attractive.
I am of course being very literal in saying that. I am not even
genderizing that comment. Simply a generic reference to assholes.
M.